IZZY HELTAI SHARES NEW SINGLE “SONGBIRD” VIA AMERICANA HIGHWAYS

IZZY HELTAI SHARES NEW SINGLE  

“SONGBIRD” VIA AMERICANA HIGHWAYS  

 DEBUT LP FATHER 

SET FOR RELEASE OCTOBER 9TH 

Photo: Joanna Chattman 

Photo: Joanna Chattman

LISTEN: “SONGBIRD” 

Massachusetts-based singer/songwriter Izzy Heltai has shared “Songbird,” the second single from his forthcoming debut full-length album Father, due out October 9th. "I spend a lot of my time on the road, playing wherever anyone might listen to me. Whether or not this is the most strategic move for my career is yet to be determined, but I can say I have a lot of fun,” Heltai explains of the song’s inspiration. “I end up sleeping in my car a decent amount and am no stranger to the luxuries a Walmart parking lot can offer when on the road. I was in Pittsburgh one night in early June. At this point, I’d been touring for about a month and a half and was pretty drained. As a rule of thumb, many of us road trippers, car campers, or just plain ole’ masochists know that it’s Walmart’s common practice to allow overnight parking for the purposes of a good night's rest. This was the night I learned it’s apparently not a nationwide policy. Thankfully, the security guard who found me, cozied up in my sleeping bag, half-awake and reading a book by flashlight, took pity on me and gently encouraged me, while profusely apologizing, to try the abandoned parking lot adjacent to the one I was currently in. I thanked her and went on my way,” he recalls. I woke up the next morning with this melody in my head. The lyrics came pretty quickly, and after about an hour this song came into existence." 

“Izzy Heltai has the contemporary indie folk vibe nailed down perfectly,” Americana Highways said in the premiere. “With a song that has both widespread appeal on the pop edge and layers of musicality, ‘Songbird’ is one not to be missed. Here’s to sleeping in our cars.” “Songbird” follows the release of lead single “The Stranger You’ve Become,” a compelling track about betrayal.  

LISTEN: “THE STRANGER YOU’VE BECOME”  

With brutal honesty towards himself and forgiveness for those around him, Izzy Heltai’s music walks the elusive line between confessional and relatable. On his debut album Father, Heltai dives deep into his fascination with human relationships, and specifically the way that those relationships change and reorganize themselves over time.    

Heltai sees his own coming of age reflected in the album, which includes songs written over the past four years. “Finding myself as an adult has largely been about how the people who have always been there for me can fit into my life in a new way,” he explains. 

On the album’s opening track “To Talk About Yourself,” Heltai, who is trans, looks back at the way society fixates on his identity as the only story that he has to tell. “Being trans is a part of me that is worth talking about” he says. “It’s a really cool thing that happened in my life, and informed a lot of how I see the world and how I know myself, and how I reflect on things… but as a marginalized individual, there comes a point where you feel commodified and exploited for your identity, and I’ve always had a fear, as an artist with many stories to tell, that my being trans is the only aspect of my work that people would take interest in.”  

Throughout the record, Heltai braves the exploration of not only interpersonal and societal relationships but also his own relationship to himself, and reckons with the ways that periods of depression have caused him to abandon those he loves.  The production is raw and full, with subtle harmonies and guitar lines weaving their way unexpectedly through the mix almost as if they were grown in the song. There is no sign of musical overthought, allowing Heltai’s emotional vocals to shine organically.     

At a time when any conversation with a stranger can quickly become a sociopolitical battle, Heltai’s introspective and thought out songs are a breath of fresh air. With an overwhelming empathy for humanity, and willingness to search for personal responsibility, Heltai’s Father will not leave your heart or your ears unchanged.  

CONNECT WITH IZZY HELTAI: 

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MONIQUE DEBOSE INVITES YOU TO JOIN THE “RALLY CALL” New Single Out Today

 MONIQUE DEBOSE INVITES YOU TO JOIN THE

“RALLY CALL”

New Single Out Today

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WATCH AND LISTEN TO “RALLY CALL”: HERE

August 28, 2020 - Los Angeles based artist and activist Monique DeBose is calling the masses to action with her powerful new single “Rally Call.”  The song is a call for liberation, an anthem for the disenfranchised. It was on this day in 1955 that Emmett Till, a black teenager from Chicago, was abducted from his uncle’s home in Money, Mississippi, by two white men after supposedly whistling at a white woman. His body was found days later, and both of his murders were acquitted by an all-white male jury in just a matter of hours.  The images of the open-casket funeral, which his Mother insisted on, showing the world the magnitude of the violence he endured, help to spark the Civil Rights Movement. Eight years later, on August 28th  250,000 people gathered at the Lincoln Memorial to hear Rev. Martin Luther King Jr. delivered his  “I Have a Dream” speech. Forty-three years after Dr. King’s speech,  on August 28th  at Invesco Field in Denver, Colorado, Barack Obama became the first black man to accept the Democratic nomination for President, going on to be the first black President in U.S. history.  Twelve years to the date after Barack Obama accepted the Presidential nomination, the United States is seeing people take to the streets in unprecedented numbers,  in the painful wake of the violent and unnecessary deaths of George Flloyd, Breonna Taylor, Ahmaud Arbery,  Elijah McClain, Eric Garner, Michael Brown, Philando Castile, Alton Sterling, Walter Scott and dozens more, and most recently Jacob Blake who just days ago nearly lost his life after being shot numerous times in the back by Wisconsin police officers.

DeBose wrote “Rally Call” with Isaac and Thorald Koren as a call to action for the oppressed and those who have lived under the heavy weight of systemic racism for hundreds of years. The performance footage in the video was shot during the height of the George Floyd protests at the Great Wall of Crenshaw, a Los Angeles landmark depicting pivotal figures from African American history. The chorus calls out to “get rid of those papers,”  a reference to a time in history when black people were unable to go out in public on their own without papers that demonstrated who they “belonged” to. As a mixed-race woman, DeBose knows all too well about “playing a role,” having had to oscillate back and forth between the two worlds she lived in, black and white.  “I see this song as medicine, plain and simple,” says DeBose. “The message is the truth, the music makes it palatable. Share this video with the world so that we don’t slip back into complacency. Let this song be the reminder that you need to keep speaking out and standing for what serves us all.”  DeBose is encouraging everyone to join the “Rally Call” through three key initiatives, Voting,  Education, and Sharing.  Learn more about her “Rally Call” initiatives HERE.

DeBose holds a master's degree in Spiritual Psychology and a BA in Mathematics from UC Berkeley.  Monique calls Los Angeles home, is married to a Brit, and is raising two compassionate, culturally intelligent boys. Her life and upbringing, being raised by an African American father from the segregated South and Irish American mother from upstate New York, is the inspiration for her work, pushing people to step out of seeing themselves and the world,  as black or white, but to embrace all of who they are and to live life in full color.

DeBose honed her craft at Billy Higgin’s famous World Stage jazz club in Leimert Park, as well as in various jazz bands.  She is a trained jazz vocal improviser, and once led a community of over 500 improv singers across the world.  In 2005 and 2007, she released two albums – Choose the Experience (featuring Kamasi Washington) and Choose the Experience 2 – and performed internationally, in India, China, London, and Amsterdam. This idea of “Living Life in Full Color” is the driving force behind her artistic output. DeBose received rave reviews for her one-woman show “Mulatto Math: Summing up the Race Equation in America” winning the  Producer’s Encore Award at the Hollywood Fringe Festival before being transformed into a workshop which she has performed at UCLA and MindValley. DeBose was also a featured artist and performer at TEDx where she performed “Rally Call” live.

For the release of “Rally Call,” DeBose is donating a portion of the proceeds to  Color of Change, the nation’s largest online racial justice organization, who are celebrating their 15th Anniversary this year.  With over 1.7 million members, Color of Change works to move decision-makers in corporations and government to create a more human and less hostile world for Black people in America. 

KEEP UP WITH MONIQUE

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GARRETT OWEN PREMIERES NEW SINGLE “NO ONE TO SAVE YOU” VIA AMERICAN SONGWRITER

GARRETT OWEN PREMIERES NEW SINGLE 

“NO ONE TO SAVE YOU” 

VIA AMERICAN SONGWRITER 

NEW LP QUIET LIVES 

SET FOR RELEASE ON SEPTEMBER 18TH 

Garrett Owen is a consummate artist, with lyricism beyond his years and an inimitable playing style that has him earning new fans all over the place - NPR  

After a life of travel and introspection, Owen may have finally found his place after all - Dallas Observer 

He writes from and to the heart, his impassioned vocal work and emotional finger-picking second only to his stunning, evocative lyricism - Atwood Magazine 

One of his most expansive creations yet – V13 

Photo: Melissa Laree Cunningham 

Photo: Melissa Laree Cunningham

Today, Texas-based singer/songwriter Garrett Owen shares “No One To Save You,” the latest single from his forthcoming album Quiet Lives, due out September 18th. "With a sound akin to the more melancholy side of Jesse Malin, Owen brims with a mixture of mourning and understanding in his new single,” says American Songwriter. “Lyrically the award-winning songwriter cuts a swath a mile wide as he tells the all too familiar tale of love lost on a six stringed road.” “Touring can be stressful in a lot of ways – stressful on your physical health, your mental health and on your personal life,” Owen told American Songwriter. “A few years ago, I was on tour opening for Parker Millsap, driving myself to all the dates in my little Honda Civic. I was in a new relationship that ultimately couldn’t withstand that stress. It just didn’t work, and I can’t blame her really.” 

LISTEN: “NO ONE TO SAVE YOU” 

“No One To Save You” follows the release of “Hour In The Forest” and lead single “These Modern Times,” which Atwood Magazine called “a gust of sweet, somber, and seductive folk.” “These Modern Times” features Owens’ take on our society’s addiction to technology and constant digital connection, fleshing out the lyrics on one of his regular sojourns to the Brazos River, where he finds peace in the “dis-connection” of being in nature. Owen’s love of nature is ingrained in his DNA - his earliest memories involve frequent trips across the Serengeti and backyard wildlife most of us only experience at our local zoos. The son of missionaries, he grew up in Tanzania and Kenya, riding on the luggage rack of the family’s Nissan Patrol, with vast clear skies above him and gazelles running beside.  

LISTEN: “HOUR IN THE FOREST” 

LISTEN: “THESE MODERN TIMES” 

After leaving Africa, the family completed a stint in Ecuador before Owen’s parents moved the family back to Texas. Life as he knew it became a difficult endeavor; rimmed with the sharp edges of reality in an unfamiliar place, his attempts to settle into a culture he didn’t understand resulted in distress and a suicide attempt - a far cry from the idyllic landscape of his upbringing.      

Now, the award-winning artist, who calls to mind legends like Paul Simon, Jackson Browne, and Jesse Winchester, is gearing up to release his second full-length album, Quiet Lives. Though he revisits familiar subject matter such as the push-pull of relationships, love, and loss, Quiet Lives is about growth. The diverse 10-track collection delves into more experimental musical territory, as Owen toyed with complex chord changes, melodic dissonance, and intriguing storylines.  

“At its core, all art is based on a ‘true story,’ and by true, I mean the version we carry in our head and heart - the one that can lift or crush your spirit with equal capacity,” the golden-voiced Owen, who has shared stages with artists like Parker Millsap, Charlie Sexton, and Marty Stuart, explains. “Some suggest that your upbringing explains quirks of personality like my shyness, a tendency for introspection, and streaks of perfectionism. Maybe. I’m not so fatalistic as to believe our earliest experiences necessarily determine the arc of adult life, but my slightly foreign childhood never leaves my music or me. Everybody’s got a story to tell,” he adds. “I’m no different.”  

CONNECT WITH GARRETT OWEN: 

Website || Facebook || Instagram || Twitter || Spotify || YouTube 

AIR TRAFFIC CONTROLLER RELEASES NEW SINGLE “SOMETIMES”

AIR TRAFFIC CONTROLLER RELEASES NEW SINGLE

“SOMETIMES”

OUT NOW 

New Single Teases Forthcoming Album Due In 2021

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LISTEN TO “SOMETIMES”: HERE

 BOSTON, MASS. – Air Traffic Controller wouldn’t let a pandemic stop the recording of their fifth album. Instead of throwing up their hands, they rolled up their sleeves and took an unconventional approach to finish the first single “Sometimes,” out now.

 “I called one of my bandmates over,” frontman/songwriter Dave Munro recalls to American Songwriter. “We did a distanced recording: he was in my driveway in his car with a laptop, and I created a vocal booth in the garage and we got this vocal take done.”

 With a majority of the album complete, Air Traffic Controller is excited to offer a taste of the new tunes by releasing this heart-felt anthem about the end of a real relationship. “Sometimes we bottle our emotions in order to move forward. This song was my way of removing the cap.”

“…a buoyant ode to hearts shattering quickly and healing in earnest.” – Vanyaland

“[“Sometimes”] juxtaposes jaunty pop melodies with Munro’s heartfelt vocals describing the fallout from a disintegrated relationship…” – American Songwriter

"[“Sometimes”] is a supremely fun listen – bouncy, plucky, with a big hook and memorable lyrics.” - Ground Sounds

 Air Traffic Controller will perform “Sometimes” live this month with two live stream performances with Jam in the Van this Friday 8/28 and Bands in Town “Outskirt” channel on Monday, 8/31. Further details below.

About ATC: Air Traffic Controller have created a place all their own in the indie pop world. After serving in the US Navy as an actual air traffic controller, singer/songwriter Dave Munro built a legacy with "ATC" for crafting heartfelt, luscious and genuine indie-folk-pop songs that are timeless and classic. The band, featuring Adam Salameh, Adrian Aiello, Joe Campbell, Steve Scott and Seth Kasper, have taken their time writing and demoing their fifth album, and the fans have not left their side, still streaming over 150 thousand songs per week on Spotify.

Air Traffic Controller have achieved a lot over their career: NPR Hot 100 List, Billboard Hot 100 Fest, Guardian UK Band of the Day, Alt Nation support, Independent Music Awards, many film, TV, video game, promo placements, airplay all over the world. "Sometimes," is a new start, and a solid bar for what's to come. 

CONNECT WITH AIR TRAFFIC CONTROLLER

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | SPOTIFY | YOUTUBE

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Hardly Strictly Bluegrass Music Relief Fund Opens Grant Applications for Musicians

Hardly Strictly Bluegrass Music Relief Fund

 Opens Grant Applications for Musicians

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August 24th, 2020 - The Hardly Strictly Music Relief Fund: Bay Area is now accepting applications from local musicians. Created by Hardly Strictly Bluegrass in response to the COVID-19 pandemic and economic crisis, this $1.5 million charitable effort seeks to recognize, appreciate, and care for the people who lend their creativity, heart, and hard work to the American roots music ecosystem in the Bay Area. The fund includes $450,000 for individual musicians’ relief and additional support for local music venues and their workers.

 The individual grant program is open to roots musicians living full time in San Francisco, Alameda, Contra Costa, Marin, San Mateo, or Sonoma Counties. Applications will be accepted through September 14, 2020, at 5 p.m. Applicants will be notified about their award status by September 25, 2020, followed immediately by the disbursement of funds.

“Our fund for roots music musicians, in the form of grants up to $2,000 in unrestricted funds, is available to all but will give priority to Black, Indigenous, and other communities of color,” says Frances Hellman, one of the directors of the Hellman Foundation, which since 2011, has focused on supporting local organizations and initiatives homegrown in the Bay Area, while bolstering the impact of partner organizations and engaging in strategic public-private partnerships such as Hardly Strictly Bluegrass. “This is not only because these communities have been historically under-funded by philanthropy, but also because they have been adversely affected by the pandemic.” 

The Fund will be administered by the Alliance for California Traditional Arts (ACTA) and the Center for Cultural Innovation (CCI). CCI has a longstanding practice of prioritizing those who have been marginalized in the conventional arts and culture field. They have mobilized their many years of expertise in supporting individuals to facilitate COVID relief funds for artists, and have successfully worked with the cities of San Francisco and Oakland, as well as the State of California, on COVID relief. Both ACTA and CCI bring their long commitment and experience as grant-making intermediaries supporting individual artists and cultural communities towards advancing racial and cultural equity.

"This music relief effort recognizes the impact of artists whose roots music reflects the expressions, histories, and values of their communities,” says Amy Kitchener, Co-Founder and Executive Director of Alliance for California Traditional Arts. “In these pandemic times, supporting artists also acknowledges the deep impact musicians have on cultural continuity."

The fund’s definition of American roots music acknowledges that the landscape of music in the United States has evolved from a wide variety of musical genres and peoples. Broadly, roots music is shaped by the American social, cultural, and environmental landscape. Roots music is characterized by its deep connection to people and the communities, reflecting a sense of place, history, values, language, and aesthetics. 

In addition to the musician grant program, The Hardly Strictly Music Relief Fund includes a grant program for Bay Area music venues with a track record of presenting American Roots styles. The nomination process for venues is now closed with funding announcements being made soon.

For more information on the individual musicians grant opportunity and to apply, visit:

actaonline.org/hardlystrictly.

 For more information on the venue grant opportunity, visit:

http://www.hardlystrictlybluegrass.com/2020/music-relief/

Keep Up with Hardly Strictly Bluegrass:

Website || Facebook || Twitter || Instagram || Spotify 

ABOUT ACTA

The Alliance for California Traditional is a nonprofit organization that promotes and supports ways for cultural traditions to thrive now and into the future by providing advocacy, resources, and connections for traditional artists and their communities. As statewide and national leader dedicated to supporting cultural practitioners, our programs, services, and funding opportunities are weaving a more integrated, just, and empathetic social fabric across California, and around the country. ACTA works in partnership with communities, learning from their own articulation of assets, needs, and aspirations in order to craft responsive programs and services. Founded in 1997, ACTA proudly serves as the California Arts Council’s official partner in serving the state’s traditional arts field.

ABOUT CCI

The Center for Cultural Innovation (CCI) was founded in 2001 as a California 501(c)3 nonprofit corporation. Its mission is to promote knowledge sharing, networking, and financial independence for individuals in the arts by providing business training, grants, and incubating innovative projects that create new program knowledge, tools and practices for artists in the field, and conditions that contribute to realizing financial self-determination. In addition, by acting as a cross-sector incubator with an informed point of view, CCI advances efforts to improve conditions for artists and all those who share artists’ conditions of low wages, high debt, and too-few assets. 

ABOUT HARDLY STRICTLY BLUEGRASS

Hardly Strictly Bluegrass is a one of a kind free music festival that takes place in the iconic Golden Gate Park and attracts over half a million fans annually. Founded by Warren and Chris Hellman in 2001, the festival is the single largest activity of the Hellman Foundation. Unlike any other major festival, it is offered free to the public with zero corporate sponsors or advertising. The three-day, multi-stage event features an array of eclectic bands each year from roots and Americana, to funk, rock, soul and more. This year through Let the Music Play On the spirit of Hardly Strictly Bluegrass will be coming to living rooms and backyards across the globe the first weekend in October with the Hardly Strictly Broadcast. The broadcast will feature new performances from the expansive range of Hardly Strictly Bluegrass artists that include first-time performers to legends of American Roots music, along with archival footage from the festival’s past two decades and memories from fans, performers, and staff and priceless gems from the festival’s rich history.

 

JUSTIN TRAWICK AND THE COMMON GOOD PREMIERE “BACK OF THE LINE” ON PARADE MAGAZINE

JUSTIN TRAWICK AND THE COMMON GOOD PREMIERE

“BACK OF THE LINE”

ON PARADE MAGAZINE

The Justin and Lauren Show Viral Weekly Live Stream

Coming To A Backyard Near You

With “An Evening With Us” Series

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LISTEN TO “BACK OF THE LINE”: HERE

ARLINGTON, VA. – Washington, DC-area Americana singer/songwriter and band leader of The Common Good, Justin Trawick releases,“Back of the Line” a new single and “…an acoustic dream” on Parade Magazine today. “The instrumental introduction draws us in with a soft and floating guitar breeze. Raw and emotional, the song reflects a stark reality.” 

The inspiration for the song came three months into quarantine. “The feeling of being lost, being alone, being afraid, and being hopeful. I honestly think it’s one of the first times I’ve ever really written a song for me.  I needed it,” explains Justin.

Even before we were all sheltered into place, Justin Trawick voluntarily cancelled his March 12th show, fearing it wasn’t safe to follow through. But still wanting to perform, he decided to live stream that evening with his girlfriend Lauren LeMunyan accompanying him.

That first Facebook Live show went better than expected. With 5000+ views, “The Justin and Lauren Show” became a viral hit, with Reuters filming their second show in their apartment on March 15th. Five months later, additional coverage from Washington PostCNN (who also filmed them in their apartment), Al Jazeera, and Washingtonian Magazine, and a devout and growing following, Justin and Lauren LeMunyan are spearheading an effort to bring music directly, safely and responsibly to fans with www.aneveningwithus.com

The Justin And Lauren Show Weekly Live Streams

WATCH Every Thursday And Sunday at 5 pm PDT

An Evening With Us – The Justin And Lauren Show

Intimate Backyard Shows Designed for Social Distancing

RSVP ONLINE

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OCT 15 / BENSALEM, PA
OCT 17 / ARLINGTON, VA
NOV 14 / ARLINGTON, VA

KEEP UP WITH JUSTIN TRAWICK AND THE COMMON GOOD

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FALCON DEBUTS WITH “I’LL ADMIT IT” SINGLE OUT TODAY ON SONY/PROVIDENT LABEL GROUP

 

FALCON DEBUTS WITH “I’LL ADMIT IT”

SINGLE OUT TODAY

ON SONY/PROVIDENT LABEL GROUP

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LYRIC VIDEO FOR “I’LL ADMIT IT”: HERE

LOS ANGELES, CALIF. – As Falcon, Amanda Lindsey Cook is crafting a poetic pop sound, influenced by her classical roots, informed by her life experiences, and enlightened by imaginative melodies. Today, she debuts her first single as Falcon titled “I’ll Admit It” available through SONY/Provident Label Group.

“I’ll Admit It” ups the emotional ante with an agonized vocal torn between resignation and anger. As the singer takes the blame for the emotional distance that kept her from fully surrendering to her feelings, strings, melodic percussion and a slow, relentless rhythm add to the track’s emotional tension.

Born in Canada, Cook started to play piano at five and eventually received a degree from the Royal Conservatory of Toronto. At the age of 20, she released her first album Amanda Falk and won a Juno (Canadian Grammy) for Best Contemporary Christian/Gospel album.  

“I was an old soul in a young body,” she reflects. “My songs, then and now, are about the intersection between faith and everyday life.”

Cook moved to California and released Brave New World in 2015. A pop hit, the album won a Dove award for Inspirational Album of the Year in 2016.

The reason for “Falcon”? She wanted a new canvas for a new endeavor. The idea came about in a conversation with her long-time friend/collaborator/producer, Jason Ingram. 

“We were having a conversation about the different kinds of music I want to make, and how I don’t want to be confined to one genre, sound, or theme. I have to explore. I have to be able to write about everything - it’s a path of clarity for me...a way of interpreting and understanding my experiences. He suggested that “I go Falcon” on this next album, and that was that. It felt like being handed an ancient key to a room in my own house I hadn’t explored yet.”

FALCON “ILL ADMIT IT” SINGLE - BUY + STREAM 

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SKI TEAM SUIT UP FOR THE NBA SEASON WITH “KNICKS SUCK”

SKI TEAM SUIT UP FOR THE NBA SEASON WITH

“KNICKS SUCK” 

SINGLE PREMIERES TODAY

ON ATWOOD MAGAZINE

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LISTEN TO "KNICKS SUCK”: HERE

Ski Team celebrate the return of the NBA season with the tongue-in-cheek “Knicks Suck” (out 8/14) an “ode to all the Knick fans who stick it out, despite years of torment” says Lucie Lozinski (aka Ski Team). But “under the surface, ‘Knicks Suck’ is about relationships that bring pain. It's hard to quit things you love, even if they let you down.” 

“Buoyant in sound, aggressive in lyricism, and playful in demeanor…. through the pain, there is a lightheartedness, a reminder that it can’t be taken too seriously.” – Atwood Magazine

Writing with a sense of humor and existentialism, Lozinski sings: “The New York Knicks/Are a very bad team/But you won't give in/Like you won't give up on me/you’re a masochist/used to being pissed all the time” 

This is the second single released by the New Jersey-bred, Brooklyn-based Ski Team this summer. Last month, she released “Don’t Give Up (Yet),” “an anthemic song that showcases Lucie’s vulnerability and raw emotion.” - Stage Right Secrets 

“…a quasi-Americana sound, combining traditional folk and rock elements with undeniably modern soundscapes… Lozinski’s voice effortlessly chugs out lines that ebb and flow over the tasteful arrangement… a perfect atmosphere in which Lozinski can disclose the intimate message behind the song.”American Songwriter 

“…a beautiful folk track, with something of a traditional rock sound... there is something very haunting about the main melody itself.”YorkCalling

“Delicious use and selection of words, profoundly cusped into a chrysalis of decadent hymns and rhythmical embrace…” – Come Here Floyd “song of the day”

“From its tranquil opening of isolated vocals and soft glow of organ, “Don’t Give Up (Yet)” slowly builds into a raw emotional firestorm…skillfully raises the song’s energy with transitions to reverberating piano, which gives way to an electric and drumset beat, and finally erupts into a spanning electric guitar riff. But that’s not the real magic of the song: “Don’t Give Up (Yet)” goes straight to your heart thanks to the bare vulnerability in Lozinski’s crystalline voice.” – Mother Church Pew

CONNECT WITH SKI TEAM :

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 NATALIE SCHLABS PREMIERES NEW SINGLE & VIDEO  “THAT EARLY LOVE”  VIA POPMATTERS

NATALIE SCHLABS PREMIERES NEW SINGLE & VIDEO  

“THAT EARLY LOVE”  VIA POPMATTERS 

NEW LP DON’T LOOK TOO CLOSE  SET FOR RELEASE   

ON OCTOBER 16TH  

Photo: Fairlight Hubbard

Photo: Fairlight Hubbard

Schlabs’ voice possesses an audible kindness to it that allows her to carry her performance with the calmness and sincerity necessary to portray a song crafted on the kind of love that overreaches any one type of relationship. - American Songwriter    

Stirring songs...defined by the seamless convergence of her crystalline vocals, introspective lyricism and soaring melodies  - Albumism 

Delicate harmonies and swaying effects feel like a fresh breeze blowing through a field of flowers - Ones To Watch  

 Lyrical sincerity with gorgeous melodies...Natalie Schlabs delivers gilded, Americana-infused sweetness in a song that feels immediately timeless" - Atwood Magazine  

If your life feels like an endless struggle right now...Natalie Schlabs has a message of hope for you. - Audiofemme 

Brings to mind the timeless and melodic pop of the ’70s (plus some crisp Rilo Kiley-esque guitar hooks) with sweet lyrics about someone coming into your life” - Spectral Nights   

Mellow, yet upbeat, and it fills the heart and mind with thoughts and feelings about those that you hold dear. - The Indy Review 

WATCH: “THAT EARLY LOVE” 

LISTEN: “THAT EARLY LOVE” 

Today, Natalie Schlabs released her latest single “That Early Love,” a track from her forthcoming album Don’t Look Too Close, due out October 16th. “Nashville-based artist Natalie Schlabs not only writes what she knows but conveys the meaning of an emotionally charged experience with such tender-hearted expression that it's so easy to fall in love with her songs,” says PopMatters’ Michael Bialas in the premiere. “Just listen to the gorgeous tone to her voice on 'That Early Love' and follow the steady but merciful pull of a singer-songwriter with a solid grasp of the significant details worth contemplating in life…If there was a song made for these desperate times, ‘That Early Love’ on repeat should start to ease the pain. Heal thyself, then let the good feelings linger.” 

The song’s accompanying video, filmed and directed by Joshua Britt and Neilson Hubbard, features an older couple in daily life, interspersed with images of a little boy and girl wearing the same clothes as the grown-ups in the video. The visual is a metaphor for how the older couple feels - that their hearts are still young, their love is enduring and doesn't grow old. 

“That Early Love” follows “Go Outside,” which Ones To Watch said is “the perfect indie soundtrack to a summer afternoon,” encouragement anthem “See What I See,” and lead single “Home Is You,” the accompanying video of which features fellow artists and friends like Robby Hecht, the members of Oliver the Crow, Betsy Phillips, and gospel/soul powerhouse Liz Vice. 

LISTEN: “GO OUTSIDE”  

LISTEN: “SEE WHAT I SEE”     

LISTEN // WATCH: “HOME IS YOU” 

The nine tracks that comprise Don’t Look Too Close, the second full-length effort from the Texas-bred Nashville-based artist, live in the tension between the beauty and heartbreak surrounding our closest relationships. The songs were written when Schlabs was pregnant with her first child, which caused a lot of reflection on her own upbringing and how she wanted to raise him. The album’s title came from the idea that "he’s going to see all the worst of me, be hurt by the worst of me, as much as I don’t want him to, and, as much as I want to be the best for him. I was thinking about how to raise a child, how to pass down values. There’s a dismantling of what I thought I knew,” she explains. “What do I value in my life and where did those things come from? What do I want to share with my children and what do I want to spare them from?”   

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Don’t Look Too Close steps into indie territory with a compelling mix of instrumentation laced with solo vocals that bloom into easy, delicate harmonies. Co-produced by Juan Solorzano and Zachary Dyke, with Caleb Hickman on saxophone and Joshua Rogers on bass, the album swells and ebbs with elegant, absorbing shapes. The songs are moody, candid, and tender, each featuring Schlabs’ characteristically sleek vocals front-and-center, backed by charming instrumental moments that add form and depth to the melodies.  

CONNECT WITH NATALIE SCHLABS:  

Website || Facebook || Twitter || Instagram || Spotify || YouTube || Bandcamp  

GLENN THOMAS REIMAGINES THE GRATEFUL DEAD’S “BLACK MUDDY RIVER” TO COMMEMORATE “JERRY WEEK”

GLENN THOMAS REIMAGINES THE GRATEFUL DEAD’S

“BLACK MUDDY RIVER”

TO COMMEMORATE “JERRYWEEK”

Photo: Deven Bussey

Photo: Deven Bussey

LISTEN: "BLACK MUDDY RIVER"

 Today, Nashville-by-way-of-New England singer/songwriter Glenn Thomas shares his version of The Grateful Dead’s “Black Muddy River” to commemorate “Jerry Week.” “The beginning of August serves as a memorial for fans of the Dead,” says Mother Church Pew in the song’s premiere. “It marks both the birth and death of the band’s iconic frontman, Jerry Garcia—August 1st and 9th respectively. Sometimes called ‘Jerry Week,’ fans connect with their passion for the beloved artist not just by appreciating the Dead’s rich history, but also through creative expression. It’s not easy to stand out in a world full of Grateful Dead covers. It takes something sung from the heart to embrace the soul of the song, while giving it a life of its own. Thomas lets gentle, crisp acoustic guitar carry the melodies while building on the song’s inherent folk qualities with touches of dobro, mandolin, and strings. Full of reverence, it connects to the legacy of the Grateful Dead graced by the personal connection that pours from Thomas’s vocals.  With ingrained devotion, Thomas’s ‘Black Muddy River’ feels like it is being sung directly to Jerry Garcia—flowing with veneration from one artist to another.”

“Growing up in a musical family, I was listening to The Grateful Dead when I was really young, says Thomas. “American Beauty was among the few CDs I listened to on the bus ride to and from school. As a kid, I loved the songs and the vocal harmonies. As I got older and started playing guitar, their songs shifted into a rich musical landscape that has stayed with me and informed my own music ever since. ‘Black Muddy River’ is a later song in their catalogue, and lyrically a resonant, timeless reflection on life. The Grateful Dead are such a participatory band in the multitudes of ways their fans share in the music, even after Jerry’s passing. This is my interpretation of what is feel is one of their most beautiful songs.” 

LISTEN: REASSURE ME THERE’S A WINDOW

On May 15th, Thomas unveiled his beautiful new LP Reassure Me There’s A Window to praise from Billboard, PopMatters, Folk Radio UK, and more. “This album was a long-time dream of mine,” recounts Thomas of the LP. The tracks on Reassure Me There’s A Window, which feature tight fingerpicking guitar-based tunes with introspective lyrics fleshed out with resonant string arrangements, all come from a deeply personal place, and the more Thomas played them for his audiences, the more he realized how much others could relate to them. Each song touches on personal truths and what it means to be human—what connects us and motivates us, as well as the struggles and difficult facts of life. 

In each of the album’s 11 tracks, Thomas puts life and the human condition under the microscope in order to articulately observe the big questions with small details, paying careful attention to his understanding of himself and the seasonality of life. He has the ability to lyrically turn the world on its side and explain the human condition and its accompanying array of emotions from a beautifully unique perspective.

Thomas, who cut his teeth fronting Rhode Island rock outfit Wild Sun, has shared stages with bands like Langhorne Slim, The Wombats, and Blitzen Trapper. He began writing songs that didn't fit within the rock-centric framework and decided he would strike out on his own, stretching his creative muscles. The album was produced by Jordan Lehning (Rodney Crowell, Andrew Combs, Joshua Hedley); with its throwback flair, Reassure Me There's A Window is a lush, sweetly-arranged collection of articulate folk-tinged songs.

CONNECT WITH GLENN THOMAS:

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IMOGEN CLARK PREMIERES ANIMATED VIDEO FOR “PAPER BOAT” SINGLE ON GLIDE MAGAZINE

IMOGEN CLARK PREMIERES ANIMATED VIDEO FOR

“PAPER BOAT” SINGLE ONGLIDE MAGAZINE

+ THE MAKING OF ME EP OUT AUGUST 21

PRE-ORDER NOW

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WATCH ‘PAPER BOAT’ MUSIC VIDEO HERE OR LISTEN

 Singer-songwriter IMOGEN CLARK releases her forth single “Paper Boat” forthcoming EP, due for release on August 21 (Potts Entertainment/MGM). The Making Of Me EP is available to pre-order NOW.

The beautifully animated video for “Paper Boat”  was produced and directed by Anita Lester. It brings to life the isolation of a relationship that has turned toxic. Glide Magazine in its premiere describes it as “a quiet rage and hypnotic bliss mixing up folk and modern in the vein of Neko Case and Laura Veirs.” And adds, “there is a mystical quality to Clark’s songs that conjure up themes of both inspirational and healing.”

Explains Imogen, “Paper Boat was written in Melbourne, Australia with stunningly talented singer/songwriter/visual artist Anita Lester. I met Anita last year at an awards show, and we had an instant connection.  We got together to write soon after and were opening up to each other about toxic love affairs and the fear and burden that comes with them. That image of a paper boat, something that should be sturdy and protective against stormy seas, but is really thin and fragile – it seemed to encapsulate passionate but tumultuous relationships like that, where the feeling of happiness and stability could at any time give way to a terrible storm.”  

Recorded in LA and produced by Mike Bloom (Jenny Lewis, Julian Casablancas), Imogen Clark’s The Making Of Me EP features the likes of Alex Lahey, Clare Bowen, Benmont Tench (Tom Petty and the Heartbreakers), Pete Thomas (Elvis Costello and the Attractions) and more across six tracks.  

Lead single Found Me’ and follow up My Own Worst Enemy’ and The Making Of Me’ have already garnered praise from US and Australian tastemakers.  

“With powerful vocals and an infectious drumbeat, Clark sets out to cure a broken heart. This breakup anthem will pick you up off the floor, dust you off and have you feeling ready to start seeing the world in color once again" – Parade

"Putting a more upbeat, optimistic spin on a more somber subject of breaking up, the delicate pop of “Found Me” gently pricks the pain and ultimate bravado of coming out on the other side of heartache, imbued in lyrics: I gave you every piece of me, but you never had your fill… The strongest thing I did is gently let you go… I thought you were my home, so I will make my way."   –  American Songwriter

"What's remarkable about Clark's performance and the song itself, is the steady, understated quality of her performance. Rather than reaching for the obvious emotions, she performs the song with steady resolve and confidence. It's ultimately a song about recovering one's self and leaving the pain of the past behind for good." – Popmatters

“… a song of defiance, strength and a bold celebration of her new-found situation. Imogen’s vocals carry you along on a euphoric wave of positivity.” – The AU Review

KEEP UP WITH IMOGEN CLARK

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TWO BIRD STONE RELEASES NEW TRACK “THE 99 (ft. SARAH SISKIND & KENNY VAUGHAN)”

TWO BIRD STONE RELEASES NEW TRACK  

“THE 99 (ft. SARAH SISKIND & KENNY VAUGHAN)” 

  DEBUT LP HANDS & KNEES OUT SEPTEMBER 11TH VIA SOUNDLY MUSIC  

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LISTEN: “THE 99 (ft. SARAH SISKIND & KENNY VAUGHAN)” 

Two Bird Stone has released their latest single, “The 99 (ft. Sarah Siskind & Kenny Vaughan),” a track from their forthcoming debut album, Hands & Knees, out on September 11th via Soundly Music. The song was inspired by the parable of the lost sheep: “If a man has a hundred sheep and one of them wanders away, what will he do? Won’t he leave the ninety-nine others on the hills and go out to search for the one that is lost? And if he finds it, I tell you the truth, he will rejoice over it more than over the ninety-nine that didn’t wander away!” “This lost sheep declares his inability to adhere to standing policies and asks the creator/universe if this circumstance will result in some kind of cosmic favorability,” explains frontman Liam Thomas Bailey of the song. Supported by Sarah Siskind, the lush choruses are answered by a patient rendition of the traditional Irish fiddle tune, “Mickey Callaghan’s Fancy.” 

“The 99 (ft. Sarah Siskind)” follows previously-released singles “When Somebody Can See Your Soul,” “If You Wanna Come Back,” title track “Hands & Knees (ft. Sarah Siskind),” and “Shoebox Money.” Each song on the endearing album showcases the band’s reverence for the traditional as they forge their own style of timeless Americana - each song heart-wrenching and heartwarming at once.  

LISTEN // WATCH:  “WHEN SOMEBODY CAN SEE YOUR SOUL”  

LISTEN // WATCH:  “IF YOU WANNA COME BACK” 

LISTEN // WATCH:  “HANDS & KNEES ft. Sarah Siskind” 

LISTEN: “SHOEBOX MONEY”  

Two Bird Stone was founded by string master Bailey and features some of Nashville’s and New York’s finest musicians. Hands & Knees was co-produced by Bailey and friend and frequent collaborator Dan Rowe, who also contributed keys and vocals to the album.  

The music of Two Bird Stone is fueled by Bailey’s contemporary Americana songwriting and the group’s deep appreciation for the traditional fiddle music of Ireland, Scandinavia, and North America. Paying tribute to the many swirling cultures that make up the American identity, Two Bird Stone also carefully incorporates traditional melodies and musical tendencies of cultures abroad to reflect the dimensions of this land’s powerful diversity. In lieu of the preservation of traditional material in any strict sense, Two Bird Stone likes to function as a lens through which an audience gets a fresh look at the culture of traditional tune sharing and the instruments upon which we would generally hear them played. 

Before spinning off to form Two Bird Stone, Bailey was a highly sought-after Nashville studio and road musician; he also worked in commercial post-production with bandmate, Chad Kelly (accordion), a two-time Emmy Award nominee who has composed original music for numerous award-winning and critically acclaimed films and documentaries. Bailey and bandmate Judd Fuller (bass, mandolin, background vocals) traveled the world together for 11 years as members of Nashville country star Rodney Atkins’ touring band. Fuller has also toured and performed with Peter Wolf from The J. Geils Band, Bo Diddley, Carly Simon, and more. New York-based percussionist, composer, and educator Rohin Khemani rounded out the lineup. Known as an extremely versatile and eclectic musician, his sound can be heard on a wide variety of projects weaving through the worlds of jazz, world music, rock, folk, and electronica. Khemani was a founding member of Red Baraat and co-leads the band Surface To Air with guitarist Jonathan Goldberger and bassist Jonti Siman. He has performed for audiences at some of the world’s most prestigious concert halls and festivals including Carnegie Hall, Lincoln Center, The Monterey Jazz Festival, and more. 

 CONNECT WITH TWO BIRD STONE: 

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BABY FUZZ RELEASES NEW TONGUE IN CHEEK SINGLE “WE’RE ALL GONNA DIE!!”

BABY FUZZ RELEASES NEW TONGUE IN CHEEK  SINGLE 

“WE’RE ALL GONNA DIE!!”  

FROM HIS FORTHCOMING SOPHOMORE ALBUM 

WELCOME TO THE FUTURE

“Similar to The Jim Carroll Band’s “People Who Died,” the multi-talented musician, who has worked with the likes of Madonna, Max Martin, Elle King, Avicii, Lana Del Rey, Britney Spears and more, has put his own quirky spin on the topic of dying with his latest track “We’re All Gonna Die!!!” - The Noise

Art Credit - Benjamin Cabral

Art Credit - Benjamin Cabral

Listen to “We’re All Gonna Die!!” : HERE 

Austin Texas by way of Los Angeles artist and provocateur Baby FuzZ has released his newest single, the fast-paced, tongue-in-cheek pop-punk track  ”We’re All Gonna Die!!!” from his upcoming sophomore concept album Welcome To The Future, due out this fall.

The intention of this song is to state the inevitable that at some point we all will no longer be here. It's one of the few things that unifies us as human beings. “Not to be a total downer,” Baby FuzZ told The Noise, “but we’re all gonna die. Eventually. Oh well. Life goes on. Make the most of it and don’t be an asshole.” “We’re All Gonna Die!!”  is the second single from Baby FuzZ’s forthcoming sophomore album Welcome To The Future,  it follows "Weekend Blues, "  the  jangly mariachi inspired emo pop song released in June. All proceeds from “We’re All Gonna Die!!” will be donated to Doctors Without Borders

“....with the single “Weekend Blues,” Baby FuzZ presents an uninhibited mariachi and pop-influenced single that gives the listener a taste of what’s to come from the wild concept album. “ - V13

“Imagine a kind of surreal Jungle or The Go! Team re-imagined by an American melody guru and you'd be close, with Baby FuzZ matching addictive songwriting to some other-worldly tendencies.” - Clash 

Baby FuzZ is the audiovisual absurdist glam rock  brainchild of producer and  songwriter Sterling Fox. After co-producing Lan Del Rey’s “Video Games,” Fox was on his way to becoming one of the most in-demand and successful pop songwriters in the business  having written with and for artists such as Madonna, Max Martin, Elle King, Avicii, Lana Del Rey, Britney Spears and more (see the full list HERE). Upon the election of Donald Trump, at the peak of his songwriting career he disappeared from music and split for Canada, spending a year in Montreal, reemerging as Baby FuzZ.

“.....wildly creative, and refreshingly relatable.” - FLAUNT

Baby FuzZ unapologetically jumps all over the genre map, with songs ranging from folk ballads to punk anthems and everything in between. As diverse as the music is, the lyrics are a singular and hyper self-aware narrative with strong political and social undertones. Last year Baby FuzZ, released his debut album Plastic Paradise independently and embarked on a 100 date DIY tour around the US. Last year was just the start for Baby FuzZ rising from the death rattle of a previous life of overthought pop demos that had finally eaten itself alive with a sense of ennui.

If Plastic Paradise was the first contact, this new album, Welcome To The Future, coming this fall, is sure to be Baby FuzZ's full-blown alien invasion. The majority of Welcome To The Future was written and recorded during quarantine with heavy doses of conservatism, disguised symbolism, and good old fashioned American absurdity, and “We’re All Gonna Die!!” is just the tip of the iceberg for what’s in-store with Welcome to the Future

KEEP UP WITH BABY FUZZ

WEBSITE || INSTAGRAM || FACEBOOK || YOUTUBE

OUT TODAY : MARKET JUNCTION’S NEW LP BURNING BRIDGES

OUT TODAY :

MARKET JUNCTION’S NEW LP  BURNING BRIDGES 

The Houston band has been a fairly successful country dancehall act for years, but the members recently found themselves wanting to get away from that designation in favor of a more Americana approach. That’s wonderfully apparent on Burning Bridges…which comes across much more like a lost classic album from the late ‘60s than the electric honky-tonk sound that’s so prevalent these days - The Houston Chronicle   

The 10-track album was born out of trials and triumphs, stops and starts and major life changes. The result is a sweeping soundtrack to heartaches and starting over - Wide Open Country 

Reminiscent of the Lumineers…Prolonged sadness and heartache are palpable in Market Junction frontman Matt Parrish’s voice - The Boot 

Particularly poignant…the album features the kind of deft songwriting that has earned [Matt] Parrish and guitarist/keyboardist Justin Lofton accolades since the band’s debut - American Songwriter 

Market Junction plays smooth, thoughtful country folk that’s sure to appeal to fans of John Baumann, Adam Hood, and Jason Eady…beautiful, understated harmonies and a pointed loneliness that saves its sharpest arrows for the final lines - Farce The Music   

On the new album Burning Bridges, the band delivers lyrical depth and beautiful melodies that are well worth the nine years it took them to arrive at this point - Americana Highways   

A melodic, well-crafted collection - Americana-UK 

  It’s not long before you’ll be making comparisons to The Eagles with their lilting country rock and flowing melodies...it’s Market Junction’s lyrics, their sense of humor and relatable insights that make Burning Bridges striking and endearing - Making A Scene 

  'Nebraska' is a beautifully vulnerable account of brotherhood, and stepping firmly on whatever path is  placed before you - Underground Music Collective   

Folk-infused, alt-country...worthy of being on everyone’s playlists - Mother Church Pew   

A thoughtful exploration of love, longing and consequences, the songs here connect to the roaming souls and aching hearts we’ve all experienced, and make for a beautiful and moving collection...Burning Bridges has everything to break a heart while also acting as a salve for the wound - The Indy Review  

Americana is a genre often dismissively generalized as a sibling of Country, if not Country in shabbier clothes. Market Junction, like any legit practitioner of Americana proper, shatters these perceptions with the power of their lyricism and soulful vocals - Gas Mask Magazine 

  The vocals are fabulous and the musicianship comfortably on par - Beehive Candy   

Rich, lush…really showcases the beauty of Matt Parish's vocals - Chimeo 

The combination of golden-voiced frontman Matt Parrish and fretboard wizard Justin Lofton is a match made in music heaven - USACOUNTRYUK 

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Today, Houston, Texas-based Market Junction released their new album Burning Bridges. Produced by co-produced by band founders Matt Parrish and Justin Lofton with Richard Barrow and Ty Robins, its 10 carefully-crafted tracks tell the story of a young man learning about love.   

LISTEN: BURNING BRIDGES   

Album opener “When Your Heart Begins To Ache” begins with a young man about to marry his high school sweetheart - unsure about love’s depth and its consequences. “Out of Love” finds the young man a bit older and having been married for a while. The spark is gone and the love has soured, which causes him to make the difficult decision to leave in “I Hope It Breaks Your Heart.” He hits the road searching for his “new normal” while dealing with a simmering sense of regret in “Nebraska” and “Western Coast.”  

Burning Bridges begins its second act with the reflective “A Stone Will Sink” and “Hello My Dear” as the man comes to grips with the casualties of love and dealing with his damaged relationships. Now much older, the man reflects on life and begins to accept its broken nature, owning his shortcomings in “Bird In A Cage” and “Livin’ A Lie,” as the heartbreaking story comes to an end with the album finale and title track.   

The electrifying combination of golden-voiced frontman Parrish and fretboard wizard Justin Lofton are a rock-solid foundation for the band, their folk-infused alt-country style has resulted in some of the most beautiful music in the current landscape. Burning Bridges was forged in the midst of the members' personal tribulations - changing direction in the middle of recording, a trip to the emergency room, a divorce, the births of children, a hard drive crash costing weeks worth of work, and releasing a record in the middle of a global pandemic. The band was still able to create magic in the midst of the struggle. 

WATCH: "NEBRASKA"   

WATCH: “A STONE WILL SINK” 

WATCH: “OUT OF LOVE”   

WATCH: “WESTERN COAST”   

Parrish and Lofton, both award-winning songwriters, set out on a journey to create the kind of music they not only loved to listen to but music that they loved to play. Since those early days, the band expanded its lineup to include Taylor Hilyard on bass guitar and Michael Blattel on drums, sharing stages with Cory Morrow, Ray Wylie Hubbard, Jack Ingram, Radney Foster and more. Their sound is rooted in place and time, but transcends both.   

Burning Bridges is available on CD and vinyl at their website, and for download atiTunes and Amazon Music. On Saturday, August 8th, Market Junction will celebrate the release of Burning Bridges with a full-band show streamed live from their studio at 10pm EDT/9pm CDT. Click HERE for more details. 

BURNING BRIDGES  TRACK LISTING    

When Your Heart Begins To Ache 

Out Of Love 

I Hope It Breaks Your Heart 

Nebraska 

Western Coast 

A Stone Will Sink 

Hello My Dear 

Bird In A Cage 

Livin’ A Lie 

Burning Bridges 

  

CONNECT WITH MARKET JUNCTION: 

Website || Facebook || Twitter || Instagram || Spotify || YouTube 

KILLER WHALE SHARES NEW SINGLE & VIDEO “PLENTY OF TIME” VIA POPMATTERS

Art: Lizzie Bilbrey

Art: Lizzie Bilbrey

KILLER WHALE SHARES NEW SINGLE & VIDEO “PLENTY OF TIME” VIA POPMATTERS 

NEW LP TASTES LIKE YESTERDAY OUT SEPTEMBER 18TH VIA DEVIL IN THE WOODS

WATCH: “PLENTY OF TIME" 

LISTEN: “PLENTY OF TIME” 

New Orleans-based band Killer Whale has unveiled “Plenty Of Time,” the latest single and video from their forthcoming album Tastes Like Yesterday, out September 18th via Devil In The Woods. “At once deeply in tune with contemporary sensibilities, dream pop keyboards and harmonies, it also taps into classic '70s soul sounds, culminating in a piece of pop that moves the heart as often as it moves the feet,” says PopMatters in its premiere. "This song is about struggling with your lover on how to move on or move away, and trying to remind yourself there's plenty of time to work it out,” frontman Thomas Johnson explains. “Plenty Of Time” follows the release of lead single and its hypnotic accompanying video “Comfortable,” which V13 called “truly a gratifying audio-visual experience.” 

WATCH: “COMFORTABLE”  

LISTEN: “COMFORTABLE”  

Somewhere between the rustic Louisiana bayou and dreamy California shores lies Killer Whale. With their colorful rhythms and rock n’ roll daydreams, they create a space that invites you in, tells you to make yourself at home, and hugs you as you walk in the door. Killer Whale, much like its creator, wanders between New Orleans, Austin, and San Francisco, bearing the melodic scars all that travel brings him. A mixture of genres, Killer Whale doesn’t subscribe to any one camp. Instead, it exudes them all.  

This kaleidoscope of sound oozes from every dreamy groove of the album’s 10 psychedelic, surf-infused, funk n' soul-tinged gems. With that kind of concoction, it doesn’t seem too far-fetched to think that the songs would be a melee, an atonal mishmash that harkens back to the days of being different for different’s sake. Under the leadership of another musician, such might be the case, but Killer Whale melds everything together in the name of freaky good fun.  

“I’m not a perfectionist,” admits Johnson. “Yet I do want each new record to demonstrate some progression from what came before. I don’t necessarily want it to sound radically different, and I think Tastes Like Yesterday accomplishes that. I like the idea of each album hinting at what’s coming next without really being specific about that direction.” Though one can hear echoes of the band’s previous release Casual Crush, this album finds Johnson’s muse immersing him in a very seductive, mellow soul. “I’m from Louisiana, and New Orleans culture and music have always been an influence on me, whether consciously or not,” Johnson says. When asked how he describes his music, Johnson laughs and suggests it’s “Pontoon Soul.” Lead single “Comfortable” offers an example of this new genre; it’s swampy and murky, yet Johnson’s heavenly voice transcends, resulting in a song best described as drop-dead gorgeous.  

 Be sure to tune in HERE on Saturday, August 1st at 4pm PDT/7pm EDT to see Killer Whale’s Jam In YOUR Van session benefiting the Equal Justice Initiative. 

CONNECT WITH KILLER WHALE: 

Website || Facebook || Instagram || Spotify || Bandcamp || YouTube

JON REYNOLDS & THE ACHES PREMIERE SINGLE  “LOVE BLIND”  VIA ATWOOD MAGAZINE 

 JON REYNOLDS & THE ACHES PREMIERE SINGLE  “LOVE BLIND” VIA  ATWOOD MAGAZINE    

NEW EP PETRICHOR  SET FOR RELEASE  ON SEPTEMBER 4TH 

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Jon Reynolds & The Aches have unveiled their latest single “Love Blind,” a track from their forthcoming EP Petrichor, due out September 4th. "Heartbreak permanently alters our outlook on life and love, impacting how we interact with the world. Nashville’s Jon Reynolds & The Aches captures heartbreak’s lasting scars in his effervescent new single 'Love Blind,' a catchy pop/rock expression of lessons learned and minds changed," says Atwood Magazine in their premiere. "A rollicking pop/rock tune that breathes as much of the ’80s and ’90s as it does of today, “Love Blind” feels like a classic pop hit. Big melodies and crying guitars keep us excited for every chorus climax, and a storyline love, loss, and growth – that personal journey we must all embark on – keep us hooked to the each verse...Petrichor's songs are the truest representation of this young, still-evolving artistry – and if 'Love Blind' is any indication, we can’t wait to hear the full package." 

LISTEN: “LOVE BLIND” 

“It was the first song I wrote after the pandemic shut everything down,” explains frontman Reynolds. “I was discovering how much I had compressed myself in order to maintain the work schedule I had volunteered for over the last two years. I was finding my voice again. I was connecting the artist back to the art. ‘Love Blind’ was born out of that reconnection. As I allowed my mind to rest, memory - and the emotion associated with that memory - came back to me. I was able to connect more personally to my own experiences which led to more granular lyrics. It’s not another heartbreak song. It is a commentary looking back on what the first heartbreak creates in a person and the undeniable truth that you are permanently changed after experiencing it,” he continues. “Love Blind” follows the release of “Come Now Spring,” the first single from  the five-song Petrichor EP.  

LISTEN TO“COME NOW SPRING” via SPOTIFY // SOUNDCLOUD  

Miles Davis once said, “Sometimes it takes a long time to sound like yourself.” That concept has been a muse for Jon Reynolds since moving to Nashville in 2015. Following his well-received grass-root singles “Undertow” and “Tomorrow’s News,” Reynolds buckled up for a challenging year and a half. “Most of my song ideas came to me while driving in the car because it was the only time I had to think,” he explains. But over-extending himself forced him to be honest with his music. “I didn’t have time to self-sabotage.  I just wrote what came naturally.”    

Rebalancing his life and signing with the UK’s Frictionless Music, Reynolds buried himself in the studio with engineer Owen Lewis and drummer Matt Singler, settling into the producer chair with a clear sense of purpose: sounding like himself. “I'd rewrite lyrics minutes before tracking, scrap a day of work because it didn’t hit the right vibe, and had to address some personal struggles all in the name of creating my most authentic expression.” 

Petrichor  was born from this effort. “These songs preserved me while I was lost in a cycle of excessive work and distraction,” he explains. "They are the foundation that existed when I finally came back. Now, they are the representation of who I am.”   

The word “petrichor” refers to the smell of earth after rain breaks a long drought. Centered on revitalization themes, the EP’s tracks delve into depression, heartbreak, and self-discovery.  Surrounding the dense, humanistic lyrics is Reynolds’ musical signature - an evolution of modern pop-rock and larger-than-life vocal arrangements, resting on an ethereal hum propped up by verb-y slide guitar. Be sure to follow Jon Reynolds & The Aches via the links below to stay updated on the band’s latest news.  

FOLLOW JON REYNOLDS & THE ACHES: 

Website || Facebook || Instagram || Twitter || Spotify || YouTube 

  

IZZY HELTAI ANNOUNCES DEBUT LP - FATHER - SET FOR RELEASE OCTOBER 9TH

IZZY HELTAI ANNOUNCES DEBUT LP FATHER SET FOR RELEASE OCTOBER 9TH  

NEW SINGLE “THE STRANGER YOU’VE BECOME” PREMIERES VIA FOR FOLK’S SAKE  

Photo: Joanna Chattman 

Photo: Joanna Chattman

Massachusetts-based singer/songwriter Izzy Heltai has announced his forthcoming debut full-length album Father, due out October 9th, with the release of single "The Stranger You’ve Become." "Through his debut album, Father, Izzy Heltai observes human relationships from dawn to dusk," says For Folk's Sake in their premiere. "There’s a special focus on what’s in-between the beginning and end, where the sinew of these complex bonds are woven. It’s a lot to take in for the 23-year-old artist, but his intimate interest in the topic at-hand makes for a precocious songwriter developing informed, heartfelt Americana...'The Stranger You’ve Become' is a perfect encapsulation of the heartfelt essence that makes Heltai’s work so compelling." "An honest, kind, genuine person generally believes their interpretation of a world at face value," Heltai explains. "The majority of us choose to engage in the realities of other people with the best of intentions, not wanting to deceive. We aren’t faced day to day with the reality of how malleable our words and truths can actually be. Our realities are just collectively agreed-upon terms, rules, and conditions. The fact that I can look at a rubber duck, point to it, and claim that it is a rubber duck is only possible because we have all agreed that that is in fact what the physical object is. But what happens if someone comes along, points at that same object and tells you with absolute certainty that you’re wrong, and that object is indeed a hat? If no one else is there to tell you otherwise, who are you to believe that your interpretation of this object is based in more truth than theirs?" he continues. "When you’re intimately involved with someone, it is often difficult or nearly impossible to identify when this is happening. When you finally get out, it can be earth-shattering. The idea that you’ve been with a stranger, that you’ve been tricked. It’s a type of trust that can be extremely difficult to recultivate."   

LISTEN: “THE STRANGER YOU’VE BECOME”  

With brutal honesty towards himself and forgiveness for those around him, Izzy Heltai’s music walks the elusive line between confessional and relatable. On his debut album Father, Heltai dives deep into his fascination with human relationships, and specifically the way that those relationships change and reorganize themselves over time.    

Heltai sees his own coming of age reflected in the album, which includes songs written over the past four years. “A lot of this record is about seeing memories and situations turn to grey, where black and white previously existed,” says Heltai. “Finding myself as an adult has largely been about how the people who have always been there for me can fit into my life in a new way.” 

On the album’s opening track “To Talk About Yourself,” Heltai, who is trans, looks back at the way society fixates on his identity as the only story that he has to tell. “Being trans is a part of me that is worth talking about” he says. “It’s a really cool thing that happened in my life, and informed a lot of how I see the world and how I know myself, and how I reflect on things… but as a marginalized individual, there comes a point where you feel commodified and exploited for your identity, and I’ve always had a fear, as an artist with many stories to tell, that my being trans is the only aspect of my work that people would take interest in.”  

Throughout the record, Heltai braves the exploration of not only interpersonal and societal relationships but also his own relationship to himself, and reckons with the ways that periods of depression have caused him to abandon those he loves. “I think as I’ve grown up I’ve been able to realize that sometimes when your self-worth is so low, you don’t think you can be worth anything to someone else, but that can actually cause you to hurt people that need you,” Heltai explains.   

Father was recorded by Heltai’s longtime friend Andy Cass and produced by Sophie Buskin. The production is raw and full, with subtle harmonies and guitar lines weaving their way unexpectedly through the mix almost as if they were grown in the song. There is no sign of musical overthought, allowing Heltai’s emotional vocals to shine organically.    

At a time when any conversation with a stranger can quickly become a sociopolitical battle, Heltai’s introspective and thought out songs are a breath of fresh air. With an overwhelming empathy for humanity, and willingness to search for personal responsibility, Heltai’s Father will not leave your heart or your ears unchanged.  

FATHER TRACK LIST  

TO TALK ABOUT YOURSELF 

THE STRANGER YOU'VE BECOME 

MARCHING SONG 

HUMAN 

SONGBIRD 

WHET YOUR APPETITE 

ANYONE TO ANYBODY 

CATACOMB 

FATHER 

 

CONNECT WITH IZZY HELTAI: 

Website || Facebook || Instagram ||  Spotify || YouTube 

GARRETT OWEN SHARES NEW SINGLE “HOUR IN THE FOREST”

GARRETT OWEN SHARES NEW SINGLE

“HOUR IN THE FOREST” VIA V13

NEW LP QUIET LIVES SET FOR RELEASE ON

SEPTEMBER 18TH

Photo: Jason AllisonGarrett Owen is a consummate artist, with lyricism beyond his years and an inimitable playing style that has him earning new fans all over the place. - NPRAfter a life of travel and introspection, Owen may have finally found his …

Photo: Jason Allison

Garrett Owen is a consummate artist, with lyricism beyond his years and an inimitable playing style that has him earning new fans all over the place. - NPR

After a life of travel and introspection, Owen may have finally found his place after all. - Dallas Observer

He writes from and to the heart, his impassioned vocal work and emotional finger-picking second only to his stunning, evocative lyricism. - Atwood Magazine

Garrett Owen has released “Hour In The Forest,” the newest single from his forthcoming album Quiet Lives, due out September 18th. The song, inspired by interactions with three different women - one of which sports a tattoo of Harriet Tubman with a machine gun and Joan of Arc with a sword - is one of the more experimental tracks on Quiet Lives. “The new single is one of his most expansive creations yet, a full on epic that starts off like your typical folk song before breaking out into an all out boogie, with a vintage solo provided by blues prodigy Matt Tedder,” says V13 in the song’s premiere. “Each of ‘Hour In The Forest’s’ three verses were inspired by three very different situations that have arisen in Owen’s life…With such a diversity of subject matter, it’s quite clear that Owen has got a lot on his mind to draw from when it comes to songwriting.” 

LISTEN: “HOUR IN THE FOREST” 

“Hour In The Forest” follows the release of lead single “These Modern Times,” which Atwood Magazine called “a gust of sweet, somber, and seductive folk.” “These Modern Times” features Owens’ take on our society’s addiction to technology and constant digital connection, fleshing out the lyrics on one of his regular sojourns to the Brazos River, where he finds peace in the “dis-connection” of being in nature. Owen’s love of nature is ingrained in his DNA - his earliest memories involve frequent trips across the Serengeti and backyard wildlife most of us only experience at our local zoos. The son of missionaries, he grew up in Tanzania and Kenya, riding on the luggage rack of the family’s Nissan Patrol, with vast clear skies above him and gazelles running beside.  

LISTEN: “THESE MODERN TIMES”  

After leaving Africa, the family completed a stint in Ecuador before Owen’s parents moved the family back to Texas. Life as he knew it became a difficult endeavor; rimmed with the sharp edges of reality in an unfamiliar place, his attempts to settle into a culture he didn’t understand resulted in distress and a suicide attempt - a far cry from the idyllic landscape of his upbringing.      

Now, the award-winning artist, who calls to mind legends like Paul Simon, Jackson Browne, and Jesse Winchester, is gearing up to release his second full-length album, Quiet Lives. Though he revisits familiar subject matter such as the push-pull of relationships, love, and loss, Quiet Lives is about growth. The diverse 10-track collection delves into more experimental musical territory, as Owen toyed with complex chord changes, melodic dissonance, and intriguing storylines.  

“At its core, all art is based on a ‘true story,’ and by true, I mean the version we carry in our head and heart - the one that can lift or crush your spirit with equal capacity,” the golden-voiced Owen, who has shared stages with artists like Parker Millsap, Charlie Sexton, and Marty Stuart, explains. “Some suggest that your upbringing explains quirks of personality like my shyness, a tendency for introspection, and streaks of perfectionism. Maybe. I’m not so fatalistic as to believe our earliest experiences necessarily determine the arc of adult life, but my slightly foreign childhood never leaves my music or me. Everybody’s got a story to tell,” he adds. “I’m no different.” 

CONNECT WITH GARRETT OWEN

Website || Facebook || Twitter || Instagram || Spotify || YouTube 

MARKET JUNCTION UNVEILS NEW SINGLE “A STONE WILL SINK” & MORE ...

Photo: Jason Allison

Photo: Jason Allison

MARKET JUNCTION UNVEILS NEW SINGLE  “A STONE WILL SINK” 

SHARES NEW VIDEO “WESTERN COAST”  VIA FARCE THE MUSIC  

BURNING BRIDGES  LP SET FOR RELEASE  ON AUGUST 7TH

Houston, Texas’ own Market Junction released new single “A Stone Will Sink” a track from their forthcoming album Burning Bridges, due out August 7th. The band also shared a new video for album track “Western Coast” this week. “If a heart has loved, it has been broken," says frontman Matt Parrish of “A Stone Will Sink.” "This is old news, yet we speak of love with a romantic grandeur that implies we are oblivious to the inevitable. Just as we expect a stone to sink, we should expect a heart to break. It’s what hearts do.”  

 LISTEN: “A STONE WILL SINK”  

“Market Junction plays smooth, thoughtful country folk that’s sure to appeal to fans of John Baumann, Adam Hood, and Jason Eady,” says Farce The Music, who premiered the band’s new video “The Western Coast,” calling the song “a wistful tune with beautiful, understated harmonies and a pointed loneliness that saves its sharpest arrows for the final lines.” “You can change the scene, chase a dream, leave your hometown, put a couple thousand miles on your old truck, and even put down new roots...but you can’t outrun a heartache,” adds Parrish. “Even a prize fighter runs out of gas in the later rounds. Old habits are hard to break, so just plan on waiting them out.”  

WATCH: “WESTERN COAST” 

The electrifying combination of golden-voiced frontman Parrish and fretboard wizard Justin Lofton are a rock-solid foundation for the band, their folk-infused alt-country style has resulted in some of the most beautiful music in the current landscape. Burning Bridges was forged in the midst of the members' personal tribulations - changing direction in the middle of recording, a trip to the emergency room, a divorce, the births of children, a hard drive crash costing weeks worth of work, releasing a record in the middle of a global pandemic. The band was still able to create magic in the midst of the struggle. “A Stone Will Sink” and “Western Coast” follow album singles “Out Of Love,” and “Nebraska.” 

LISTEN: “OUT OF LOVE” 

LISTEN: “NEBRASKA” 

WATCH: "NEBRASKA" 

Parrish and Lofton, both award-winning songwriters, set out on a journey to create the kind of music they not only loved to listen to but music that they loved to play. Since those early days, the band expanded its lineup to include Taylor Hilyard on bass guitar and Michael Blattel on drums, sharing stages with Cory Morrow, Ray Wylie Hubbard, Jack Ingram, Radney Foster and more. Their sound is rooted in place and time, but transcends both. Each of the 10 tracks on Burning Bridges tell one story - one of a young man learning about love and its consequences. Sometimes the heartbreak spurs the traveling, and other times the traveling is the cause of the heartbreak. Either way, Burning Bridges will break your heart in the best kind of way, and have you reaching for the keys.    

CONNECT WITH MARKET JUNCTION: 

Website || Facebook || Twitter || Instagram || Spotify || YouTube 

Hardly Strictly Bluegrass Announces Let the Music Play On…

HSB_20th_Radio_RGB.png

Hardly Strictly Bluegrass Announces 

 Let the Music Play On…

Bringing the Hardly Strictly Bluegrass Experience 

to Backyards & Living Rooms Across the Globe This October

July 27, 2020 - San Francisco, CA - The Bay Area’s beloved  Hardly Strictly Bluegrass is launching its new global and community-driven initiative  Let the Music Play On to bring the spirit of Hardly Strictly Bluegrass to backyards and living rooms all over the world with a global broadcast taking place the weekend of October 2nd.  In compliance with safety concerns and California’s statewide mandate against large public gatherings, the festival will not be taking place in its traditional setting of Golden Gate Park. The festival, which will celebrate its 20th anniversary this year, was founded by Warren Hellman on ten pillars: community, joy, creativity, collaboration, freedom,  peace, love, respect, gratitude, and spirituality.  It was Hellman’s gift to the City of San Francisco, offering a free outdoor festival in the historic Golden Gate Park that is a celebration of American roots music.   

The October broadcast will feature new performances from the expansive range of Hardly Strictly Bluegrass artists that include first-time performers to legends of American Roots music, along with archival footage from the festival’s past two decades and memories from fans, performers, and staff and priceless gems from the festival’s rich history. The HSB community is what gives the festival life, so fans are encouraged to send their favorite memories via stories, videos, and photos to memories@hardlystrictlybluegrass.org.  All contributions are welcome and appreciated, and will be considered for the broadcast in October.  

“While we know we can’t replace the feeling of being together physically, the safety of our attendees, artists, volunteers, and staff are our highest priority and our team has been hard at work creating a vibrant broadcast in line with what attendees have come to expect from HSB: community, discovery, and the all-time best in roots music, ” says festival advisor Mick Hellman. “We’re excited to share parts of HSB that aren’t feasible in a festival environment such as screening archival footage,  sharing memories, and shining a spotlight on our non-profit partners.”

This  year the festival  has launched Hardly Strictly Music Relief Fund: Bay Area, a $1.5M charitable initiative to support the local music community during the COVID-19 pandemic. American roots musicians living in San Francisco, Alameda, Contra Costa, Marin, San Mateo, and Sonoma Counties are invited to apply for one-time, unrestricted support grants up to $2,000.  The fund is also open to Bay Area music venues with a track record of presenting and supporting roots music of all kinds. Venues are encouraged to nominate themselves for the grant opportunity. From those nominations, a select number of venues will be invited to submit a formal application for up to $200,000 in grant funding for  operating expenses, capacity building, or planning related to reopening, and must include funds dedicated to front-of-house and back-of-house staff.  For more information on the grant opportunities visit  http://www.hardlystrictlybluegrass.com/2020/music-relief/

Additional information on the broadcast and line-up will be announced in the upcoming weeks at  www.hardlystrictlybluegrass.com. To stay up to date sign up for the newsletter, and follow HSB on social media.

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