NORWEGIAN FOLK TREASURE JONAS FJELD RELEASES “DUST IN MY WALLET” FIRST SINGLE FROM NEW ALBUM TO THE BONE

Photo Credit: Agnete Brun

“DUST IN MY WALLET” SINGLE

LISTEN

OSLO, NORWAY – Norwegian folk treasure Jonas Fjeld, regarded as the Doc Watson of Norway, returns with his first solo English album in 20+years, To The Bone due September 16, 2022. Today, he releases the single “Dust in my Wallet,” co-written with Hugh Moffatt.

The song was inspired by a story Hugh was telling me about hiding money in his shoes in case he got mugged on tour and the reality of how financially difficult it is to be a singer songwriter in this world, explains Fjeld. “There are many artists that are constantly walking around with ´dust in their wallet’.”

Americana UK premiered the track earlier this week, noting: “Fjeld’s journey in music began in rock n’ roll and punk before he discovered a musical and spiritual home in roots music traditions. Jonas found that American roots music spoke to his soul… Jonas sought out authentic yet innovative U.S.-based collaborators. In the 1990s, he worked with country-rock legend Rick Danko of the Band and folk singer/songwriter Eric Andersen in the trio Danko/Fjeld/Andersen.”

Most recently, Fjeld collaborated with celebrated American singer/songwriter Judy Collins and Americana band Chatham County Line on 2019s Winter Stories. The album was #1 on the Billboard Bluegrass chart for four weeks in December 2019, was nominated for a Spelman Prize (a Norwegian Grammy) and produced its own PBS Special that first aired in February 2020. It included the single “Northwest Passage.”

In celebration of his 70th birthday, Jonas Fjeld will follow these milestone achievements with the elegant but earthy folk album To The Bone. The album will be his first solo album sung in English since 1999. Prior to it, Jonas was concentrating on acoustic music sung in his native language. “I never thought I would release another English album,” he emphasizes. “But things went so well with the previous album’s reception and the shows, I decided what the hell? Let’s do a new album!” Jonas continues: “The expression ‘to the bone’ means honesty, and this is a very honest album. I feel at home on this album.”

U.S. TOUR DATES

FEB 8 / GRAND JUNCTION, CO @ Avalon Theater

FEB 9 / TELLURIDE, CO @ Sheridan Opera House

FEB 11 / GREELEY, CO @ Monfort Concert Hall

FEB 13 BILLINGS, MT @ Alberta Bair Theater

FEB 14 / RAPID CITY, SD @ Fine Arts Center

all dates with Judy Collins and Chatham County Line

KEEP UP WITH JONAS FJELD

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LOS ANGELES BAND CALLING CADENCE RELEASES “CALIFORNIA BARTENDER (ACOUSTIC)” SINGLE FROM THEIR FORTHCOMING ACOUSTIC SESSION VOL. 1 EP via hi-res records

“....a perfect mix of California-inspired melodies, divine harmonies, and of course, good vibes.” - Golden State 

“...has a great Laurel Canyon vibe anchored by the group’s harmonies.” - Twangville (on “Good Day (Acoustic)” 

“They fuse together music of the 60s and 70s with some folk, jazz, country, and rock influences. They are taking on the task to meld those genres together in 2022.” - The Aquarian 

“Calling Cadence the pair blend their voices, vintage keyboards, strong guitar work, and no shortage of adventurous percussion into an analog friendly, retro affair that flirts with rock, soul and pop in atypical ways.” - Take Effect  

“Their sound is based on harmony, and it’s heavily influenced by American singer-songwriters of the 1950s, 1960s, and 1970s.” - V13 

“...their music is just as sweet…a lot of varying flavors in the mix…you’re always getting some high-quality candy-coated harmonies with each and every offering.” - Americana Highways 

“Their voices are a match made in heaven, and that paired with their unique songwriting skills makes Calling Cadence something truly special. All of that wrapped up in beautiful melodies that mix classic rock with country influences makes one of the best bands we’ve seen in recent times.” - The Honey Pop

LISTEN TO “CALIFORNIA BARTENDER (ACOUSTIC)” HERE 

Los Angeles band Calling Cadence has released “California Bartender (Acoustic),” the second single from their upcoming Acoustic Session Vol. 1 EP, out October 18th via hi-res records. Reinterpreting songs from their acclaimed self-titled debut album released earlier this year, Calling Cadence’s Oscar Bugarin and Rae Cole pay tribute to the age-old Americana tradition of the stripped down acoustic version, while breathing new life and direction into their fan-favorite material. The effect is as stunning as it is expansive, and showcases the band’s knack for crafting songs that live in multiple styles and arrangements. Whether it’s Southern soul, country rock, Americana or folk, Calling Cadence’s songwriting traverses the valleys of classic American traditions, while blazing a dirt path forward into their own peaks and mountain ranges.

“California Bartender (Acoustic)” presents a series of vignettes about bar patrons chasing their sorrows at the bottom of the glass. As a former bartender with years of experience working in the industry, Rae Cole has seen firsthand Los Angeles’s unforgiving nature, and how the dreamers who travel to the city can ultimately struggle to find a footing on the path to making their dreams come true. “You would not believe how many people I met with massive dreams, who just gave up after a while,” says Cole. “And of course I would meet people going through divorces, fighting with their parents, moving away from the city, even giving me unsolicited life advice.

Cole’s evocative vocals capture the humanity behind heartbreak and disappointment, while Oscar Bugarin’s steady acoustic strumming strengthens the emotional center of the song. The depth of their cascading harmonies recall the best of the 1960s and 70s Laurel Canyon movement. There’s comfort in the warmth of Bugarin and Cole’s playing even despite the realities explored throughout the song, a testament to the duo’s inspired writing and nuanced storytelling. “Woah, this life, this life ain't easy / Might be your turn this time / Or next life,” sings Cole.

“The song is a testament to California, Los Angeles specifically, as a land of many dreamers,” says Cole. “Not many of them make it to where they’d hoped. And speaking from personal experience, the bartenders in the city are usually the ones to hear about it.”

Calling Cadence has received support from legendary Los Angeles rock station KLOS. They were featured on the popular KLOS Friday morning Heidi & Frank show. Additional radio support has come in from Nashville's WMOT, NPR, WCNR in Charlotte, WPYA in Birmingham, WCLX in Burlington, KSYM in San Antonio and just this week the music video for their song “Good Day” was #1 on CMT’s 12 Pack Countdown, a program voted on by fans.

Acoustic Session Vol. 1, already receiving support from the syndicated radio show Acoustic Cafe, features all-new acoustic versions of songs that appear on the group’s debut album Calling Cadence, released on May 3rd on hi-res records. Featuring additional fan-favorite songs including “Just The Way It Goes,” “Good Day,” “Burn These Blues,” and “Throw My Body,” Acoustic Session Vol. 1 reimagines the lightning in a bottle that Calling Cadence has throughout their recordings, while injecting the energy that defines their live performances as well.

Calling Cadence, the band's self-titled debut album, showcases a group whose songs nod to the past while resolutely pushing forward. It's a classic-sounding record (recorded, mixed and mastered straight to analog tape) for the contemporary world. Computers were only employed for streaming prep and CD replication. Produced by David Swartz and Matt Linesch, the album is being released on their own hi-res records label. The producers and the band thought long and hard about diving into the all-analog domain but came to the conclusion that the final product would benefit in a way that digital would not allow. The 15 songs shine a light on Calling Cadence's strength as a live act, blending Oscar and Rae's entwined voices with vintage keyboards, guitar heroics and plenty of percussive and low-end stomp. Josh Adams (Norah Jones, Beck, Fruit Bats) on drums, Elijah Thomson (Father John Misty, Nathaniel Rateliff) on bass, and Mitchell Yoshida (Edward Sharpe and the Magnetic Zeros) on keyboards, round out the core band.

For Calling Cadence (whose name pays tribute to Oscar's time in the Army), recording to analog tape wasn't just a production choice; it was a way of maintaining honesty with themselves and their audience. Like the classic albums that inspired Calling Cadence's layered vocal arrangements and warm, guitar-driven sound, the record is a genuine snapshot of a band on the rise. And, once again, it all comes back to harmony.

 Calling Cadence will be playing at the Mint in Los Angeles on September 24th.  More information can be found HERE.  

TRACKLISTING

  1. Just The Way It Goes

  2. Good Day

  3. Burn These Blues

  4. California Bartender

  5. Throw My Body

KEEP UP WITH CALLING CADENCE

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KATY GUILLEN & THE DRIVE "HIT THE SWEET SPOT” (-UNCUT MAGAZINE) ON DEBUT ALBUM ANOTHER ONE GAINED OUT TODAY!

ANOTHER ONE GAINED ALBUM | PRE-SAVE

“BOTTOM OF YOUR BELLY” | VIDEO

KANSAS CITY, MO. – Indie roots/rock duo Katy Guillen & The Drive have released their debut album Another One Gained. Produced by Kevin Ratterman (My Morning Jacket, Heartless Bastards, Ray LaMontagne) at Invisible Creature Studio in Los Angeles, the album is a memoir of growth and reawakening by way of heart-wrenching transition and change – loss of her long-time band, end of a romantic relationship and finding herself amidst it all. 

“The bones of Guillen’s past bands poke through the flesh of her latest venture, but Another One Gained isn’t an elephant graveyard. It’s a living, breathing testament to how life continually changes against your own will, whether you’re ready or not.” - The Pitch (Kansas City)

“Guillen & The Drive hit the sweet spot with a mix of spiky garage rock (“Set In Stone”, “Because It’s Blue”) and soulful country torch songs (“Harsh Realization”, “Another One Gained”). “I’m working hard on this new skin”, Guillen sings, her voice a cool drink on a warm summer evening.” – Uncut Magazine

Katy Guillen & The Drive are currently on tour throughout the summer including a hometown performance in Kansas City at Knucklehead’s on August 26th to celebrate the album release of Another One Gained.

BUZZ

“Guillen and Williams bring forth a simple and timeless indie rock sound carried by Guillen’s chugging guitar and Williams’ driving drums, yet they also show off effortless instrumental chemistry, locking into an easygoing groove that gives both members a chance to shine.”

Under The Radar

“‘Discoloration’ has the soulful songwriting of the golden era of folk and country fused with the mesmeric guitar sounds of garage rock. Think of it as if Patty Griffin joined a post-grunge band. With its chorus and beautiful bridge with an uplifting angelic vibe, ‘Discoloration’ is a song that also shows not everything has to be in black and white.” – FolknRock

“… an infectious guitar rocker, the video for which she now unveils in all of its hard-driving glory.” – V13

“…a rocking new fem-duo that dabbles in both pop and country with a toothy, bluesy edge.”- Country Queer

“Intimate yet anthemic, gritty indie” - Postcard Elba 

ABOUT KATY GUILLEN & THE DRIVE

Katy Guillen & The Drive – Katy Guillen (guitar) and Stephanie Williams (drums) - dropped their first EP, Dream Girl, right before the 2020 lockdown, leaving them without opportunities to perform live. In their basement rehearsal space, they spent the year learning home recording and pre-production techniques, gradually crafting a collection of songs from the ground up. The following April, they took the demos to producer/engineer Kevin Ratterman (My Morning Jacket, Heartless Bastards, Ray LaMontagne) at Invisible Creature Studio in Los Angeles. From their work with Ratterman emerged a batch of 15 songs. At the end of 2021, the band released the four-track Battles EP, offering listeners a darker, more simmering edge to their impelling indie-rock sound. Ten more would comprise Another One Gained, the full-length debut due August 19, 2022.

U.S. TOUR DATES

AUG 19 / DAVENPORT, IA @ Alternating Currents Festival

AUG 20 / LINCOLN, NE @ The Zoo Bar

AUG 26 / KANSAS CITY, MO @ Knuckleheads

AUG 27 / DES MOINES, IA @ xBk Live

KEEP UP WITH THE KATY GUILLEN & THE DRIVE

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CHAYLA HOPE ANNOUNCES COLLABORATION WITH SHWAY PAPERS WITH NEW SINGLE “HIGH” + DEBUT SOLO LP DAMN, FEELINGS OUT OCTOBER 28

Photo credit: Lindsey Poyar

LISTEN: “HIGH”

Cleveland-based powerhouse Chayla Hope has unveiled “High,” the latest single from the vinyl-presser-turned-pop-star’s debut record Damn, Feelings, due out October 28th. A transporting, synth-pop, fever dream marked by crisp dance production, disco guitar, and Hope’s unfailing flair for vocal dramatics, the song details the desire to escape and rise above a toxic relationship. "It's about being so done with a situation that you will do anything in your power to not feel the emotional pain," she says. "There's an empowering message to it too: 'if you're going to let me down, I'm going to get high' and rise above it."

For the release of “High,” Hope has partnered with Shway Papers to create Chayla Hope-branded rolling papers (available for purchase HERE). Shway Papers was founded in 2020 during the pandemic as a creative outlet for Cleveland artist and musician MellowMan Funk. With its high quality smoke experience and eye-catching variety of artwork on the booklets designed by Mellow himself, Shway has become a movement and a way of life as the company is collaborating with many different brands and getting retail placement. Now that things have opened up more, Shway is throwing events and pop-ups, staying in tune with the art and music culture from which it was born.

“High” follows the release of “Love In Lo-Fi,” “Falling,” and “Forget me Not,” mixed by 10-time GRAMMY award winner Josh Gudwin (Bad Bunny, Justin Bieber, Dua Lipa).

LISTEN: “FORGET ME NOT 

WATCH // LISTEN: “FALLING”  

WATCH // LISTEN: “LOVE IN LO-FI” 

Chayla Hope is pop’s next great voice. Making a name for herself in Cleveland’s music scene pressing vinyl at Gotta Groove Records and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Whitney Houston, Annie Lennox, and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.

Throughout her life, Chayla has had to overcome obstacles like heartbreak and trauma by dressing up, performing, and powering through by sheer force of her artistic and creative vision. She has long been fascinated by the juxtaposition of happy music masking sad lyrics, exploring the complicated nature of human experience through its most common facet: our feelings.

A proud member of the LGBTQIA+ community who found her performance identity doing drag, it’s no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic and has numerous features in the show’s soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.

CONNECT WITH CHAYLA HOPE:

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MARYANNA DEVLIN PREMIERES NEW SINGLE “GARY INDIANA” VIA TWANGVILLE + A GREAT MANY THINGS LP OUT SEPTEMBER 30

Photo credit: Patrick Schmetzer

LISTEN: // WATCH: “GARY INDIANA”

Boston-raised, Germany-based singer/songwriter Maryanna Devlin has unveiled her latest single, “Gary Indiana,” a track from her forthcoming debut LP, A Great Many Things, due out on September 30th. “Although many of the songs on the record have a relatively straightforward folk song style, the production layers on a richness that emphasizes Devlin’s lush vocals,” noted  Twangville in the song’s premiere. “Taking inspiration from her earlier acting career, literary influences as diverse as Little House On the Prairie and The Slaughterhouse Five, and memorable moments in her own life, this is a very personal record.”

 

“Gary Indiana” was inspired by a trip Devlin took with her father to see a Boston College versus. Notre Dame football game. "Football was his life, and a huge part of mine growing up," she explains. "This trip was a somewhat healing moment for us, as we tried to mend our relationship after years of him abusing alcohol and drugs. This was the first song we recorded, and it really connected me with the team at the studio."

 

The single follows the release of “Manchester By The Sea,” inspired by the scenic escape located in her home state of Massachusetts. “Manchester-by-the-Sea is one of the most beautiful places I have ever been, filled with sprawling private estates and private roads,” she says. “I think this song was a way for me to gain access to this idyllic seaside town that is really only reserved for the elite.”

 

LISTEN: “MANCHESTER BY THE SEA”

 

Maryanna Devlin is a compelling singer-songwriter whose distinctly narrative, folk-leaning indie rock runs on pure instinct. There’s a supremely natural, vulnerable quality to her music—which resists pop formulas in favor of organic composition—guided by an intuitive understanding of the dynamics of storytelling. For Devlin, music is both an outlet for trauma and an excuse to share our best stories. As a performer, her lush vocals and raw energy have drawn comparisons to both Lana Del Rey and Sharon van Etten, while her unique arrangements and introspective lyrics are informed by a background in theater and a deep love of literature. Now poised to release her debut full-length album, A Great Many Things, in September 2022, Devlin showcases stunning breadth and originality in eight nuanced anthems.

Born in Vermont and raised outside of Boston, Devlin moved to Manhattan after high school to study acting, where she fell in love with the transitive power of art. “When you see a painting or hear a song and become overwhelmed with sudden feeling, that’s the artist’s emotion. I’m fascinated by how art can transcend time and space to connect people, to make them feel less alone,” she says. Devlin didn’t explore the cathartic power of music first-hand until her early twenties when she began songwriting as a way to process childhood grief. The devastating loss of her brother, who passed away when she was fourteen, led her to pursue music nearly a decade later. “He was an excellent musician, and when he died, there were a lot of emotions I needed to process. But I didn’t know how until seven years later when I started writing songs—then it all poured out of me.” Inspired by Brandi Carlile, she borrowed a guitar and taught herself to play using a pamphlet of chords from her mother. She found singer-songwriter Josh Ritter a few years later, whose idiosyncratic style inspired her to continue creating music in her own, unique way.

After college, Devlin shifted from acting to making music, attracted to the creative independence a music career could offer. Over the next several years she wrote, self-produced, and released three solo EPs, honing her vocal tone and unique brand of storytelling through the influence of artists like Simon and Garfunkel, Hiss Golden Messenger, Josh Ritter, and Stevie Nicks. Her early forays into songwriting soon led to performances across the East Coast and Europe, sharing the stage with acts like Darlingside and Becca Mancari. She met her partner in Nashville in 2013, and the pair eventually relocated to Frankfurt, Germany in 2017. 

In A Great Many Things, Devlin presents a richly textured, more expansive version of her signature organic, acoustic sound. Many of the tracks on this refined and sharply reflective indie-Americana collection feature a full band backing Devlin’s distinctly smooth vocals. The tracks, all written and composed by Devlin, are steeped in family and personal history, with lyrical themes exploring large temporal concepts like lineage, memory as a means of time travel, and the movement of time itself. Throughout the album, Devlin considers how we are connected and disconnected by its passing. From cover to cover, A Great Many Things contains an authentic variety of deeply human feelings, and spans an equally broad emotional spectrum, with moments of somber introspection in the vein of Elliot Smith and Townes Van Zandt juxtaposed with passages of bright and graceful ease.

CONNECT WITH MARYANNA DEVLIN:

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THE STONE FOXES ANNOUNCE FORTHCOMING LP ON THE OTHER SIDE DUE OUT NOVEMBER 18 & LAUNCH OFFICIAL FAN CLUB “THE FOX DEN”

LEAD SINGLE “MAN’S RED FIRE” OUT TODAY

"A distinct joy" - Consequence of Sound 

"Irresistible" - USA Today 

"Thunderous electric guitar riffs" - NPR

Photo credit: Brian Adler

LISTEN: “MAN’S RED FIRE”

Today, San Francisco-based outfit The Stone Foxes have announced their forthcoming LP, On The Other Side, with the release of its lead single "Man's Red Fire." On The Other Side, due out on November 18th, will be the first full-length album recorded by Shannon Koehler (lead vocals, drums, harmonica,  producer) and Spence Koehler (lead guitar, rhythm guitar, pedal steel, bass, producer) in over six years. “Man’s Red Fire” sets the tone for a powerful album with the band’s signature rock n’ roll sound, combined with heavy influences of Ennio Morricone and driving percussion. The recording features Ian McDonald (Farfisa keys), Elliott Peck and Zola (high-octave vocalists), Marcus Stephens (horns),  Mario Silva (trumpet), and Danny Lubin-Laden (trombone).

Shannon was inspired by a lyric from The Jungle Book's “I Want To Be Like You” when writing "Man's Red Fire." "Louis Prima is King Louis, and he asks Mowgli to tell him the secret to getting man’s red fire. I’ve always loved that song and that phrase, and living in California surrounded by wildfires every summer for the past four years, it was stuck in my head,” he explains. “The flames are a symbol of power and I couldn’t help but think of this raging fire of racism that’s been burning in our country since its inception. Just looking around, it’s obvious that the civil war isn’t over, so I started writing lyrics with civil war imagery in my head, and putting them together with lyrics that symbolized a quest for power.”

For the Koehler brothers, On The Other Side is a cinematic western rock ‘n’ roll soundtrack to pull you through when the journey gets rough. The lyrics and sounds reflect Shannon's journey through a second open heart surgery, the brothers’ struggles with anxiety, being grounded by love, and the experience of living in a deeply disturbing America.

It's also an album of many firsts. "It’s the first time Spence and I have been the main songwriters on every track of a release," says Shannon. "It’s the first time I’ve sung lead vocals on every track of a release. It’s the first time I’ve ever written songs on piano that turned into actual songs on an album. It’s the first time Spence has been the main bass player on a full album."

The new single and album announcement coincides with the launch of a new fan club, The Fox Den. Members will receive early access to the album and exclusive demos, listening party invites, and exclusive merch. Members can even have their names listed in the CD liner notes or receive handwritten lyrics from the band. Membership levels begin at $30 and are available at https://www.thestonefoxes.com/the-fox-den.

The band will be performing at the Walnut City Music Festival in McMinnville, Oregon on September 3rd, click HERE for tickets and show information. Be sure to follow The Stone Foxes at the links below for the latest news and updates.

Artwork by Spence Koehler

CONNECT WITH THE STONE FOXES:

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BROOKLYN UP AND COMER CRYSTAL ROSE RELEASES HER MEDITATIVE INDIE POP SINGLE “THOUGHT I’D SAY”

Listen to “Thought I’d Say” : HERE

Brooklyn’s Crystal Rose has released her meditative pop single “Thought I’d Say” from her forthcoming album Anew due out December 2nd. “Thought I’d Say” was the first song created for the project with her creative collaborator Emi Trevena who produced and co-wrote on Anew. It is purposefully playful and light- depicting a trustworthy love connection and friendship. The song started out as an experiment, the chords and verses stemming from an old voice memo of Crystal Rose’s with the lighthearted chorus written by Trevena, and the words written with a soft teasing and playfulness in mind. Its medium disco-esque groove and soulful chordal harmony filled the song with spirit. The songs on Anew, starting with “Thought I’d Say” were created to with the intention to give sensitivity back its power. For Rose, the process came from the immediacy of needing to share and communicate with the world and the people around her.

Singing and making music is really a do-or-die thing for Crystal Rose. To communicate through music, through singing, is what she has known she was supposed to be doing from a young age. She grew up singing with her mom in Filipino karaoke bars and in the church and loved it. As a soft-spoken child filled with a ton of ‘big feelings’, she could belt out “When You Believe” from the Prince of Egypt or “Reflection” from Mulan, and it was a very spiritual thing. In Pampanga, Philippines, her mom sang with her sister for the American military men at the base. It was here that her mom developed her stage name “Miss Christy”, and her ability to sing all of the classic country songs sung by Patsy Cline and similar old-time singers. Going to church with her mom, you will hear her above everyone else in the rows around you- Rose guarantees it- it’s a complete cathartic release for her- music is clearly in her blood.

Growing up, around age 11, Rose started guitar class at her Junior high which is where she met Glen Fisher of the First Friday Music Club in San Diego - this moment changed her life. She began singing with his students, and even though she couldn’t afford to take lessons, the First Friday Music Club funded guitar and voice lessons for her. She played with a cover band “Revolt-age” throughout San Diego. As she grew older, her mom went through struggles and they went through struggles together. After difficult times, Rose had to move out at 15. She found herself staying at various homes of music friends. She was hopping around homes for a long while until she made it out to NYU. It’s been a long journey, and luckily her music community has always been there, and singing has always been her medicine. She communicates best through making and sharing music, which is why she is so excited to bring Anew to the world.

KEEP UP WITH CRYSTAL ROSE

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“PAPER TIGER” - NEW SINGLE FROM lund PREMIERES VIA BLUES ROCK REVIEW + ALBUM RELEASE SHOW IN ASHEVILLE ON SEPTEMBER 2

DEBUT LP RIGHT THIS TIME OUT SEPTEMBER 9

LISTEN: “PAPER TIGER”

Today, Asheville, NC-based singer/songwriter Nicole Lund, who makes music under the moniker lund, has unveiled “Paper Tiger,” the latest track from her debut LP, Right This Time, out on September 9th. The song, which premiered via Blues Rock Review, was co-written by Lund, Tyler “The Falcon” Greenwell, and Brandon Townsend. “This tune is the opening track on the record and we love how it turned out,” Lund told Blues Rock Review. “It’s a little grungy and has some grit, we purposely cranked the guitars.”

“The song is about being let down by a lover or a ‘Paper Tiger,’ a person that pretends to be everything to everyone (powerful/dangerous) but in the end is nothing to anyone,” added Greenwell. “In this respect, it’s about the utter failure of the modern man towards women.” “Paper Tiger” follows previously-released singles “Don’t You Leave Me,” and the soulful title track. 

LISTEN // WATCH: “DON’T YOU LEAVE ME”

LISTEN // WATCH: “RIGHT THIS TIME”  

“I don’t know if you believe in this crap,” says lund, who recently had her tarot read. “But I drew the Hermit card, representing exploration and personal growth. He’s shining a light: Come on out of the shadows!” After a decade in the music business on the management and booking sides, the classically-trained singer has finally moved toward the light. “It was time,” she reveals.

lund’s debut album Right This Time, was recorded with producer Tyler “The Falcon” Greenwell (Tedeschi Trucks Band) at Echo Mountain Studios and Sedgwick Studios in her adoptive hometown of Asheville. The album features original songs honed over her decades-long stint in New York City as a working musician, promoter, and manager. Written in collaboration with local artist Brandon Townsend — and additional contributions from guitarist Paul Olsen (Scrapomatic, Susan Tedeschi, Kristina Train) — lund’s soulful brand of Americana runs the gamut from punchy blues to plaintive weepers. Her band is a reflection of her eclectic tastes: Dave Yoke on guitar (Dr. John, Susan Tedeschi), Brandon Boone on bass (Tedeschi Trucks Band, Col. Bruce Hampton) and New Orleanian Isaac Eady (Tedeschi Trucks Band, Rhiannon Giddens) on drums.

Her musical journey actually started with a Music Industries Studies degree — with a concentration in vocal performance — from Appalachian State University. Suffice to say, she “knows her shit.” “My voice professor was an opera singer,” says lund with a grin. “I sang every spiritual I could to avoid opera.” Her passion and training are evident on the Nina Simone-derived psych-soul of “Don’t You Leave Me,” the grungy swirl of “Paper Tiger,” and her subtle self-harmonizing on the title track. On this eclectic stroll through American musical styles, lund’s clarion voice is the tie that binds.

In the summer of 2020, with the pandemic on the rise and an album’s worth of rock solid material in the tank, she realized how she could optimize her quarantine. The tricky dance of socially-distanced recording was well worth it. “I always felt like a late bloomer in life,” she reflects. “But now I know it’s all about timing.”

The band will celebrate the release of Right This Time with a show at One World Brewing West on Friday, September 2nd, which will also be live streamed by https://iamavl.com. Click HERE for tickets and show information.

LOS ANGELES SINGER-SONGWRITER TEDDY GROSSMAN ANNOUNCES NORTH AMERICAN FALL TOUR DATES W/ THE WAR & TREATY AND RYAN MCMULLUN

Cr: Ty Cole

‘Grossman has a voice that simply must be heard - it reminds me of St. Paul & The Broken Bones and Leon Russell. His lyrics are both relatable and personal, and his story, even at its beginnings, is worth hearing. “-SongFacts

“Teddy Grossman is as honest as they come. The LA-based singer/songwriter creates soulful music with melodies that linger in listeners’ minds.” - American Songwriter

“Just three tracks into the Soul/Americana hybrid it’s hard to believe Grossman ever considered doing anything else with his life. Grossman turns in a beautifully satisfying record that is emotionally tough at times but unapologetically joyful elsewhere.” - Americana Highways

"Introducing his take on gospel, blues, and folk music, filtered through the soul classics of his youth. His vocals cast the track in the bruised cries and irresistible melodies of Otis Redding or Bill Withers.” - Under the Radar

‘There’s an old soul man bottled up inside singer-songwriter Teddy Grossman. Not unlike contemporaries such as Curtis Harding, Benjamin Booker, Nathaniel Rateliff and Anderson East, Grossman does right by his R&B and folk heroes.” - Buzzbands LA

“Combines sonic elements of both Americana and R&B, evoking some of the best American songwriters.” - UPROXX

Listen to Soon Come: HERE

LA-based singer/songwriter Teddy Grossman will be headed out on tour this fall supporting the War & Treaty and Ryan McMullan, playing songs from his critically acclaimed debut album Soon Come. This tour follows up his sold-out album release show at Gold Diggers in April, debuting at the Troubadour with Joey Dosik the next month, and two sold-out nights supporting the legendary Mavis Staples at London’s Union Chapel in June.

Although a lifelong music lover & maker, pursuing a career in music was put on the back burner. After a decade of his own music playing second fiddle to the life of a traveling salesman, Grossman picked up everything and moved to Los Angeles, where he soon began recording what would become, Soon Come, leaving behind his job and former life along the way. The ever-soulful singer-songwriter emotes like a man who has been down many paths, only to arrive back definitively where he’s forever belonged. “I need to be able to look back at my life and say I gave it a real go.” This steady perseverance and passion of Grossman’s— it all goes a long way in explaining why the multi-talented artist has finally arrived at this moment, his moment, which comes pouring forth via his cerebral and sublimely centered songs— the sort that speaks to years of hard-won wisdom and, well, maybe a bit of luck.

With the reaction to Grossman’s initial single offerings from the album, it looks like that combo of luck and wisdom has come full circle. “I had this impossible aim of Music From Big Pink and Voodoo as the northern stars of this record,” Grossman explains. This is most recognizable on the lead single “Leave it on the Line” reflects these loft aims, which has amassed nearly one million streams to date. Part gospel and blues and rock and folk and Appalachia and soul and R&B, Soon Come has won over fans and media alike. Soultracks said “‘Ready,” “showcases an artist who is more than ready to make his mark in the music world,” and Under the Radar compared “Giving Up” to the classic soul of Bill Withers and Otis Redding, saying that the song “sports a universal pop appeal, with gospel backing vocals and a standout climactic sax solo, bringing the track to a sing-along fever pitch." Grossman has already garnered 1.5 million streams and featured on Spotify playlists Mellow Morning, Retro Soul, and Morning Commute, and Apple Music playlists’ Acoustic Chill, Long Walk, Smooth Easy, Breaking R&B and New in R&B, seeing him right alongside artists like Leon Bridges, Yola, Lee Fields, Zella Day Brandi Carlile etc.

Accompanying the singles are some of Grossman’s most story-rich songs, including “Crowned,” a song that sprang forth from an unlikely friendship with the iconic singer-songwriter Bill Withers near the end of the legend’s life. After a chance meeting one night, in 2018, at a small Bill Withers tribute concert in Los Angeles, Grossman and longtime musical collaborator and drummer, Josh Teitelbaum, wound up going over to Withers’ house for a few inspired hangs. The song recounts Bill’s incredible life, referencing a phrase Withers kept saying as he’d run his fingers through his full head of hair during their time together - “I’m Crowned in Glory.”

“Why Should I Pretend?,” probably the most personal and poignant song on the album, was first written by Grossman’s grandfather Buddy back in the 1930’s. It was recorded later that decade by jazz icon Louis Prima & his New Orleans Gang. Grossman even plays his childhood instrument, the trumpet on the song, as a tribute to his late grandfather.

“For a long time in my life, I felt this low-grade hum in the background that I wasn’t really where I was supposed to be,”says Grossman. Soon Come, then, he says, “is ultimately a record about hope, and a deep knowing that we’re gonna get there… all in good time.”

TEDDY GROSSMAN FALL TOUR DATES

9/19 The Alibi Palm Springs, CA ^

9/20 Thousand Oaks PAC Thousand Oaks, CA ^

9/21 The Independent San Francisco, CA ^

9/24 Guild Theatre Menlo Park, CA ^

9/25 Folktale Winery Carmel-by-the-Sea, CA ^

9/28 Drake Hotel Toronto, ON*

9/30 Sonia Boston, MA*

10/2 Milkboy Philadelphia, PA*

10/3 Bowery Ballroom New York, NY*

10/5 Songbyrd Washington, DC*

10/6 Schubas Chicago, IL*

10/7 Shank Hall Milwaukee, WI*

10/9 Basement East Nashville, TN*

10/11 The Echo Los Angeles, CA*

10/13 Brick and Mortar San Francisco, CA*

10/15 Jackson’s Monroe, OR*

10/16 Here-AfterSeattle, WA*

10/18 Biltmore Vancouver, BC*

^ w/ The War & Treaty

* w/ Ryan McMullan

Keep Up With Teddy Grossman

PRESS MATERIALS // WEBSITE // BANDCAMP // INSTAGRAM // TWITTER //

OUT TODAY: GRAMMY® AWARD WINNERS TOM PAXTON, CATHY FINK, & MARCY MARXER RELEASE COLLABORATIVE LP ALL NEW

“There’s something for everyone in these 28 songs: bluegrass, folk, a cappella, spoken word, and just as wide a range of emotions. All New gives us valuable lessons to carry into an uncertain future” - No Depression  

“...makes you feel good for listening” - Bluegrass Today 

“...the album is a joy to hear, three masters still at the top of their game” - Folk Radio UK 

“...this album is an elixir for the soul” - Americana Highways 

“...refreshing and authentic folk flavor, Paxton, Fink, and Marxer mix their combined talent to create socially relevant songs” - Music Mecca

LISTEN: ALL NEW 

GRAMMY® Award-winning icons Tom Paxton, Cathy Fink, and Marcy Marxer (who make music as Cathy & Marcy), have released their live, double album collaboration, ALL NEW. Recorded live for a small audience at Tonal Park Studios in Takoma Park, Maryland by engineer and co-producer Charlie Pilzer the album features Paxton on guitar (with one kazoo solo), Fink on banjo and guitar, and Marxer on mandolin, guitars, cello-banjo, banjo-ukulele, cittern, and washboard.  There are also guest contributions from Della Mae’s Kimber (mandolin, fiddle harmonies), and Alex Lacquement (bass, harmonica).

ALL NEW combines the talents of folk music royalty, steeped in American Roots music, and spanning a few generations. Paxton, Fink, and Marxer are storytellers, string maestros, and social justice warriors. Most importantly, they are  music lovers, a fact that becomes evident from the first listen. The songs began in weekly co-writing sessions on ZOOM with Paxton and Fink in 2020.

They wanted to write new songs for group singing and community connections such as “The Freedom of Forgiving” and “Grateful.” There is a triolgy about female outlaws of the old west (“Eleanor Dumont,” “The Pearl of Arizona,” “Stagecoach Mary”), along with country tunes, bluegrass barn burners (“Since You,” which was featured at Bluegrass Today and The Bluegrass Situation), social commentary (“Don’t Say Gay,” “When The Big Bad Books Go ‘Boo!’”) an a capella song of gratitude for our first responders (“To The Ones Who Gave It All”), and even a love song to a guitar.

WATCH: “PETE’S SHOULDERS (THE POWER OF SONG)”

WATCH: DON’T SAY GAY (ft. THE GAY MEN’S CHORUS OF WASHINGTON, DC)

GRAMMY® Lifetime Achievement Award Winner Tom Paxton has become a voice of his generation, addressing issues of injustice and inhumanity, laying bare the absurdities of modern culture, and celebrating community. In describing Paxton's influence on his fellow musicians, Kennedy Center Honors Awardee Pete Seeger has said: "Tom's songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend.”

A catalog of hundreds of songs serves to document Paxton's 57-year career and the power his songs have had on major artists who have recorded them including Willie Nelson, Placido Domingo, Porter Waggoner and Dolly Parton, Judy Collins, Joan Baez, and more.

TWO-TIME GRAMMY® Award Winners, Cathy Fink & Marcy Marxer are an eclectic folk festival on their own terms. They have entertained the Queen of Thailand, been keynote singers for the AFL-CIO, performed at hundreds of folk festivals, and appeared on the "Today Show" and on National Public Radio. Their superb harmonies are backed by instrumental virtuosity on the guitar, five-string banjo, ukulele, mandolin, cello-banjo, and more.

The duo, whose past students include Kaki King and Rhiannon Giddens, are the artistic directors of the Ola Belle Reed Songwriting retreat and of The Music Center at Strathmore’s annual Ukefest. They are closing in on their 50th recording and have been honored with 65 Washington Area Music Awards, 12 GRAMMY® nominations, and a multi-generational following of fans.  Be sure to follow Tom Paxton and Cathy & Marcy at the links below for the latest news and updates.

OUT TODAY: THE ACCIDENTALS & KABOOM COLLECTIVE STUDIO ORCHESTRA’S NEW LP REIMAGINED

COLLABORATIVE TOUR BEGINS AT THE ROCK & ROLL HALL OF FAME ON AUGUST 3

LISTEN: REIMAGINED

Today, Nashville-based, female-fronted, critically-acclaimed trio The Accidentals and the Cleveland-based Kaboom Collective Studio Orchestra have released their stunning collaborative album, Reimagined.

Kaboom Collective, co-founded by Joe Weagraff and Liza Grossman, gives students between the ages of 15 and 25 the opportunity to receive cutting-edge music education. The 40-member Kaboom Collective Studio Orchestra is a Hollywood-style ensemble comprised of students that compose, score, perform, and record music for various projects. As the only production-based programming in the country, they create musical beds for everything from video game soundtracks to studio albums; from animation scores to live performances, students in the Studio Orchestra work closely with each other and a team of professional musicians, educators, and producers to bring new works and productions to life. 

The Accidentals have a repertoire of cinematic music well-suited to be reimagined with a full orchestra. They provided basic tracks and Grossman’s students scored, arranged, and recorded 11 Accidentals songs alongside industry professionals who guided their creation in a supportive, encouraging way.

WATCH: “LADY OF THE LAKE” 

Music education is an important cause for The Accidentals’ Katie Larson and Sav Buist, who met in their public high school orchestra and became a band after witnessing an immersive workshop by two women that played the same instruments they did. Seeing the possibilities firsthand gave them the courage and empowerment to pursue music beyond the orchestra. They were inspired. They often say that music connected them to friendships and skill sets that changed the trajectory of their lives for the better.

After 10 years as a band, multiple major and indie label deals, and touring over a thousand live shows and festivals, The Accidentals started their own non-profit called Play It Forward Again and Again to provide opportunities for students to experience the inspiration that launched their careers. Collaborating with Kaboom was a no-brainer: their missions of music education and empowerment aligned.

With the Reimagined collaboration, the students are gaining hands-on experience with recording, tour management, sound engineering, merchandising, stage crew skills, hospitality, promotion, marketing, press, and more.

The Accidentals and the Kaboom Studio Orchestra will kick off a string of tour dates together to support the release of Reimagined on August 3rd at the Rock & Roll Hall of Fame. See below for a full list of dates. Be sure to follow them on the links below for all the latest news and updates. 

TOUR DATES: 

8/3 - Rock & Roll Hall of Fame - Cleveland, OH

8/4 - Scottish Rite Theatre (w/ support of Bradley University) - Peoria, IL

8/5 - Gallagher's Way at Wrigley Field - Chicago, IL

8/6 & 8/7 - Mile of Music Festival - Appleton, WI

8/9 - Frederick Meijer Gardens - Grand Rapids, MI

8/11 - Fountain Point - Lake Leelanau, MI

8/12 - Heritage Park Amphitheater - Canton, MI

CHAYLA HOPE PREMIERES NEW SINGLE “FORGET ME NOT” VIA THE HONEY POP

PARTNERS WITH ANIMAL RESCUE ORGANIZATIONS FOR RELEASE TO CREATE AWARENESS 

      DEBUT LIVE PERFORMANCE ON JULY 22      

Photo credit: Lindsey Poyar

LISTEN: “FORGET ME NOT”  

Cleveland-based powerhouse Chayla Hope has unleashed her latest single “Forget Me Not,” the third track from the vinyl-presser-turned-pop-star’s debut record Damn, Feelings, due out October 2022. Hope is using the single to raise awareness about animals in need of adoption and rescue, a cause very close to her heart. She will be partnering with animal rescue organizations in her hometown of Cleveland and beyond, like the UK-based Wunder Dog Rescue, which seeks to compassionately reduce the global stray dog population.

Mixed by 10-time GRAMMY award winner Josh Gudwin (Bad Bunny, Justin Bieber, Dua Lipa), the breezy ebb and flow of this summertime bop meditates on the feelings of attraction we often leave unexpressed. "It's about having the courage to act on them even when you're afraid," Hope says. "Not wanting to say anything out of fear, but knowing that not saying something could be holding both of you back from the love you've always wanted." “The vocals on this song absolutely blew us away. We can’t get over how much we love Chayla’s voice. The production is incredible, too,” said The Honey Pop in their premiere. “Forget Me Not” follows singles “Falling” and “Love In Lo-Fi.”

WATCH // LISTEN: “FALLING”  

WATCH // LISTEN: “LOVE IN LO-FI” 

Chayla Hope is pop’s next great voice. Making a name for herself in Cleveland’s music scene pressing vinyl at Gotta Groove Records and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Whitney Houston, Annie Lennox, and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.

After years spent fronting and singing in alternative rock bands, including Emmy and multiple ADDY award-winning local favorites Seafair, pop is where Chayla was meant to be. “Pop is the music that raised me, the music my mom used to listen to while cleaning the house,” she says on planting her musical flag in the genre. “It’s always been there for me as an anchoring and joyful force. It is me.”

Throughout her life, Chayla has had to overcome obstacles like heartbreak and trauma by dressing up, performing, and powering through by sheer force of her artistic and creative vision. She has long been fascinated by the juxtaposition of happy music masking sad lyrics, exploring the complicated nature of human experience through its most common facet: our feelings.

A proud member of the LGBTQIA+ community who found her performance identity doing drag, it’s no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic and has numerous features in the show’s soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.

Chayla Hope will make her live debut on Friday, July 22nd as a part of Greyt Culture’s Golden Hour concert series in Cleveland. Click HERE for tickets and show information. Be sure to follow her at the links below for the latest news and updates.

INTRODUCING: MARYANNA DEVLIN + NEW SINGLE “MANCHESTER BY THE SEA” OUT TODAY

A GREAT MANY THINGS LP OUT SEPTEMBER 30

Germany-based singer/songwriter Maryanna Devlin has announced her forthcoming debut LP, A Great Many Things, due out on September 30th, with the release of its first single, “Manchester By The Sea,” available for streaming and download on digital platforms today.

“Manchester-by-the-Sea is one of the most beautiful places I have ever been, filled with sprawling private estates and private roads,” Devlin says of the scenic escape located in her home state of Massachusetts. “I think this song was a way for me to gain access to this idyllic seaside town that is really only reserved for the elite.”

LISTEN: “MANCHESTER BY THE SEA”

Maryanna Devlin is a compelling singer-songwriter whose distinctly narrative, folk-leaning indie rock runs on pure instinct. There’s a supremely natural, vulnerable quality to her music—which resists pop formulas in favor of organic composition—guided by an intuitive understanding of the dynamics of storytelling. For Devlin, music is both an outlet for trauma and an excuse to share our best stories. As a performer, her lush vocals and raw energy have drawn comparisons to both Lana Del Rey and Sharon van Etten, while her unique arrangements and introspective lyrics are informed by a background in theater and a deep love of literature. Now poised to release her debut full-length album, A Great Many Things, in September 2022, Devlin showcases stunning breadth and originality in eight nuanced anthems.

Born in Vermont and raised outside of Boston, Devlin moved to Manhattan after high school to study acting, where she fell in love with the transitive power of art. “When you see a painting or hear a song and become overwhelmed with sudden feeling, that’s the artist’s emotion. I’m fascinated by how art can transcend time and space to connect people, to make them feel less alone,” she says. Devlin didn’t explore the cathartic power of music first-hand until her early twenties, when she began songwriting as a way to process childhood grief. The devastating loss of her brother, who passed away when she was fourteen, led her to pursue music nearly a decade later. “He was an excellent musician, and when he died, there were a lot of emotions I needed to process. But I didn’t know how until seven years later when I started writing songs—then it all poured out of me.” Inspired by Brandi Carlile, she borrowed a guitar and taught herself to play using a pamphlet of chords from her mother. She found singer-songwriter Josh Ritter a few years later, whose idiosyncratic style inspired her to continue creating music in her own, unique way.

After college, Devlin shifted from acting to making music, attracted to the creative independence a music career could offer. Over the next several years she wrote, self-produced, and released three solo EPs, honing her vocal tone and unique brand of storytelling through the influence of artists like Simon and Garfunkel, Hiss Golden Messenger, Josh Ritter, and Stevie Nicks. Her early forays into songwriting soon led to performances across the East Coast and Europe, sharing the stage with acts like Darlingside and Becca Mancari. She met her partner in Nashville in 2013, and the pair eventually relocated to Frankfurt, Germany in 2017. 

In A Great Many Things, Devlin presents a richly textured, more expansive version of her signature organic, acoustic sound. Many of the tracks on this refined and sharply reflective indie-Americana collection features a full band backing Devlin’s distinctly smooth vocals. The tracks, all written and composed by Devlin, are steeped in family and personal history, with lyrical themes exploring large temporal concepts like lineage, memory as a means of time-travel, and the movement of time itself. Throughout the album, Devlin considers how we are connected and disconnected by its passing. From the first track, “Gary, Indiana”—a wistful, lilting ballad layered with acoustic guitar and haunting vocal harmonies—to the gently melancholic maritime ballad “Manchester by the Sea,” A Great Many Things contains an authentic variety of deeply human feeling. Sound-wise, the album spans an equally broad emotional spectrum, with moments of somber introspection in the vein of Elliot Smith and Townes Van Zandt juxtaposed with passages of bright and graceful ease; Devlin’s elegantly emotive vocals fall somewhere between Emmylou Harris’s mellow drawl and the raw purity of indie-pop artist Mirah.

A GREAT MANY THINGS TRACK LIST

GARY, INDIANA

MANCHESTER BY THE SEA

TIMELINE

BETTER

BEAUTIFUL BOY

WILD DOGS

FLOWERS IN MY HAIR

CUT AND RUN

MANCHESTER BY THE SEA (ACOUSTIC)

 

INTRODUCING: lund + DEBUT LP RIGHT THIS TIME OUT SEPTEMBER 9

Photo: Sandlin Gaither

Asheville, NC-based singer/songwriter Nicole Lund, who makes music under the moniker lund, has announced the forthcoming release of her debut LP, Right This Time, on September 9th. Two singles from the album have been released — the soulful title track, and the rock-centric “Don’t You Leave Me.” 

LISTEN: “RIGHT THIS TIME”  

LISTEN: “DON’T YOU LEAVE ME”

“I don’t know if you believe in this crap,” says lund, who recently had her tarot read. “But I drew the Hermit card, representing exploration and personal growth. He’s shining a light: Come on out of the shadows!” After a decade in the music business on the management and booking sides, the classically-trained singer has finally moved toward the light. “It was time,” she reveals.

lund’s debut album Right This Time, was recorded with producer Tyler “The Falcon” Greenwell (Tedeschi Trucks Band) at Echo Mountain Studios and Sedgwick Studios in her adoptive hometown of Asheville. The album features original songs honed over her decades-long stint in New York City as a working musician, promoter, and manager. Written in collaboration with local artist Brandon Townsend — and additional contributions from guitarist Paul Olsen (Scrapomatic, Susan Tedeschi, Kristina Train) — lund’s soulful brand of Americana runs the gamut from punchy blues to plaintive weepers. Her band is a reflection of her eclectic tastes: Dave Yoke on guitar (Dr. John, Susan Tedeschi), Brandon Boone on bass (Tedeschi Trucks Band, Col. Bruce Hampton) and New Orleanian Isaac Eady (Tedeschi Trucks Band, Rhiannon Giddens) on drums.

Her musical journey actually started with a Music Industries Studies degree — with a concentration in vocal performance — from Appalachian State University. Suffice to say, she “knows her shit.” “My voice professor was an opera singer,” says lund with a grin. “I sang every spiritual I could to avoid opera.” Her passion and training are evident on the Nina Simone-derived psych-soul of “Don’t You Leave Me,” the grungy swirl of “Paper Tiger,” and her subtle self-harmonizing on the title track. On this eclectic stroll through American musical styles, lund’s clarion voice is the tie that binds.

In the summer of 2020, with the pandemic on the rise and an album’s worth of rock solid material in the tank, she realized how she could optimize her quarantine. The tricky dance of socially-distanced recording was well worth it. “I always felt like a late bloomer in life,” she reflects. “But now I know it’s all about timing.”

RIGHT THIS TIME TRACK LIST

PAPER TIGER

DON’T YOU LEAVE ME

RIGHT THIS TIME

LAST SHOW

BED’S TOO BIG WITHOUT YOU

COMING HOME

MEET ME HALFWAY

GOOD ADVICE

SOMETHING’S GOTTA GIVE

THE ACCIDENTALS & KABOOM COLLECTIVE STUDIO ORCHESTRA RELEASE NEW SINGLE “MANGROVE”

REIMAGINED ALBUM SET FOR RELEASE JULY 29 

TOUR BEGINS AT THE ROCK & ROLL HALL OF FAME ON AUGUST 3

LISTEN: “MANGROVE”

Today, Nashville-based, female-fronted, critically-acclaimed trio The Accidentals and the Cleveland-based Kaboom Collective Studio Orchestra have released “Mangrove,” the latest stunner from their forthcoming collaborative album, Reimagined, set for release on July 29th. The track, a fan favorite cut from The Accidentals’ 2013 debut LP Bittersweet, is given “a Hollywood-esque lick of paint with this cinematic reimagining,” says PopMatters. “Sav Buist delivers a captivating lead vocal as the orchestra swirls about her and Katie Larson, meeting her folk spiritual with an adventurous edge.”

“Kaboom Collective was honored to work with The Accidentals to arrange, perform, and record a new version of ‘Mangrove’ with full orchestra, adding a magical dimension to this already dreamy song that fans love,” says Kaboom Collective co-founder Joe Weagraff. “Liam Cummins, a student on the Kaboom Composition Team, arranged the piece with The Accidentals. He amplified the playfulness and layers within ‘Mangrove’ that make it special…its whimsical, atmospheric, and positive vibe reflects the mission of our group and our partnership with The Accidentals.” “Mangrove” follows the release of “Lady Of Lake,” the lead single from Reimagined.

LISTEN // WATCH: “LADY OF THE LAKE”

Music education is an important cause for The Accidentals’ Katie Larson and Sav Buist, who met in their public high school orchestra and became a band after witnessing an immersive workshop by two women that played the same instruments they did. Seeing the possibilities firsthand gave them the courage and empowerment to pursue music beyond the orchestra. They were inspired. They often say that music connected them to friendships and skill sets that changed the trajectory of their lives for the better.

After 10 years as a band, multiple major and indie label deals, and touring over a thousand live shows and festivals, The Accidentals started their own non-profit called Play It Forward Again and Again to provide opportunities for students to experience the inspiration that launched their careers.

Kaboom Collective, co-founded by Joe Weagraff and Liza Grossman, gives students the opportunity to receive cutting-edge music education. The 40-member Kaboom Collective Studio Orchestra is a Hollywood-style ensemble comprised of students that compose, score, perform, and record music for various projects. As the only production-based programming in the country, they create musical beds for everything from video game soundtracks to studio albums; from animation scores to live performances, students in the Studio Orchestra work closely with each other and a team of professional musicians, educators, and producers to bring new works and productions to life. 

Buist and Larson met Grossman, the Conductor and Director of the Studio Orchestra, when she reached out about recording one of The Accidentals’ songs with the orchestra. That process allowed Buist and Larson to work with an orchestra on a completely new level. “Liza was one of the most inspirational teachers we have had the pleasure of working with,” says Buist. “We learned more from her in a week than in any classroom we have been in.”

Collaborating with Kaboom was a no-brainer: their missions of music education and empowerment aligned. The Accidentals have a repertoire of cinematic music well-suited to be reimagined with a full orchestra. They provided basic tracks and Grossman’s students scored, arranged, and recorded 11 Accidentals songs alongside industry professionals who guided their creation in a supportive, encouraging way.

With the Reimagined collaboration, the students are gaining hands-on experience with recording, tour management, sound engineering, merchandising, stage crew skills, hospitality, promotion, marketing, press, and more.

The Accidentals and the Kaboom Studio Orchestra will kick off a string of tour dates together to support the release of Reimagined on August 3rd at the Rock & Roll Hall of Fame. See below for a full list of dates. Be sure to follow them on the links below for all the latest news and updates.

TOUR DATES: 

8/3 - Rock & Roll Hall of Fame - Cleveland, OH

8/4 - Scottish Rite Theatre (w/ support of Bradley University) - Peoria, IL

8/5 - Gallagher's Way at Wrigley Field - Chicago, IL

8/6 & 8/7 - Mile of Music Festival - Appleton, WI

8/9 - Frederick Meijer Gardens - Grand Rapids, MI

8/11 - Fountain Point - Lake Leelanau, MI

8/12 - Heritage Park Amphitheater - Canton, MI

CHAYLA HOPE RELEASES VIDEO FOR NEW SINGLE “FALLING” + DEBUT LIVE PERFORMANCE ON JULY 22

WATCH // LISTEN: “FALLING”  

Cleveland-based powerhouse Chayla Hope has unveiled the new video for her latest single “Falling,” an ode to the all-too-familiar feeling of instantly connecting with someone, only to question whether or not to blame it on the alcohol. In the video, directed by Zachariah Durr, Chayla turns the stereotypical music video love narrative on its head. "We wanted to play on people's expectations because, at its core, pop can be subversive and fun,” she explains of the video’s inspiration. “And sometimes that fun looks like a pair of platforms, rhinestone-studded suits, and a puppet devouring a male model whole."

Mixed by 10-time GRAMMY Award winner Josh Gudwin (Bad Bunny, Justin Bieber, Dua Lipa), this dark, intoxicating earworm evokes Chayla’s past as a drag performer. Its strutting groove turns any space into a runway fit for vamping. Chorus.fm, who premiered the track, called it “perfect for fans of Lady Gaga and Dua Lipa.”

“Falling” follows her infectious single “Love In Lo-Fi”; the song’s accompanying music video was directed by JR Strickland with choreography by Nicole Kirkland. "Falling in love will forever remind me of dancing,” says Chayla of the video’s inspiration. “Whether it's with a person, yourself, or your dreams, when you're in it, your pain disappears and you get to enjoy the feeling of being alive." Both singles will appear on her forthcoming debut LP Damn, Feelings, set for release in late 2022.

WATCH // LISTEN: “LOVE IN LO-FI” 

Chayla Hope is pop’s next great voice. Making a name for herself in Cleveland’s music scene pressing vinyl at Gotta Groove Records and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Whitney Houston, Annie Lennox, and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.

After years spent fronting and singing in alternative rock bands, including Emmy and multiple ADDY award-winning local favorites Seafair, pop is where Chayla was meant to be. “Pop is the music that raised me, the music my mom used to listen to while cleaning the house,” she says on planting her musical flag in the genre. “It’s always been there for me as an anchoring and joyful force. It is me.”

Throughout her life, Chayla has had to overcome obstacles like heartbreak and trauma by dressing up, performing, and powering through by sheer force of her artistic and creative vision. She has long been fascinated by the juxtaposition of happy music masking sad lyrics, exploring the complicated nature of human experience through its most common facet: our feelings.

A proud member of the LGBTQIA+ community who found her performance identity doing drag, it’s no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic and has numerous features in the show’s soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.

Chayla Hope will make her live debut on Friday, July 22nd as a part of Greyt Culture’s Golden Hour concert series in Cleveland. Click HERE for tickets and show information. Be sure to follow her at the links below for the latest news and updates.

 

CHEST FEVER: A TRIBUTE TO THE BAND ANNOUNCE THEIR ROCK OF AGES TOUR DATES

Photo by Stacey Webb

San Diego band Mrs. Henry is excited to announce their project Chest Fever, a tribute to legendary rock group The Band, and will be touring and performing songs from the legendary Rock of Ages live album to celebrate its 50th Anniversary this year. 

Mrs. Henry is led by Dan Cervantes (Howlin Rain guitarist + Blind Owl label owner), and is rounded out by Jody Bagley (Vocals and Keyboards), Blake Dean (Vocals and Bass), and Chad Lee (Vocals and Drums).  The group was ignited by a consciousness-changing West Coast tour in 2015. Since then, Mrs. Henry has spent the last five years on the road building an unrivaled reputation for their brand of intergalactic boogie with a torrent of improvisation, and in turn, a cult following atop their already well-established individual credits (Howlin’ Rain, The Schizophonics, The Silent Comedy). Endurance is their vocation and bringing unapologetically live music into a new era is their mission. 

The idea of Chest Fever started to bloom back in 2017 when Mrs. Henry set their sights on paying homage to that historic 1976 night where The Band , along with a group of iconic friends and musicians, documented their legendary final performance at the Winterland Ballroom in San Francisco, that we now know as the The Last Waltz, by recreating it in their hometown of San Diego.  Planning and rehearsing for the event took nearly a year, and the stress nearly broke up the band. But for Mrs. Henry, the challenge ignited a new purpose and an infectious wave of inspiration. On November 26, 2017 Mrs. Henry performed the Last Waltz in its entirety with a wonderful community of San Diego artists, along with guest performances by Pat Beers of The Schitzophonics, Brenden Dellar of Sacri Monti, Jesse Lee of The Paragraphs, Clinton Davis, Noah C Lekas and more. 

WATCH “DON’T DO IT” FROM MRS. HENRY PRESENTS THE LAST WALTZ HERE

The show was recorded and released by Blind Owl on multiple formats including a triple vinyl set, mixed by Stephen Kaye (The Growlers, Ziggy Marley), mastered by Joe Bozzi, known for his work with Last Waltz alumni Neil Young and Joni Mitchell, and housed in a high-quality LP jacket designed by artist Roy G. Biv.  The vinyl package also includes an exclusive bonus 7” featuring studio versions of “The Weight” and “Evangeline.”  The film premiered at the Oceanside Film Festival  (more details HERE),  was a part of the International Shorts Film Festival. The group performed The Last Waltz again in November 2021 at Solana Beach, CA’s Belly Up Tavern alongside legendary musicians including Eagles collaborator and hit songwriter Jack Tempchin, violinist Scarlet Rivera of Bob Dylan’s Rolling Thunder Review, solo artist and Black Crowes Member Marc Ford, and local hero Isaiah Mitchell.  After the sold out performance, the group set out to continue their sights on honoring The Band and their impact on rock and roll. 

Now, with the official stamp of approval from The Band itself, the group is back to recreate another quintessential performance era from The Band’s collection. This year marks the 50th anniversary of The Band’s Rock of Ages live album, a collection of live recordings from the group’s four night 1971 residency at the Academy of Music in New York City. This residency additionally featured on-stage performances from a number of legendary artists including Howard Johnson, Snooky Young, Joe Farrell, J.D. Parron, and Earl McIntyre.  Bob Dylan additionally made a surprise visit and performance on the New Year’s eve show, and performed the final four songs with The Band to ring in 1972. A widely celebrated album, Rock of Ages underscored The Band’s ambitious on-stage vision, and further cemented their place in rock music history.

Each night Chest Fever will be performing songs from Rock of Ages, including such staples as “Caledonia Mission,” “The Unfaithful Servant,” “Get Up Jake,” and of course “Chest Fever.” They will additionally be cycling in a number of deeper cuts from The Band’s oeuvre, including “Rockin’ Chair,” “Time To Kill,” as well as classics originally left out Rock of Ages including “Up on Cripple Creek,” “I Shall Be Released,” and more.  “The first time I heard The Band was when I was a young kid seeing The Last Waltz over Thanksgiving,” says Blind Owl Records ringleader and Chest Fever member Dan Cervantes. “My Dad played the video or rented from Blockbuster at the time, that just lit a fire.” 

WATCH “THE SHAPE I’M IN” FROM DRUNKARD’S DREAM ARTS AND MUSIC FESTIVAL HERE

The group will be performing alongside local horn sections from each city to recreate the iconic contributions from Johnson, Young, Farrel, McIntyre, and Parron, while additionally featuring a special guest in select towns to perform the 4 song Bob Dylan set from the original residency. The band will feature an all-star group of accomplished and celebrated players at the final tour stop at Brooklyn’s Sultan Room on August 15th, including trumpeter Eric Biondo (TV on the Radio, Budos Band, Antibalas), sousaphone and tuba player John Altieri (David Byrne, St. Vincent, Jon Batiste), saxophonist Stuart Bogie (Antibalas, TV on the Radio, Arcade Fire), and trombonist Dave ‘Smoota’ Smith (TV on the Radio, Run The Jewels, Steven Tyler).  Each concert will feature slight variations to give audiences a unique experience in honoring the legacy of The Band, and the lasting power of Rock of Ages.

7/20 - Costa Mesa, CA @ Wayfarer 

7/21 - Chico, CA @ Argus Bar 

7/22 - Sunnyvale, CA @ Quarter Note Bar

7/23 - Red Bluff, CA @ Rock Of Red Bluff Festival

7/24 - San Francisco, CA @ The Park Side

7/29 - San Diego, CA @ Casbah San Diego

8/4 - Woodstock, GA @ Madlife Stage & Studios

8/5 - Louisville, KY @ Whirling Tiger

8/6 - Cleveland, OH @ The Winchester Bar

8/7- Columbus, OH @ The Summit Music Hall

8/8 - Columbus, OH @ The Summit Music Hall

8/10 - Toronto, Ontario, Canada @ El Mocambo

8/11- Pittsburgh, PA @t Thunderbird Music Hall

8/12 - Burlington, VT @ Nectar’s

8/13 - Brattleboro, VT @ Stone Church

8/14 - Rochester, NY @ Photo City Music Hall 

8/15 - Brooklyn, NY @ The Sultan Room

KEEP UP WITH CHEST FEVER

PRESS MATERIALS // WEBSITE //  FACEBOOK // INSTAGRAM // YOUTUBE

THE EARLY MAYS RELEASE NEW EP "PRETTIEST BLUE"

THE EARLY MAYS RELEASE NEW EP PRETTIEST BLUE

“The Early Mays create Appalachian-inspired songs built on deep country sensibilities, masterful singing and a sweet old-time sound.” - The Pittsburgh City Paper 

“The Early Mays are exceptional storytellers, singers and musicians who craft their songs with the utmost care and attention; they’re a joy to listen to.” - Folk Radio UK

“The Early Mays offer an inward-looking, heartfelt approach to Appalachia” - For Folk’s Sake

“...a really fresh take on this traditional music” - WRCT

“...it’s impossible to overlook the care and respect that went into recording these songs, which are, simply put, timeless.” - Mother Church Pew

“...haunting and achingly beautiful” - Adobe & Teardrops

"...a winning combination” - Americana-UK

"This is just pure classic folk." - If It's Too Loud

“Ellen Gozion and Emily Pinkerton understand their music better than many artists understand their own." - Sound Bites

Art: Ron Donoughe

LISTEN: PRETTIEST BLUE

Today, Pittsburgh-based duo The Early Mays (Ellen Gozion and Emily Pinkerton) have released 

their new EP, Prettiest Blue. “ Restoratively vintage, their no-frills roots music brings a warmth that is often missed in raucous contemporary releases,” For Folk’s Sake said of the band.

Somewhere on the border between old-time music and modern American songwriting, The Early Mays have built a band with harmonies that feel like home. It’s a partnership that has shared slow-burning, perfectly paired vocals for ten years—from NPR’s Mountain Stage to house concerts all over the mid-Atlantic. 

WATCH: “ON A DYING DAY”

From the old-time music community, The Early Mays have absorbed the culture of deep listening that’s central to playing with sensitivity. “Revivalists like us–who didn’t live and breathe Appalachian music growing up–still learn and create by ear for the most part,” Pinkerton explains. “Being able to carry hours of tunes in my head was life-changing. And there is new meaning to uncover each time you return to a field recording or slowly build a relationship with a mentor.” 

That practice of deep listening–and slow, careful craftsmanship–spills over into every Early Mays performance and production as they sculpt their warm, immersive sound. The past ten years have been a steady search for musical and spiritual sustenance: for themselves and for their listeners. “Prettiest Blue is about keeping your eyes trained on something brighter, even in the midst of sadness,” reflects Pinkerton. 

When recording albums, the band has explored everything from a single condenser mic in a church sanctuary to analog tape and vintage compressors. To obtain a particularly pared down, “in the room” sound for Prettiest Blue, they recorded at Audible Images in Pittsburgh, PA with Hollis Greathouse, and combined live takes with multi-tracked vocals and cello. Drawn by Alex Perialas’ work on Richie Stearns and Rosie Newton’s latest release, The Early Mays decided to mix at Pyramid Sound Studios in Ithaca, NY. “Alex gave the mixes the exact acoustic blend we’d been hunting for, transparent and lush at the same time,” says Pinkerton. 

Cellist Nicole Myers joins the band on Prettiest Blue, lending sweeping melodic lines to support the vocals and old-time textures. She is a founding member of Cello Fury (www.cellofury.com), an ensemble that bridges rock and classical music. “Her flexibility as a player has made this project especially poignant. She always adds the right emotion to the song,” says Pinkerton. “She’s a beautiful collaborator,” adds Gozion, “and she takes the time to understand our music inside and out.” The deep tones of the cello are a match made in heaven for banjo, harmonium, and fiddle arrangements that underpin “crystal-clear voices” and “stunning harmony lines” (Adam Hurt). 

A decade of friendship is palpable in the co-arranged songs, as well as the dedication to craft and the sustained pursuit of a rich acoustic aesthetic. You may find yourself comfortably swaying in that neo-traditional space–somewhere between old-time and songwriter sensibilities–getting a glimpse of how much these songs have been cared for. 

PRETTIEST BLUE TRACKLIST

The Ballad Of Johnny Fall

On A Dying Day

Shakin’ Down The Acorns 

Bury Me Under The Weeping Willow   

My Home’s Across The Blue Ridge Mountains

CHAYLA HOPE PREMIERES NEW SINGLE “FALLING” VIA CHORUS.FM + DEBUT LIVE PERFORMANCE ON JULY 22

Photo credit: Lindsey Poyar

LISTEN: “FALLING”  

Cleveland-based powerhouse Chayla Hope has unleashed her latest single “Falling,” an ode to the all-too-familiar feeling of instantly connecting with someone, only to question whether or not to blame it on the alcohol. Mixed by 10-time GRAMMY Award winner Josh Gudwin (Bad Bunny, Justin Bieber, Dua Lipa), this dark, intoxicating earworm evokes Chayla’s past as a drag performer. Its strutting groove arrives just in time to close out Pride Month and turns any space into a runway fit for vamping. Chorus.fm, who premiered the track, called it “perfect for fans of Lady Gaga and Dua Lipa.”

To celebrate the release, Chayla has launched a collaboration with Rood Food & Pie in Cleveland, who will offer a vegan strawberry rhubarb pie called the “Falling For You” over the next few weeks. “Falling” follows her infectious single “Love In Lo-Fi”; the song’s accompanying music video was directed by JR Strickland with choreography by Nicole Kirkland. "Falling in love will forever remind me of dancing,” says Chayla of the video’s inspiration. “Whether it's with a person, yourself, or your dreams, when you're in it, your pain disappears and you get to enjoy the feeling of being alive." Both singles will appear on her forthcoming debut LP Damn, Feelings, set for release in late 2022.

LISTEN // WATCH: “LOVE IN LO-FI” 

Chayla Hope is pop’s next great voice. Making a name for herself in Cleveland’s music scene pressing vinyl at Gotta Groove Records and collaborating with up-and-coming producer Jesty Beatz (aka Holy Mattress Money), her sophisticated take on the sounds of the ‘80s and ‘90s recalls the influence of Kate Bush, Whitney Houston, Annie Lennox, and Robyn, marrying inventive arrangements with an impressive range and infectious spirit.

After years spent fronting and singing in alternative rock bands, including Emmy and multiple ADDY award-winning local favorites Seafair, pop is where Chayla was meant to be. “Pop is the music that raised me, the music my mom used to listen to while cleaning the house,” she says on planting her musical flag in the genre. “It’s always been there for me as an anchoring and joyful force. It is me.”

A proud member of the LGBTQIA+ community who found her performance identity doing drag, it’s no surprise Chayla was selected to sing the theme song for Care Bears: Unlock The Magic and has numerous features in the show’s soundtrack and merchandise, embodying its core themes of empowerment, inclusion, and self-understanding through her music.

Chayla Hope will make her live debut on Friday, July 22nd as a part of Greyt Culture’s Golden Hour concert series in Cleveland. Click HERE for tickets and show information. Be sure to follow her at the links below for the latest news and updates.

CONNECT WITH CHAYLA HOPE:

WEBSITE | INSTAGRAM | FACEBOOK | YOUTUBE | TIKTOK | TWITTER | SPOTIFY

THE ACCIDENTALS & KABOOM COLLECTIVE STUDIO ORCHESTRA RELEASE NEW SINGLE “LADY OF THE LAKE” + REIMAGINED ALBUM SET FOR RELEASE JULY 29

TOUR BEGINS AT THE ROCK & ROLL HALL OF FAME ON AUGUST 3

Today, Nashville-based, female-fronted, critically-acclaimed trio The Accidentals and the Cleveland-based Kaboom Collective Studio Orchestra have unveiled “Lady Of The Lake,” the whimsical first single from their forthcoming collaborative album, Reimagined, set for release on July 29th. “The entire team of educators and students is so proud to publish this work,” says Kaboom Collective co-founder and conductor Liza Grossman. “We hope everyone who hears this music feels the passion, love, and authenticity of the partnership between Kaboom and The Accidentals.”

LISTEN: “LADY OF THE LAKE”

Music education is an important cause for The Accidentals’ Katie Larson and Sav Buist, who met in their public high school orchestra and became a band after witnessing an immersive workshop by two women that played the same instruments they did. Seeing the possibilities firsthand gave them the courage and empowerment to pursue music beyond the orchestra. They were inspired. They often say that music connected them to friendships and skill sets that changed the trajectory of their lives for the better.

After 10 years as a band, multiple major and indie label deals, and touring over a thousand live shows and festivals, The Accidentals started their own non-profit called Play It Forward Again and Again to provide opportunities for students to experience the inspiration that launched their careers.

Kaboom Collective, founded by Grossman and Joe Weagraff, gives students the opportunity to receive cutting-edge music education. The 40-member Kaboom Collective Studio Orchestra is a Hollywood-style ensemble comprised of students that compose, score, perform, and record music for various projects. As the only production-based programming in the country, they create musical beds for everything from video game soundtracks to studio albums; from animation scores to live performances, students in the Studio Orchestra work closely with each other and a team of professional musicians, educators, and producers to bring new works and productions to life. 

Buist and Larson met Grossman, the Conductor and Director of the Studio Orchestra, when she reached out about recording one of The Accidentals’ songs with the orchestra. That process allowed Buist and Larson to work with an orchestra on a completely new level. “Liza was one of the most inspirational teachers we have had the pleasure of working with,” says Buist. “We learned more from her in a week than in any classroom we have been in.”

Collaborating with Kaboom was a no-brainer: their missions of music education and empowerment aligned. The Accidentals have a repertoire of cinematic music well-suited to be reimagined with a full orchestra. They provided basic tracks and Grossman’s students scored, arranged, and recorded 11 Accidentals songs alongside industry professionals who guided their creation in a supportive, encouraging way.

With the Reimagined collaboration, the students are gaining hands-on experience with recording, tour management, sound engineering, merchandising, stage crew skills, hospitality, promotion, marketing, press, and more.

The Accidentals and the Kaboom Studio Orchestra will kick off a string of tour dates together to support the release of Reimagined on August 3rd at the Rock & Roll Hall of Fame. See below for a full list of dates. Be sure to follow them on the links below for all the latest news and updates.

TOUR DATES:

8/3 - Rock & Roll Hall of Fame - Cleveland, OH

8/4 - Scottish Rite Theatre (w/ support of Bradley University) - Peoria, IL

8/5 - Gallagher's Way at Wrigley Field - Chicago, IL

8/6 & 8/7 - Mile of Music Festival - Appleton, WI

8/9 - Frederick Meijer Gardens - Grand Rapids, MI

8/11 - Fountain Point - Lake Leelanau, MI

8/12 - Heritage Park Amphitheater - Canton, MI