americana

Erika Lewis

Prolific songwriter and singer Erika Lewis has been churning out American originals all her own for the past several years. Inspired many years ago by listening to Jolie Holland’s impromptu performances for Lewis and her housemates on a farm in the Hudson Valley, she began flexing her creative muscle by writing songs herself. In 2007, Lewis relocated to New Orleans and started a band called The Magnolia Beacon with Meschiya Lake, now a notable figure in the traditional jazz scene. The pair worked out original material and earned a living by busking on the streets of the French Quarter before crossing the Atlantic to explore what Europe had to offer.

“We based ourselves in the Kreuzberg neighborhood of Berlin, busking daily on the bridge or at the Turkish market and playing in bars at night. A local artist even painted a mural of us on the building near our busking spot by the canal!” Lewis recalls fondly.  “At one point we traveled to Riga, Latvia where my mother’s family is from, played on the streets, and explored the city.  My grandfather spoke very little about ‘the old country,’ but when I told him we had gone there, he told me that his mother, Lena, sang on the streets with her three sisters to earn money before fleeing to the states.” Lewis made her way back to Berlin and joined a group called The Cyclown Circus. “We rode bikes from western Europe to eastern Europe busking as we went, mainly playing old jazz standards intermingled with some slapstick from the clowns,” she says. 

Eventually Lewis returned to New Orleans and began busking again, which led to the formation of beloved New Orleans jazz band Tuba Skinny and featured fellow street performers and friends like Alynda Segarra of Hurray For The Riff Raff. “There was this crew of folk musicians and songwriters that settled in New Orleans post-Katrina, and she, Kiki Cavasos, Sam Doores, Riley Downing, Meschiya Lake, and others were a big inspiration to write more and start playing my own songs outside of Tuba Skinny,” Lewis explains.

In 2020, Lewis had a health scare that required a surgery that could damage her vocal nerves and effectively end her career. “My friend Lani Tourville said, ‘You have to make an album because you will regret it forever if you don't do it and you can’t sing again.’” With the help of Lani’s husband John James Tourville (The Deslondes), and a funding campaign organized by Tuba Skinny bandmate Shaye Cohn, Lewis began the journey of creating her forthcoming LP, A Walk Around The Sun. 

Produced by Tourville and recorded in Nashville at Andrija Tokic’s analog paradise The Bomb Shelter, A Walk Around the Sun features 11 all-original songs. In tracks like album opener “A Thousand Miles,” “If You Were Mine,” and “First Love,” Lewis recalls the magic and endless possibility of new love, comes to terms with the loneliness of mandated isolation, and remembers the affection for and intimacy shared with her childhood best friend and realizes after drifting apart, that she was Lewis’ first love. 

Other songs encompass the push and pull of love, the swirl of emotions at the end of close relationships, and the primal need for connection. In A Walk Around The Sun’s series of lyrical vignettes, Lewis deftly explores the gray areas between love and loss, joy and grief, longing and contentment. From classic country to cosmic Americana to dreamy indie-folk, Lewis continues to dip her toes more deeply into an ever-expanding pool of roots music styles. A Walk Around the Sun is a testament to her songwriting prowess and exceptional vocal ability. 

Though her songwriting shines brightly, it’s never at the cost of melody or arrangement; complete with sweeping strings, pedal steel, and even the occasional fuzz of a psych-rock guitar solo, Lewis’ voice soars with emotion and texture throughout. Beautifully balanced, adroitly performed, and masterfully produced, A Walk Around the Sun brings Lewis’ solo work out from the wings to center stage, beneath a spotlight nearly impossible to ignore.

Brian Mackey

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Singer-songwriter Brian Mackey voices what often goes unsaid with warmth and vulnerability that is reminiscent yet new. He's often been told that he has a sound that combines a healthy balance of folk, pop, rock, and Americana, drawing comparisons to artists like the late Jim Croce. Originally from the northern Florida panhandle, Brian was raised on a diet of 90s alt-rock and 70s folk music.  

Amidst the COVID-19 pandemic, Brian released his single "Keep the World Alive," written and recorded remotely as an anthem for 2020 and how the world as we knew it has changed - simultaneously with the loss of his brother. In a time when the pandemic has also changed the landscape of the music and live entertainment industry in its entirety, it was featured in American Songwriter Magazine; the video garnered over 2M views on Facebook, and sparked much coverage across numerous press outlets. 

Brian recorded his forthcoming full-length album, his second, at Sony Tree Studios in Nashville. A writing project during 2019-20 with his friend Jeff King (Reba McEntire/Brooks & Dunn) sparked several tracks—“My Only Friend” and “Six Strings” on the new album, as well as Mackey’s new standouts, “Saturday Night Sleeping,” “Even Though I Try,” “Count The Stars,” and “Bird In A Cage.” 

The album comes after a period of touring and single releases. In 2018 and 2019, Brian toured with Kate Voegele and Tyler Hilton on their joint European tour and on Hilton’s solo tour, with Howie Day, and American Idol Winner Taylor Hicks. The tours supported a collection of singles, "Promise Me," "Don't Own Much," "Underwater," and "Learn to Be," produced in Los Angeles by Jon Levine (Rachel Platten, Andy Grammer). "Learn to Be" charted #1 Most-Added for three weeks in a row, tied with John Mayer on the US FMQB A/C Charts. This single, poppy and bold, reflects on the life lessons of learning to live without a crutch, and the liberation of breaking free. The music video for "Underwater" premiered on the Huffington Post, boasting the headline "Sublimely Gorgeous Music From Brian Mackey." It was also officially nominated for an HMMA award for "Best Independent Music Video,” along with his video for “Don’t Own Much.” During this timeframe, he has also toured with David Bromberg in the US, with Ron Pope in Europe, and Jon McLaughlin for select dates.  

In 2015, Brian released his first full-length album Broken Heartstrings, a collection of pop infused American folk-rock, also in Nashville. The music took him through a very personal journey, spurred by loss and then renewal and signified a new beginning for Brian. He assembled a talented team: Producer Sam Ashworth, Engineer Richie Biggs (Tom Petty, The Civil Wars), bassist Mark Hill (Carrie Underwood, Keith Urban) and guitarist Jeff King, (Reba McEntyre/Brooks & Dunn). 

 Broken Heartstrings yielded his hit single, “Are You Listening,” which, after being featured on YouTube by gamer Gronkh about the PlayStation 4 game “Until Dawn,” became a runaway hit in Germany. The song peaked at #8 on the A/C Radio Charts in the US, charted top 25 on German iTunes, was on the ‘100 Most Sold’ chart on Amazon Germany, had over 400k streams on Spotify, and resulted in sold-out shows throughout the country.

THE SILENT COMEDY

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For a few years, Joshua Zimmerman couldn’t bring himself to listen to his band’s most recent album. Enemies Multiply – the Silent Comedy LP he and Jeremiah, his brother and longtime bandmate, had written and recorded several years ago – felt too personal, too raw to engage with. Born of a rough patch in the Zimmerman brothers’ personal and professional lives, listening to it felt like rubbing salt in healed wounds. Despite the brothers collectively viewing the album as some of their best work in the decade-plus they’d been a band, the project was shelved.

Then the 2016 election happened.

 “And suddenly, at that moment,” while living in New York City and feeling bewildered and frustrated at the country’s new reality, “I realized the feeling of this moment was what we wrote this music for,” Joshua recalls. A certain pall and desperation had settled over the country in the days and week after the election and, in Joshua’s estimation, the album now had widespread cultural resonance. “At this particular moment in U.S. history I felt like a lot more people could take comfort in the songs than ever before,” Joshua notes of the 11-track LP that at long last is set for release on October 19th. Jeremiah concurred: “For the first time ever I just want people to hear it and have it.”

Recorded in Austin, Texas, Enemies Multiply is sonically a big-boned, bruising affair. The brothers channeled an admittedly confusing time of conflict in their lives — as well as the previous perilous years leading up to it, characterized by what Josh describes as “being jerked around by the music industry” — into their most impassioned, hard-hitting, and thoroughly engaging album of their career. Standing at the center is “Sharks Smell Blood,” all bluesy strut, spooky choirboy harmonies and sing-along hook. Likewise, “Avalanche” is framed around a searing guitar line and squelching church organ. Like the album itself, and the band’s own views on it, “that song evolved over time. I’ve loved it in every incarnation it went through, but when I listen to how it ended up I really feel that’s the pinnacle of all of that work,” Joshua explains. Even “No Saints Forgiven,” which begins as a back porch delta-blues confessional, quickly explodes into a Van Halen-esque sing-along at the chorus.

But it’s the messages in the songs  – namely combating malevolence by banding together with likeminded people – that compelled the Silent Comedy to finally release the album. As children, after traveling the globe with their missionary parents only to return to the United States, meander some more, then settle down in San Diego in a house with literally nothing but an upright piano, the two brothers looked to musical collaboration in their mid-teens as a cathartic outlet. “Jeremiah started writing songs, “Josh recalls. “That was kind of his way of processing everything that we’d been through. That’s really when we started writing together.” It was their traveling that also colored their worldview which, when compared to some of their peers, was decidedly darker. “It skewed our perception to see how much suffering there is in the world and how fortunate we are in the United States by comparison,” Joshua explains. “We have always had a little bit more somber view of things.” Enemies Multiply, he then adds, “is a distillation of that worldview.” Jeremiah admits the album “has a lot of stuff in there about people backstabbing each other” which caused some record labels to initially balk at releasing it. And even now, as he wishes that subject matter weren’t so applicable, “I think people are more sympathetic to that idea,” Jeremiah offers. The album, he adds, “is a journey in context.”

Though, as Joshua explains, it’s the album’s most hopeful track, the closing “Peace of Mind,” that he says now connects with him on an intensely personal level. One of the most collaborative songs he and Jeremiah ever wrote, the harmonica-drenched folk lament, on one hand, “is really about being in a desperate place and a hopeless place, but also about taking comfort in banding together.” It especially spoke to him in the past two years, particularly as the world seemed to slip further into chaos. “It still is a really emotional song to listen to and to sing,” he adds.

“All of what we have been through as a band is wrapped up in this new project,” Joshua notes of the Silent Comedy’s realization that conflicts and challenges often reveal themselves as the best source material for artistic expression. The years spent writing the material that became Enemies Multiply, according to Jeremiah, “were exhausting and it was really taking a toll on us. We were in a legitimate struggle. But all the songs started to take on a new meaning. This entire process was saturated with so much frustration and conflict. So to see something like Enemies Multiply rise out of that is awesome.”

 While not always visible in plain sight, rock music has always formed the foundation of the Silent Comedy. The brothers, who were fanboys for bands like Rage Against The Machine and At The Drive-In during their teenage years, first delved into band life via joint membership in a punk and post-hardcore act. But after forming the Silent Comedy in the mid-2000’s, their early albums, including 2010’s Common Faults,, began to incorporate the folk, Americana and the blues they picked up from listening to a healthy dose of Cat Stevens and Simon and Garfunkel. Still, all throughout, their live show was centered on its rollicking, over-the-top, energy. To that end, the Zimmerman brothers felt their studio efforts needed to better match up with their live persona.

“In a way it was only a matter of time before we fully embraced our rock n’ roll roots,” Josh says.  Adds Jeremiah: “The farther we kept going, we realized the stuff that was more interesting to us was the more energetic and rock-focused material. Our energy has been our biggest asset. We wanted to put that on the record.”

If the journey has felt long and at times painful, the Zimmerman brothers feel that with Enemies Multiply now set for release the ends truly do justify the means. “There’s a certain freedom to whatever happens now,” Jeremiah says. “After a while in life you start to look at the bigger picture.”

 

 

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