Alternative

THE SLANG  UNVEILS NEW SINGLE “DISGUISE” OUT TODAY

THE SLANG  UNVEILS NEW SINGLE  

“DISGUISE” OUT TODAY 

 

DEBUT FULL-LENGTH LP DIVIDE  

SET FOR RELEASE SEPTEMBER 24TH 

Photo credit: Morris Photography

Photo credit: Morris Photography

LISTEN: “DISGUISE”   

Today, Washington, DC-based duo The Slang has unveiled “Disguise,” the latest single from their forthcoming LP Divide, set for release on September 24th. “Disguise,” a hook-laden dreamscape that brims with shimmering guitars, explores our tendency to hide our true selves from others, and follows "Nothing Lasts Forever," about addictions, and unhealthy vices and attachments.  

LISTEN // WATCH: “NOTHING LASTS FOREVER” 

The album features 10 sparkling alt-rock gems written by co-founders John Bobo and Felix Nieto, and produced by Nieto. “It’s our first full-length album, so we used that to our advantage to take risks that we may not have on our prior EP’s,” explains Bobo. “As the expression goes, ‘Stories Don’t End,’ so what happens after the movie ends and the credits have rolled? Divide is an album about trying to overcome the inevitable, but continues asking that question of ‘what happens next?’”  

Offering a distinct blend of power-pop, alternative, and contemporary rock, The Slang is comfortable testing genre lines and taking their time to capture the minutiae of modern life. With a laid-back intensity that infuses their music, lead vocalist/multi-instrumentalist John Bobo serves as the main songwriter while bassist/multi-instrumentalist Felix Nieto focuses on production. Both artists share a kind of low-key perfectionism: hands-on, hyper-attuned to textural detail, and aware of what elevates a song from good to great. “We want to do it right,” says Bobo. “And we’re willing to do whatever it takes to make the best possible track each time.”   

With smooth vocals and striking guitar melodies, The Slang is often compared to bands like Snow Patrol and The Killers, but with a modern twist and more experimental production value. “We care about the experience, whether on headphones or at a live show,” says Nieto, whose production adds a sleekness and edge. Bobo’s introspective lyrics explore singular moments that define human relationships. This beautiful blend of respective talent is evident on Divide, which features the band’s characteristic melodic precision, bright, electric guitar-driven anthems, and top-quality production, but with a more pop-leaning sound.  

 Be sure to follow The Slang via the links below for the latest news, updates, and tour information, and check out their hilarious Facebook group The Slang Gang

SEAN ROWE UNVEILS NEW SINGLE “TO MAKE IT REAL” VIA HOLLER.

 SEAN ROWE UNVEILS NEW SINGLE “TO MAKE IT REAL” 

VIA HOLLER. 

 

NEW LP  THE DARKNESS DRESSED IN COLORED LIGHTS 

OUT ON OCTOBER 8TH VIA FLUFF & GRAVY RECORDS 

Photo credit: Joe Navas

Photo credit: Joe Navas

LISTEN: “TO MAKE IT REAL”   

Today, with the release of lead single “To Make It Real,” internationally acclaimed singer/songwriter Sean Rowe announces his forthcoming LP The Darkness Dressed In Colored Lights, set for release on October 8th via Fluff & Gravy Records. “'To Make It Real' looks at the aftermath of heartbreak, when the reality of a relationship's end sets in,” said Hollerin the premiere. 

“The song begins with a more traditional folk-rock sound. ‘All this sky/ All this music floating by/ One day it will be the last time/ You won't get it again,’ Rowe sings on the second verse before 'To Make It Real' shifts its soundscape and sets off into more vibrant alt-rock.” 

“Sonically, I was very much influenced by Radiohead’s In Rainbows with the feel of this track and the direction of the instrumentation,” Rowe explains. “Lyrically — this is for me — a kind of recurring theme that I find in many of my songs. Which is to say that I’m alluding to the duality that I feel is in all of us. All the hidden parts and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.” 

Rowe, an artist and nomad at heart, has made himself into the perfect repository for spun yarns of every variety — hysterical, terrifying, heartbreaking, mystifying, and ridiculous — and on this record, he makes it clear that at some point it’s hard not to feel them all at once.  

While “To Make It Real” was forged from the despair that comes from losing yourself to heartache, album track “Little Death” recognizes that both in spite of and because of such events, it’s possible to find yourself again. Here, Rowe brushes off the dirt and looks ahead to the freedom of only being accountable to oneself.  

“The heaven and hell that swirls around in our head — to a large extent, we make both,” Rowe says. “So, in realizing that, you begin to realize that you have the ability to decide which one you’re gonna make.” He credits therapy and a guided ayahuasca retreat with helping him to reach this understanding.      

The Darkness Dressed in Colored Lights was produced by Rowe’s friend and longtime collaborator Troy Pohl, whom he has known since he was in his early twenties while Pohl was still a teen. The two grew into their professionalism together and here, they make the most of their combined ambition and experience.   

The studio Hive in Eau Claire, Wisconsin was chosen so that they could work with the Grammy-winning engineer, Brian Joseph (Bon Iver) and for its proximity to a group of musicians that Sean came to admire while listening to Anna Tivel’s remarkable album, The Question, in his manager’s basement studio. That group includes drummer/percussionist, and producer Shane Leonard, along with Jeremy Boetcher on bass, and Ben Lester on keys and pedal steel. Courtney Hartman was flown from Colorado to provide background vocals and guitar. Chris Carey provided additional bass, while John DeHaven, Jeff Nania, and Joel Yannuzzi made up the album’s brass section.   

The Darkness Dressed in Colored Lights will be released on CD and double-vinyl, as well as available on all streaming services on October 8th.  Click HERE to pre-order. 

TRACKLIST  

WHAT ARE WE NOW 

TO MAKE IT REAL 

LITTLE DEATH 

I WON’T RUN 

HONEY IN THE MORNING 

MARRIED TO THE LORD 

GABRIEL 

SQUID TATTOO 

TORNADO HEAD 

RABBIT HOLE 

TOAST 

 

CONNECT WITH SEAN ROWE:   

WEBSITE || FACEBOOK || INSTAGRAM || TIKTOK || TWITTER ||  YOUTUBE || SPOTIFY   

OUT TODAY: NEVER A MOMENT ALONE NEW LP FROM EMILY DAVIS AND THE MURDER POLICE

  OUT TODAY:  

NEVER A MOMENT ALONE  

NEW LP FROM EMILY DAVIS AND THE MURDER POLICE  

Davis cues up discussions around climate change, systemic racism, and income inequality, specifically, between thumping layers of drums and their sky-tearing lead vocal - American Songwriter   

The band deftly melds the seemingly disparate worlds of folk and punk and flexes their own chameleon-like ability to adapt to pretty much anything, proving exactly how it made sense that they were able to open for bands like Bad Religion and Leftover Crack and then share a stage with Neko Case. - Glide Magazine 

 With every song, you realize that this band has hit on a winning formula - Americana Highways  

Relentless hardcore tempo, but using folk-oriented instrumentation - Rebel Noise 

Like a runaway train after a wild west shootout, EDMP shows us a different side of the Texas music scene, and we’re here for every minute of it - East of 8th  

Emily Davis & The Murder Police have something special, the magic that only comes from truly loving what you do and having fun with it. It makes every track sound a little louder, every lyric hit a little harder. It makes you fall in love with them and the music they make - Yack! Magazine  

With groovy and scintillating drum beats, thumping bass notes/rhythm, high-spirited guitar rhythm, and soothing but somewhat provoking high pitch vocals, Emily Davis and The Murder Police still manages to drop a somber social and political message - Hello Radio 

Photo credit: Fernie Ceniceros 

Photo credit: Fernie Ceniceros 

  STREAM NEVER A MOMENT ALONE 

SPOTIFY // BANDCAMP    

Today, El Paso’s favorite alt-punk band Emily Davis and The Murder Police released their new LP Never A Moment Alone. Never A Moment Alone is varied thematically, but one of the central premises is the lack of foresight humans continue to display with regard to climate change and our lack of preparedness for other crises,” front person Davis explains. “We prioritize the wrong things and we aren't taking seriously the biggest threats to our wellbeing and existence.”  

That theme is more explicitly stated in album tracks “Why Weren't They Stunned” and “Apartment Homes,” a nihilistic yet sonically upbeat and cheerful song that’s basically a big "what-if"—what will the world look like if we don't alter our habits? Will we all have to share apartment homes and eat from the same plate?   

WATCH: “WHY WEREN’T THEY STUNNED?” 

Through dry humor, clever lyrics, and high-energy musicianship, the band tackles the world and society's penchant for head-scratching behavior with clever lyrics and dry humor as they offer commentary on excessive patriotism expressed in our culture's worship of the flag in songs like "God Hates Flags, a quarantine love song in “Eden Is The Worst,” and substance abuse as escapism in “Artificial Happiness.”  

With “Semicolon,” Davis, who lives with ADHD and Bipolar II, relays a candid take on mental health. “I wanted it to be relatable to anyone who might struggle with their mental health in one way or another,” they explain of the track, its title inspired by Project Semicolon whose the tag line, is “You don't have to end your sentence.” Davis also sees a semicolon as fixed between two separate entities—and for the person with bipolar disorder, those entities are mania and depression.  

WATCH: “SEMICOLON” 

Davis, a former member of Cigarettes After Sex and desert-punk shredder, has a powerful voice reminiscent of legends (and personal influences) like Dolores O'Riordan, Jenny Lewis, and Neko Case, and The Murder Police—Jorge Torres (electric guitar, backing vocals), Jose Macias (bass guitar, backing vocals), and Tomas Tinajero (drums, backing vocals)—back Davis up like a freight train of energy.   

EDMP has found success across the nation through their poignant music, lyrical vulnerability, and creatively engaging social media presence. Davis has had a fascinatingly unique journey to the national stage. Their YouTube channel, featuring numerous punk rock covers (of, most notably, Bad Religion) has drawn serious attention—accumulating nearly seven million views. Davis has clearly proven their talent deserves to be noticed, and noticed they were, leading to the band’s most significant outing to date—an opening slot on legendary punk band Bad Religion’s 2019 fall tour to packed venues across the country. 

The band has some significant accomplishments under their belt, even beyond their 2019 run with Bad Religion. In 2017, Davis toured solo with Bad Religion frontman Greg Graffin, supporting his at-the-time recently released solo record, Millport. In 2019 alone, the band opened for Leftover Crack, The Toasters, Authority Zero, and alt-rock cult superstars Cold War Kids.   

With Never A Moment Alone, the EDMP’s second full-length effort, Davis has deftly continued to curate a brilliantly unique blend of 90’s-inspired alt-rock, folk, and punk that will expand your horizons while it tests your speakers. Never A Moment Alone is available for purchase on their website, and at BandcampiTunes, and Amazon

EDMP will celebrate the album’s release tonight in El Paso, Texas with a live show at Love Buzz. The band will also perform live at Launchpad in Albuquerque, New Mexico on July 23rd, and in Santa Fe, New Mexico at Tumbleroot Brewery & Distillery on July 24th. Be sure to follow EDMP at the links below for more upcoming tour announcements. 

CONNECT WITH EMILY DAVIS AND THE MURDER POLICE:   

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || BANDCAMP || YOUTUBE || SPOTIFY 

NASHVILLE ARTIST BETTY REED WATCHES “KARMA” UNFOLD ON NEW SINGLE OUT TODAY MISTAKES MADE, LESSONS LEARNED EP OUT SEPTEMBER 3, 2021

NASHVILLE ARTIST BETTY REED

WATCHES “KARMA” UNFOLD ON

NEW SINGLE OUT TODAY

MISTAKES MADE, LESSONS LEARNED EP OUT SEPTEMBER 3, 2021

“Reed’s liberating version of payback is transformed into a modest pop number where instead of wishing ill upon her former partner, she finds freedom in personal happiness and self-love.”

AudioFemme

Photo Credit: Taylor Napier

Photo Credit: Taylor Napier

“KARMA” SPOTIFY || YOUTUBE

Drawing on life experiences, Betty Reed relates stories of everyday life through her music. Struggles. Triumphs. Journeys. Her expressive vocals and clever lyrics resonate throughout her debut EP Mistakes Made, Lessons Learned, out September 3, 2021. Today, she releases the first single, “Karma” that premiered on AudioFemme earlier this week.

“I decided to make this the first release because it truly captures the flavor and feel of what I'm trying to convey in the overall theme of the EP... independence, standing up for oneself, moving forward from past mistakes,” says Reed.

For the EP, the Berklee College of Music graduate collaborated with Nashville producer, Bill McDermott to create an eclectic collection of songs that showcase Reed’s ability to write and perform across the musical spectrum. The title of the EP is derived from all the missteps the young singer/songwriter has taken in her life and career, putting it all behind her as she continues to move forward and grow as an artist.

Many of Reed’s song are about her experiences with depression — the ways in which she finds her way out of the dark and into the light. You can hear this theme in “Let It Out” and “Happy.”

“Misunderstood” is about finding the strength to assert yourself. “Karma” is about that moment you are free from an abusive relationship while the other person finally gets their comeuppance.

“Even though the subject matter of most of songs is serious, I mask it with an upbeat vibe—it’s this veneer of cheeriness that you feel you have to project in order to feel normal.”

Mistakes Made, Lessons Learned will be released on September 3, 2021.

KEEP UP WITH BETTY REED:

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || YOUTUBE || SPOTIFY || TIKTOK

DESTROY BOYS RELEASE THEIR NEW SINGLE “DRINK” - AN EXPLORATION OF ADDICTION AND COMFORT

DESTROY BOYS  RELEASE THEIR 

NEW SINGLE “DRINK” - AN EXPLORATION OF ADDICTION AND COMFORT

“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

“.....the three-piece – which comprises vocalist/guitarist Alexia Roditis, guitarist and backing vocalist Violet Mayugba and drummer Narsai Malik – have a sound defined by dirty vocals and even dirtier walls of electric guitar. - Guitar World

“  Making waves in the punk scene as loud as their dynamited guitar riffs, heavy percussions and scowling vocals and, they have captured the attention of some of the genre’s most influential musicians. The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

“If Destroy Boys are showing us a current direction punk is going in, maybe we should let them lead us there.”  - If it’s Too Loud

Drink (1).jpg

LISTEN TO “DRINK”:  HERE

Northern California’s Destroy Boys are excited to announce the release of their single “Drink”, produced and mixed by Will Yip (Mannequin Pussy, The Menzingers, Quicksand, Code Orange etc.) out now via Hopeless Records. Being keenly in tune with issues such as mental health and social justice that have been exacerbated by this past year, “Drink” is a raw and honest look at the relationship that can exist with mind-altering substances, and how it can be both destructive and comforting.  It examines painful patterns that are passed down through generations and the desperation to break those patterns.  

This is the band’s second single with Hopeless and follows the blistering track "Muzzle,” released earlier this year.  Alternative Press called that song “Ferocious” and RockSound commented that with “less than a minute in length and packed tight with thrashing guitars and barked vocals, it's a kick to the temple that is simply impossible to ignore.”  Refinery 29 said “Destroy Boys aren't playing nice on ‘Muzzle,’  kicking ass and taking names in the high-energy new single about fighting back against the powers that be. Turn this one all the way up.”  The song has been added to top punk and alternative rock playlists on streaming services all around the world, in addition to SiriusXM’s Faction channel, and has received early spins on numerous radio stations in Europe. 

Destroy Boys are a three-piece band founded by Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar). Rounded out by drummer Narsai Malik they have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up and coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. Their visceral personal tales have won over the hearts and ears of eager listeners who pack out their shows.

The band have been outspoken advocates for a myriad of social justice issues, especially when it comes to racial equality, LGBTQA+ rights and inclusion for all, which is prevalent in their music, their actions and how they use their platform.  Simply being two-thirds female and fronted by a queer woman is uncommon in a scene traditionally dominated by straight men. Frontperson Alexia Roditis told Punkzine, “I think the scene is opening up and people are realizing that queer people, POC, people of different abilities, fat people, women, make BADASS MUSIC that is underappreciated. These people have always been in the scene and always made art, and I think we are moving towards appreciating it and uplifting those voices more. I am happy to have been a part of that for some people.”  After more than a year of no live music the band is thrilled to be getting back on the road on the Sad Summer Tour, which also features All Time Low, The Story So Far, The Maine, Movementss and Grayscale. 

SAD SUMMER FESTIVAL TOUR DATES

AUG 6, 2021 Heart Health Park Sacramento, CA

AUG 7, 2021 City National Grove Outdoors Anaheim, CA

AUG 20, 2021 The Orlando Amphitheater at the Central Florida Fairgrounds Orlando, FL

AUG 21, 2021 The Masquerade Outdoors Atlanta, GA

AUG 27, 2021The Rooftop at Pier 17 New York, NY

AUG 28, 2021 MECU Pavilion Baltimore, MD

AUG 31, 2021 EXPRESS LIVE! Outdoor Columbus, OH

SEP 3, 2021 Stone Pony Summer Stage Asbury Park, NJ

SEP 4, 2021 The Palladium (Outdoors) Worcester, MA

SEP 5, 2021 Skyline Stage @ The Mann Philadelphia, PA

SEP 7, 2021 Stage AE Outdoors Pittsburgh, PA

SEP 10, 2021 The Rave / Eagles Ballroom Milwaukee, WI

SEP 11, 2021 Crofoot Festival Grounds Pontiac, MI

KEEP UP WITH DESTROY BOYS :

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