ANTHEMIC ALT-ROCK SUPERGROUP TEAM UP FOR THE RELEASE OF “MANIAC”

LISTEN TO “MANIAC”: HERE

Grammy-nominated Nashville-based alt-rock artist, Zayde Wølf (“Gladiator”, “Heroes”), platinum-selling LA-based artist & producer and one half of alt-rock band The Score, EDVN (“Legend”, “Unstoppable”), and platinum-selling Nashville-based artist & songwriter Sam Tinnesz (“Play With Fire”, “Legends Are Made”) have come together for a collaboration of epic proportions with the release of the anthemic single “MANIAC.”

Uniting all three artists is their focus on making empowering music that helps listeners push through and overcome life’s challenges. This motivational mentality of transcending the past, has connected with their fans in a big way. Collectively the trio has over 10 billion streams, thousands of film and TV placements, multiple Grammy Nominations and certified platinum records. 

This collaboration came together by fan request. The three share a cross section of fans and had been getting messages and comments for years from fans begging them to work together. As scheduled, all three met at Sam Tinnesz’s Nashville studio and the chemistry was undeniable. “I honestly had no idea if this day would ever come,” Sam Tinnesz recalls. “Getting all three of us in the same room at one time was wild and felt a bit like something none of us would soon forget!” 

The resulting song “Maniac” packs a powerful punch that fans and listeners alike will not soon forget.    Zayde Wolf and Sam Tinnesz sing the pulsating powerful chorus “Watch me I’m a maniac / can’t stop me “I’m a maniac / riding on the rage / feeding on the flames / that won’t ever change,” and EDVN explains that “‘‘Maniac’ takes these motivational themes across all our music and goes one step further,”embracing the haters and owning it— a maniacal level of ambition. “

The early reactions from fans have been overwhelming and although this is the first collaboration from these three, fans are hoping it’s not the last.

ABOUT ZAYDE WØLF

Dustin Burnett (aka Zayde Wølf) has always focused solely on making music that helps listeners push through and overcome life’s challenges.  This motivational mentality of transcending the past, and not allowing it to define who you will be, are not just concepts Burnett has embraced, but it’s how he has lived his life. Raised in Metropolis, a small town in Illinois best known for its fictional favorite son, Clark Kent/Superman, the level of success Burnett has achieved, both personally and professionally, is beyond anything he ever imagined or that was expected of him growing up. Zayde Wølf has grown into an empire that includes 300K YouTube subscribers, 100 million video views, over 1.4 Million monthly listeners on Spotify, with 500 million streams across all streaming platforms and millions of followers, all outside of the mainstream music business (i.e no label, no publishers etc.).  This is on top of the hundreds of films, TV shows, trailers, commercials, and video games that have featured his music. The list includes Shameless, Skyscraper movie, Love-Simon movie, Jack Reacher 2, The Maze Runner 3, Pride Prejudice & Zombies, spots for UFC, MLB, NFL, Dodge, Jeep, WWE, Xbox, NBA, and more. In addition to syncs, Wølf has creatively expanded his reach by cultivating partnerships with brands such as Dude Perfect, one of the top YouTube sports channels with over 54 Million subscribers and 12 Billion views. Other creative partnerships include collaborations with Fortnite champion DrLupo, and extreme downhill racers Rémy Métailler and Matt Walker. Last year Burnett partnered with the NHL and  NBC sports for the Stanley Cup Finals where they used the Zayde Wølf track  “Home” in a spot featuring Burnett performing the song  HERE, and most recently was the featured celebrity guest on the Gamer Hour where Burnett and Host Chris Puckett talked about their love for video games and went head to head live playing  Call of Duty Black Ops Cold War. WEBSITE // YOUTUBE // FACEBOOK // INSTAGRAM

SAM TINNESZ

Sam Tinnesz is a RIAA Platinum-selling artist and songwriter based in Nashville and frequently working in Los Angeles. As an artist, Tinnesz’s songs have reached over 6.5 billion TikTok views including viral hits like “Legends Are Made,” which was TikTok’s #1 hit in early December, and “Play With Fire,” amassing over 1 billion streams alone. Additionally, his feature with Kygo titled “Don’t Give Up On Love” became a top 40 hit on Billboard’s dance charts. As a writer, Tinnesz has worked with artists such as Dashboard Confessional, ChriStian Gate$, Masked Wolf, Pardyalone, Filter, Sum41, Bones UK, Royal & The Serpent, Rob Thomas, Aloe Blacc, Kyle Hume, TX2 and writers Mikky Ekko (Teddy Swims, Pink, Drake), David Pramik (Machine Gun Kelly, Oliver Tree, Bebe Rexha), No Love For The Middle Child (Willow, Sueco, Travis Barker, Grandson), Brasko (Yungblud, Willow), Kanner (Blackbear, Katy Perry, PVRIS). He also has releases with BANNERS, Kygo, Our Last Night, Ruelle, Layto, Tommee Profitt, Ryan Oaks, UNSECRET and others. WEBSITE // INSTAGRAM // YOUTUBE

EDVN

EDVN is Edan Dover, best known as the producer & keyboardist mastermind behind LA-based alt-rock band The Score. An eight year journey with The Score has brought him from a tiny Upper East Side apartment in NYC to gold plaques, five billion streams, two million YouTube subscribers, hundreds of TV and film syncs and sold out shows on multiple continents. Now, drawing upon his massive, stadium-shaking sound and knack for infectious melodies as one half of The Score, Edan is adding another notch on his belt as a producer and artist in his own right. INSTAGRAM // YOUTUBE // SPOTIFY

BUFFALO ROSE RELEASES "RUNAWAY" AND ANNOUNCES NEW EP RABBIT IN COLLABORATION WITH TOM PAXTON

photo by Zian Meng

LISTEN: “RUNAWAY”         

Pittsburgh-based collective Buffalo Rose, chosen as a 2022 SXSW Official Showcase band,  has announced their forthcoming EP Rabbit, due out on February 22nd. The band joined forces with GRAMMY Lifetime Achievement Award winner and folk legend Tom Paxton to write and record the EP’s four tracks. Today, they release the lead single “Runaway,” a song with all the energy and anxiety of new love, fear and excitement of the unknown, and the electric push and pull of hope and hesitation. 

Rabbit follows Paxton’s 2019 release Live! (with The DonJuans) and Buffalo Rose’s 2020 release Borrowed & Blue: Live Around One Microphone. The EP, a perfect release for the last gasp of winter, combines Paxton’s honed writing skills with the instrumental prowess of Buffalo Rose. It’s about how sweet, wild, and precious the present is when it is all you have. The world is strange and dangerous for a rabbit, but even so, a rabbit knows how to take pleasure– in green grass, a safe burrow, or the warmth of another body. Rabbit’s themes are derived from the hope of doing all we can do to find what we’re looking for. In this EP, these seven musicians explore answers to many questions and have some serious fun in the process. 

Buffalo Rose is a wildly charismatic six-piece modern folk/Americana band from Pittsburgh that will change your entire perspective on acoustic music. They take the singer-songwriter tradition to a new level by crafting original songs which are emotive, meticulously arranged, and inspired by a world of idiosyncratic influences that never let a dull or predictable moment creep in. 

In 2018, the band released their debut album, The Soil and the Seed and established themselves as a vocal, instrumental, and creative force. Since then, Buffalo Rose has dropped two EPs, 2019’s Big Stampede and 2020’s Borrowed and Blue, opened for the Wood Brothers, Mipso, Pokey LaFarge, Tyler Childers, Infamous Stringdusters, and shared a festival stage with the legendary Sam Bush. The band’s upward trajectory will continue into 2022 with the release of Rabbit, followed by a new full-length LP later in the year.  

Buffalo Rose's lineup of Lucy Clabby (vocals), Margot Jezerc (vocals), Bryce Rabideau (mandolin), Malcolm Inglis (dobro), Jason Rafalak (upright bass), and Shane McLaughlin (guitar, vocals) pushes itself and each other far beyond their perceived limits and blends their diverse and atypical approach to songwriting with the desire to see how unique a song can get and still feel like home. They use powerful vocal harmonies, strong playing, and an original vision to operate at every possible emotional level and put on dynamic live shows that are unforgettable experiences. They go from up and moving to sad and sweet and back again, bringing the entire audience along.  

This combination of artistry and enthusiasm makes Buffalo Rose one of the most vital and important groups working today. Rather than play the folk music of the past, the band gleefully combines genres and ideas together to move acoustic music forward to a new, contemporary place without ever losing sight of its roots. Fans of Lake Street Dive, Nickel Creek, and Punch Brothers will find much to like in this crew. Anyone seeking compelling new acoustic music needs to join Buffalo Rose in the future right now. 

TOUR DATES 

2/17 - Isis Music Hall - Asheville, NC 

2/18 - Focal Point Traditional Arts Center - St. Louis, MO 

3/11-3/20 - SXSW (Official Showcase) 

4/2 - Amazing Things Arts Center - Framingham, MA 

5/7-5/8 - Central Ohio Folk Festival - Columbus, OH 

5/18-5/22 - Folk Alliance International Conference - Kansas City, MO 

6/16-6/18 - Smoked Country Jam - Cross Fork, PA 

6/18 - Solarfest - Pittsburgh, PA 

PHILLIP-MICHAEL SCALES PREMIERES NEW SINGLE “WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)” VIA POPMATTERS

PHILLIP-MICHAEL SCALES PREMIERES NEW SINGLE

“WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)” VIA POPMATTERS

SINNER-SONGWRITER LP OUT ON OCTOBER 29TH VIA DIXIE FROG RECORDS

LISTEN: “WHEN THEY PUT ME IN MY GRAVE (ft. ARCHIE LEE HOOKER)”

Today, Nashville-based artist Phillip-Michael Scales unveils “When They Put Me   In My Grave (ft. Archie Lee Hooker),” the powerful new single from his forthcoming LP Sinner-Songwriter, set for release on October 29th via Dixie Frog Records. 

“Scales’ latest tune, ‘When They Put Me in My Grave,’ features electrifying licks that can’t help but call back to [B.B.] King’s iconic style,” noted PopMatters in their premiere. "Its opening moments tease something bigger, starting with an acoustic rhythm, subtle tinges of electric lead, and Scales’ passionate vocals. Shy of 40 seconds in, the track explodes into full-throttle blues. Scales soulfully dishes out lyrics that speak to his family legacy—and the one that he wants to forge for himself.”

“I think a lot about legacy, being black and how that all ties in for me,” Scales told PopMatters. “My mother was the first black female to have her own practice in the state of Michigan, and my grandmother went to college in the 1940s despite not being able to stay or eat on campus. So, the question of how I want to live my life so that my future kids will be better off later is something I think of a lot. The label heard the song and suggested that their artist Archie Lee Hooker jump on the track,” he continued. "I thought it was cool to hear the voice of someone who’d lived much more life than me on the track.

"I come from sons and daughters of lambs who escaped the slaughter / My bloodline should have stopped with Bones and Chains in that blue water / What will they say when they put me in my grave? / Gammy told me “Son, you better keep our flame," he sings in “When They Put Me in My Grave.” The song follows the release of “Another Man’s Sin,” of which Pancakes & Whiskey said, “‘Dive Bar Soul’ is how Scales describes his music and this track perfectly embodies that statement; rocking music that has heart and soul, but feels very accessible for any music fan to appreciate,” and bluesy anthem “O, Hallelujah.”

LISTEN: “ANOTHER MAN'S SIN”

LISTEN: “O, HALLELUJAH”

Growing up, Phillip-Michael Scales had an uncle who played guitar for a living. He knew it was a big deal but didn’t understand the significance that his uncle’s name was B.B. King. Even though Scales played guitar, he shied away from soloing and most things blues-related. Instead, he fell in love with songwriting when an English teacher told him “A great writer can make their reader identify with anyone.” The trouble was he couldn’t find his story in the blues. 

Born with a fierce independent streak and a passion for performing, Scales fronted his own indie bands, wrote and recorded his own music, and worked to make a name for himself on his own terms. All the while, his uncle just smiled a knowing smile and encouraged him to “stay with it.” As he began to discover “the blues” in his private and personal life, their relationship grew closer. 

It wasn’t until his uncle passed away that Scales began incorporating more of it into his music. “These days I’m finding more of my story in the blues,” he explains. “A lot has led me here—between politics, my identity, and of course: Legacy.”  

Throughout its 14 soulful tracks, Sinner-Songwriter, Scales explores, growth, mistakes, being black in America, searching for love, and finding your place in the world. He calls his sound “Dive Bar Soul,” blending indie rock storytelling with the passion of the blues. His single “O, Hallelujah” has broken 200K plays, he has been featured in Rolling Stone France and is in regular rotation on Nashville’s Radio Station Lightning 100. Scales’ music has taken him all the way to the Middle East, as well as festivals across Europe and North America. He has opened for Fantastic Negrito, Anderson East, Guster, David Cook, Bethany Joy Lenz, Matt Hires, Billy Raffoul, Crystal Bowersox, Tyler Hilton, Jon McLaughlin, and Cory Brannan.

TOUR DATES

9/17 - WYNDHAM GARDEN KENOSHA HARBORSIDE - KENOSHA, WI 

9/18 - LISTENING  ROOM - PORT CLINTON, OH 

9/19 - MUSIC BOX SUPPER CLUB - CLEVELAND, OH 

9/20 - CLUB CAFE - PITTSBURGH, PA 

9/22 - SELLERSVILLE THEATER - SELLERSVILLE, PA

9/23-9/25 - AMERICANAFEST - NASHVILLE, TN [Official Showcase Artist]

9/26 - INFINITY MUSIC HALL & BISTRO - NORFOLK, CT 

9/28 - CITY WINERY - NEW YORK, NY

9/29 - DARYL’S HOUSE - PAWLING, NY 

9/30 - CITY WINERY - WASHINGTON, DC  

10/1 - THE TIN PAN - RICHMOND, VA 

10/2 - ISIS MUSIC HALL - ASHEVILLE, NC 

10/3 - LIGHTNING 100: NASHVILLE SUNDAY NIGHT @ 3RD & LINDSLEY - NASHVILLE, TN

10/8 - McMENAMINS WHITE EAGLE SALOON - PORTLAND, OR

10/27 - GOLDEN DAGGER - CHICAGO, IL (Record Release) 

10/29 - 20 FRONT STREET - LAKE ORION, MI (Record Release) 

11/5 - THE BASEMENT - NASHVILLE, TN (Record Release) 

WILD HEART CLUB PREMIERES NEW SINGLE “GLITTER ON THE DRUM” VIA GLAMGLARE

Photo: Anna Haas

DEBUT LP ARCADE BACK IN MANITOU 
OUT ON NOVEMBER 12TH 

LISTEN: “GLITTER ON THE DRUM”   

Today, with the release of lead single “Glitter On The Drum,” Nashville-based band Wild Heart Club has announced their debut LP Arcade Back In Manitou, due out November 12th. The song, which feels like mourning the loss of a lover while soaring across a roller-rink under twinkling lights, was inspired by a YouTube comment on a Robyn video. The music sparkles, but its glittery edges are sharp. 

“She creates irresistibly fascinating indie-pop, by blending elements from different kinds of genres, freely employing digital and analog tools as needed,” noted glamglare of Kristen Castro, the creative force behind the band. “While many artists these days tend to take from different musical styles and using a plethora of different instruments, Castro stands out. Her songwriting comes from a personal place but its message is universally understood. She manages to offer intimacy with her soothing, reassuring vocals yet also keeps us on the edge. Most notably thanks to her stellar guitar work which takes on new heights in the magnificent ‘Glitter on the Drum.’” 

“‘Glitter on the Drum’ started as a guitar melody in the middle of night when I couldn’t sleep,” says Castro. “I was channeling Maja Ivarsson from The Sounds and Warpaint when I was writing the song and the word glitter came out of nowhere. I grew up listening to a lot of disco unwillingly whenever my dad worked out in the garage so I have a lot of subconscious 80s influences. I found a disco drum beat in Logic and that became the backbone of the song. I was listening to a lot of Robyn at the time and a person commented on her video saying she’s the only one who makes them cry on the dance floor,” she adds. “That was the pulse of the song, self-talk and crying on the dance floor.” 

~  

Singer, songwriter, and multi-instrumentalist Kristen Castro is a genre-crossing artist known for blending a surprising range of electronic, digital, and analog elements into her dreamy, atmospheric indie-pop. She built a name for herself as an independent solo artist with a penchant for electric guitar, a dark sensibility, and a bracing tenderness reminiscent of acts like the Cocteau Twins.  

Transforming abstract emotion into compelling music, her early releases feature everything from mandolin to bass, piano to synth, banjo to drum programming, in songs that feel both effortless and complex at the same time. Castro’s latest project, Wild Heart Club, builds off the hybrid style of her solo work, evolving her eclectic foundations into an even more distinct and cohesive sound. The synth-heavy, guitar-driven soundscapes are laced with Castro’s breezy, candied vocals: think Sigur Rós meets Heart. It’s a strange and compelling combination that feels right for the current moment.  

“I’ve always been drawn to people who aren’t in the cool club—the weirdos embracing their weirdness. This is music for them, as always.” Written, recorded, and produced primarily by Castro herself, Wild Heart Club’s debut album Arcade Back in Manitou is set for release this fall. 

Castro started writing the songs that would become Arcade Back in Manitou in January 2020, while living with her brother in L.A. and recovering from heartache after a particularly difficult breakup. She was also navigating the breakup of her band and listening to Fleetwood Mac’s Gypsy on repeat. 

Named for a happy memory (visiting a Colorado penny arcade with an ex), Arcade Back in Manitou is an ethereal and lush collection of melancholy songs with a brilliant gloss of retro sheen. The resulting music feels unexpectedly bright, like walking through a clean, sunlit, white-tiled mall in the glowy light of a sitcom flashback. Throughout the album, there’s a genuine and hopeful engagement with the positive, a buoyant, almost-ironic sense of cheer teeming from the instrumentation, and a spirit of experimentation and discovery, despite the themes of loss the lyrics explore.  

Hints of 80s plastic-pop and elements of 90s alternative cool are nestled in the mix, as well as nods to vintage and modern Swedish pop acts like Robyn, Léon, and ABBA. “I want to be the artist who can make you cry on the dance floor. I like songs that pair darker thoughts with happy vibes. Emotions are complex. It feels right to have that kind of complicated juxtaposition play out in music,” she says. “It feels honest.”          

ARCADE BACK IN MANITOU TRACK LISTING  
Her, If Losing You Had A Sound 
Arcade Back In Manitou 
Unhappy 
Glitter On The Drum 
Ever You Go 
Down From The Heavens 
Chemistry  
Tupelo Honey 
Rainbow 
Overflow (Ruled by Saturn) 

INTRODUCING: SPENCER LAJOYE

Photo: Whitney Wilson and Hannah LaJoye Photography

  NEW SINGLE “HOUSE FIRES” OUT TODAY  

REMEMBER THE OXYGEN EP 
SET FOR RELEASE NOVEMBER 5TH 

LISTEN: “HOUSE FIRES”   

Boston-based singer/songwriter Spencer LaJoye has announced their forthcoming EP Remember The Oxygen with the release of powerful lead single “House Fires.” "Reclaiming myself as a nonbinary person was about so much more than gender.,” LaJoye explains of the song. “To summon up the resolve to say 'these boxes aren’t for me,' I also had to say, 'these relationships aren’t for me, these systems aren’t for me, this people-pleasing disposition is not for me.' Ultimately, on the other side of all of that going up in flames, I found clarity and peace...and I’m still settling into who I am." "House Fires" is the story of deciding what parts of ourselves and our lives we hold onto when everything else burns. 

~ 

Spencer LaJoye’s music feels like taking a long walk on cracked pavement. Their dynamic acoustic tones and layered vocals are reminiscent of melancholic sixties folk songs - but their genre-bending doesn’t end there. Resonant vocal loops spin these classic sounds into delightfully boppy pop songs that are both mesmerizing and haunting with their detailed, autobiographical lyrics.  

Out of Boston, Massachusetts, LaJoye is a folk/pop singer songwriter, violinist, and vocal loop artist who has garnered a growing fan base around the world through live performances, live streams, and an ever-increasing loyal Patreon community. Charming, humorous, and acutely self-aware, their live performances leave audiences crying, laughing, and wanting more.  

One of eight in a family of musicians in rural Southwest Michigan, LaJoye picked up a violin at the age of five, and pursued classical music until college, when they swapped their bow for a pen. They wrote their first EP as a closeted queer kid in a historically conservative Christian college while pursuing a degree in theology. Their songwriting and theologizing became tools of self-empowerment amid a culture of shame. Now an outspoken nonbinary bisexual, LaJoye’s goal is to foster a life-affirming community through music, and to “bring people to church” at their shows.  

Their first EP We’ve Been That Way Before won the WYCE Jammie Award for Listener’s Choice in Grand Rapids, Michigan, and most recently, LaJoye was chosen as a winner of the 2021 Kerrville New Folk Songwriting Competition.  

This fall, LaJoye will release their new four-track EP, Remember The Oxygen, written before, during, and following their coming out as trans/gender non-binary. The songs document them becoming themselves, a journey that involved just as much looking to the past as it did moving towards the future. “As it turns out, I knew who I was from the very beginning,” says LaJoye. “I knew how to breathe all along. To re-becoming myself. I just had to let some things burn, let some things hurt, and finally, remember my own oxygen.” 

THE SLANG PREMIERES NEW SINGLE “DIVIDE” VIA V13

Photo: Morris Photography

DEBUT FULL-LENGTH LP DIVIDE   SET FOR RELEASE SEPTEMBER 24TH 

LISTEN: “DIVIDE”   

Today, Washington, DC-based rock duo The Slang has unveiled “Divide,” the title track from their forthcoming debut LP set for release on September 24th. “Divide” is about the moment a relationship is over, and you’re bracing for the inevitable impact from the crash about to occur. “Armed to the teeth with style, grace, and aplomb, The Slang is reemerging with their brand new single…,” said V13 in the song’s premiere, calling it “a juicy slice of melodic power pop, reminiscent of one of those radio songs that somehow finds its way onto every format…A very strong first full-length offering, The Slang is confidently moving forward in the right direction, with both precision and self-assurance.” 

“I sometimes see a divide growing as people reveal their true personalities,” says frontman John Bobo of “Divide.” “It could be personal or viewed in the context of society. Careful to not choose a side… the hope is that people will explore the divide and find a way to come together.” “Divide” follows the release of “Disguise,” a hook-laden dreamscape that brims with shimmering guitars that explores our tendency to hide our true selves from others, and "Nothing Lasts Forever," about addictions, and unhealthy vices and attachments.  

LISTEN: “DISGUISE”   

LISTEN // WATCH: “NOTHING LASTS FOREVER” 

Divide features 10 sparkling alt-rock gems written by co-founders John Bobo and Felix Nieto, and produced by Nieto. “It’s our first full-length album, so we used that to our advantage to take risks that we may not have on our prior EP’s,” explains Bobo. “As the expression goes, ‘Stories Don’t End,’ so what happens after the movie ends and the credits have rolled? Divide is an album about trying to overcome the inevitable, but continues asking that question of ‘what happens next?’”  

Offering a distinct blend of power-pop, alternative, and contemporary rock, The Slang is comfortable testing genre lines and taking their time to capture the minutiae of modern life. With a laid-back intensity that infuses their music, lead vocalist/multi-instrumentalist John Bobo serves as the main songwriter while bassist/multi-instrumentalist Felix Nieto focuses on production. Both artists share a kind of low-key perfectionism: hands-on, hyper-attuned to textural detail, and aware of what elevates a song from good to great. “We want to do it right,” says Bobo. “And we’re willing to do whatever it takes to make the best possible track each time.”   

With smooth vocals and striking guitar melodies, The Slang is often compared to bands like Snow Patrol and The Killers, but with a modern twist and more experimental production value. “We care about the experience, whether on headphones or at a live show,” says Nieto, whose production adds a sleekness and edge. Bobo’s introspective lyrics explore singular moments that define human relationships. This beautiful blend of respective talent is evident on Divide, which features the band’s characteristic melodic precision, bright, electric guitar-driven anthems, and top-quality production, but with a more pop-leaning sound.  

Be sure to follow The Slang via the links below for the latest news, updates, and tour information, and check out their hilarious Facebook group The Slang Gang. 

SEAN ROWE PREMIERES NEW SINGLE “SQUID TATTOO”

Photo: Joe Navas

NEW LP  THE DARKNESS DRESSED IN COLORED LIGHTS 

OUT ON OCTOBER 8TH VIA FLUFF & GRAVY RECORDS 

Sean Rowe alludes to the duality of the human spirit in all of us...and brings insight when it comes to a broken heart — a theme that resonates for this gifted songwriter - KCRW   

Rowe’s voice radiates experience and with a robust passion that recalls British artists like Elbow and David Gray. We can grab onto the state our protagonist inhabits, as he is longing and calling out strong though vulnerable and seeped in desire. - Glide Magazine  

Traditional folk-rock…into vibrant alt-rock - Holler  

There’s something about Rowe’s baritone that cuts right to the core, the feeling of heartbreak and reckoning palpable at every turn. - Mother Church Pew 

LISTEN: “SQUID TATTOO”  

Today, internationally acclaimed singer/songwriter Sean Rowe has unveiled his new single “Squid Tattoo,” the latest from his brilliant forthcoming LP The Darkness Dressed In Colored Lights, due out on October 8th via Fluff & Gravy Records. “'Squid Tattoo’ is about the fleeting feeling of romantically projecting a future life with someone who you haven’t actually met yet and one that will most likely never happen,” Rowe explains of the track. “I think it’s a common thought experiment that a lot of us go through at times and certainly intensifies with the element of alcohol. I think it says more about our mind’s ability to color our own stories rather than the reality of real love. And in that sense, I think there’s actually an underlying sadness in the song despite being on the surface, tongue in cheek," he adds, referencing the song lyrics, "Now I love you/But I can’t believe you’re from Ohio." "I’m really not trying to offend Ohio’s sensibility here. But, a good line is a good line.” 

“Squid Tattoo” follows “Little Death,” a song which Rowe says is about “that strange elation that comes at the end of a long journey with another soul,” and lead single “To Make It Real,” in which Rowe is “alluding to the duality that I feel is in all of us. All the hidden parts and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.” 

LISTEN: “LITTLE DEATH”  

LISTEN: “TO MAKE IT REAL”  

The Darkness Dressed In Colored Lights was forged in the fires of self-discovery and acceptance and is the result of work Rowe’s been doing to build a fitter, happier version of himself. He credits therapy and a guided ayahuasca retreat with helping him to reach this understanding. Over the course of an intense weekend, he had experiences that stripped away his anger and defenses and brought him to a place of intense beauty and peace--he realized we create the heaven and the hell that swirls in our heads, and we have to choose in which of those dimensions we want to reside. This album is ripe with both. 

Through its 11 gut-punching tracks, Rowe tackles everything from losing oneself in the despair of heartache to rising from the ashes—the paradox between what once was and what now is, and sometimes being lost in the in-between. His powerful baritone spans the gamut of emotions - and on this record, he makes it clear that at some point it’s hard not to feel them all at once. Every song cuts right to the quick.   

Rowe has also spent years in the woods exploring, foraging, and obsessively learning all that he could about the natural world around him. Through his web series, Can I Eat This?, he’s found a means of indulging two of his great passions: music and nature. In each of the episodes of Can I Eat This?, Sean goes on a foraging mission for all manner of wild foods and uses the harvest to prepare some tasty creation. To check out Can I Eat This?  visit Sean's YouTube Channel 

The Darkness Dressed in Colored Lights will be released on CD and double-vinyl, as well as available on all streaming services on October 8th.  Click HERE to pre-order. 

TOUR DATES:  

9/22 - 9/25: Nashville, TN | AMERICANAFEST (Official Showcase) 
9/30: Portsmouth, NH | The Press Room 
10/1: Portland, ME | Sun Tiki Studios 
10/2: Cambridge, MA | Club Passim 
10.20: Vienna, VA | Jammin Java 
10/24: Norfolk, VA | North Shore Point House Concerts 
11/3 & 11/4: Brooklyn, NY | Union Pool 
11/5: Kennett Square, PA | Kennett Flash 
11/6: Rochester, NY | Abilene 
11/19: Northampton, MA | The Parlor Room 
11/20: Egremont, MA | Egremont Barn 

ANGUS GILL UNVEILS NEW DUET WITH JIM LAUDERDALE “WHITTLING AWAY” VIA BLUEGRASS TODAY

NEW LP THE SCRAPBOOK OUT ON SEPTEMBER 24TH

LISTEN // WATCH: “WHITTLING AWAY”   

Today, ARIA and three-time Golden Guitar nominee Angus Gill released “Whittling Away,” a duet written and performed with the legendary Jim Lauderdale, that highlights the resilience and strength people are displaying in the midst of these trying times. The track appears on Gill’s forthcoming LP The Scrapbook, due out September 24th via Rivershack Records/MGM.  

“Despite growing up far from bluegrass music’s native home, he says that the sound has called to him since he was a child,” said Bluegrass Today of Gill, who hails from New South Wales, Australia. Gill told Bluegrass Today that “Whittling Away” was initially inspired by the heroic struggles his mom went through getting her mother into a nursing home, and it actually served as the catalyst for entire full album, 

“I have always wanted to record a bluegrass album with players that are incredibly passionate about the genre, and know it like the bow of their fiddle or the metal picks on the tops of their fingers…people that have bluegrass in their blood,” Gill told Bluegrass Today.  

“I had half a dozen bluegrass songs that I had written from several years ago that I restructured or altered for this project. I wrote a few new ones and then we had all of the songs for a new record. I called up Tim (Crouch) and asked him if he would play and co-produce the album with me, and we brought Randy (Kohrs), Clay (Hess), and Tony (Wray) onto the project and recorded it all remotely at the start of 2021,” he added. “It’s pretty cool because it sounds like we were all playing in the same room, despite being over 15,000 kms away.”  

“Angus is one of the most creative and talented people I’ve ever worked with,” said Lauderdale of the collaboration. “It was an honor to get to write with and sing with him. I hope we can do much more down the road!” “Whittling Away” follows the release of album single “Always On The Run.” 

LISTEN: “ALWAYS ON THE RUN” 

Recorded during the COVID-19 pandemic, The Scrapbook features Gill backed by a stellar lineup of Grammy winning musicians, and affords him the chance to show a different side to his well-honed songwriting and musicianship. Along with his duet with Lauderdale, Gill also recorded a duet with bluegrass icon Jerry Salley which appears on The Scrapbook.  

Previously, Gill has supported country music superstar Kris Kristofferson and collaborated with music legends including Steve Earle, Adam Harvey, James Blundell, Gina Jeffreys, Diesel, and many more. Gill is one of the youngest Australians ever to have performed at the Grand Ole Opry in Nashville, Tennessee. There, he shared the stage with Charles Esten, who is also featured on the album. Pre-save and pre-order The Scrapbook HERE.              

TRACK LISTING  

Always on the Run (Angus Gill/Thomm Jutz)  

Samson (Angus Gill/Bill DiLuigi/Kirsti Manna)  

Whittling Away featuring Jim Lauderdale (Angus Gill/Jim Lauderdale)  

Caught Between a Rock and a Heartache (Angus Gill/Rivers Rutherford)  

Feet of Clay (Angus Gill/Charles Esten)  

Let’s Have a Drink (To Not Drinking Again) featuring Jerry Salley (Angus Gill/Jerry Salley/Bill 

Whyte/Aaron Wilburn)  

The Scrapbook (Angus Gill/Bill Whyte)  

Put ‘Er There (Angus Gill/Gary Burr)  

Still Missing (Angus Gill/Thomm Jutz)  

Heartquake (Angus Gill/Thomm Jutz)  

Forget Me Not (Angus Gill/Bill DiLuigi/Kirsti Manna) 

LULA WILES SINGER/GUITARIST ELEANOR BUCKLAND PREMIERES THIRD SINGLE “I’M NOT SAYING” VIA POPMATTERS

Photo Credit: Laura Partain

ON TOUR THIS FALL TO SUPPORT SOLO DEBUT
YOU DON’T HAVE TO KNOW DUE OCTOBER 29th ON SOUNDLY MUSIC

“I’M NOT SAYING” (OUT 9/10)
LISTEN || PRE-SAVE

BOSTON, MA. – Singer/songwriter, guitarist Eleanor Buckland releases “I’m Not Saying,” her third single from her forthcoming solo debut You Don’t Have To Know, on Friday 9/10. Eleanor will begin her tour in support of the album with two performances at the Brooklyn Americana Festival on Friday 9/17 and Saturday, 9/18 and continue through the fall.

“I’m Not Saying” examines the unhealthy side of relationships and debuted today on Popmatters: “Throughout, the singer-songwriter sets a magnifying glass over past relationships, exposing their detrimental undertow. She deftly navigates its soaring chorus, brooding with honesty in her reflections on a one-sided romance.” 

Eleanor Buckland first made her mark in the Boston-based folk-rock trio Lula Wiles that has become an acoustic music scene favorite with their three critically hailed albums. During this time, however, Buckland was also working on another musical project – her own album. You Don’t Have To Know (due October 29 on Soundly Music) spotlights a different side of Buckland’s musical interests as it sets her deeply personal songs against inventive indie rock arrangements.

On You Don’t Have To Know, Buckland takes listeners on an emotional journey as her songs address love complicated and love lost, explore struggles with depression and insecurity, and grapple with feelings of uncertainty and helplessness. Or as Buckland succinctly describes the album: “It’s about me trying to figure out who I am and who I was at that time.”

BUZZ

“Restless driving rhythms and smoky guitar licks make their way to the forefront on, ‘Static,’ introducing an anxious and insistent side to Buckland’s music…celestial harmonies add a stark beauty to the track, all while Buckland finds herself searching for hope and meaning, but drowned out by the noise of anxiety.” -Under The Radar

“…a catchy indie number that somehow perfectly juxtaposes feelings of desperation and gloom with optimism and hopefulness. With energetic indie beats paired with Buckland’s soothing delicate vocals, ‘Don’t Look Down’ creates a balance between dark and light energies that makes you feel cleansed within.” -BTR Today

“Eleanor Buckland makes a brilliant debut with the indie single ‘Don't Look Down’… clean, raw and honest.” - Popmuzik 

“With this exquisite and instantly hypnotizing blend of melodies and lyrics, she connects with the listeners with a tale that is hopeful and inspiring.” – Wolf In A Suit

U.S. TOUR DATES

SEPT 17 / BROOKLYN, NY @ Brooklyn Americana Festival

(@ 6:30 pm DUMBO Archway 155 Water St, Brooklyn, NY 11201)
SEPT 18 / BROOKLYN, NY @ Brooklyn Americana Festival

(@ 6 pm Liberty View – Pier 6 Plaza @ Brooklyn Bridge Park)
NOV 5 / NEW YORK, NY @ Rockwood Music Hall

NOV 7 / CAMBRIDGE, MA @ Club Passim (2 shows)

“DON’T LOOK DOWN” (OUT NOW) YOUTUBE || STREAM
“STATIC” (OUT NOW) YOUTUBE || STREAM
“I’M NOT SAYING” (OUT 9/10)  LISTEN || PRE-SAVE

LETTERS TO CLEO ANNOUNCE FALL TOUR + ANNUAL HOMECOMING SHOWS

Photo Credit: Chris Sikich

After two years, Boston's Alt. Rock pioneers Letters to Cleo will be headed back out on the road this fall for a short run of intimate shows on the east and west coast including their annual pair of homecoming shows at the Paradise Rock Club in Boston. The band will be doing two nights at the Paradise with both single and two-day tickets available.  The idea for the annual homecoming shows started in 2016 when the band was on the road supporting their first release in 17 years, their Back to Nebraska EP.  The band was on stage at the Paradise playing to an enthusiastic and elated hometown crowd when their manager suggested “same time next year?,” and now this year will be their fourth annual set of homecoming shows.  In addition to the two Boston shows the tour starts out in Southern California  with stops in New York City and Hamden, Connecticut. "I’m so excited for Cleo to be back playing shows after 2 years,” says Michael Eisenstein. “We’re playing some of our favorite venues and resuming our tradition of ending the tour with homecoming shows at The Paradise in Boston the weekend before Thanksgiving. We can’t wait!"

Letters to Cleo formed in 1990 in Boston, lead by guitarist Greg Mckenna and singer Kay Hanley. The band came onto the national spotlight with the release of their first hit single "Here & Now,” released by Giant Records (a subsidiary of Warner Brothers Records). The song reached No. 10 on the Billboard Modern Rock Singles chart. The band’s music could be heard on many of the top TV shows and films throughout the 1990’s, including the cult classic 10 Things I Hate About You, where the band contributed 4 songs to the soundtrack and were featured in the film.  The band played their last show in 2000 and each of the members went on to have successful careers working in different areas of music from the production, writing, performance, musical directing etc.

In addition to Back to Nebraska, Letters to Cleo released a Christmas EP in 2019  called Ok Christmas, in addition to releasing their first three albums Aurora Gory Alice, Wholesale Meats and Fish and Go! On vinyl for the very first time through a limited edition pressing. Copies of all three albums along with the vinyl version of Back to Nebraska are available on LettersToCleo.net 

TOUR DATES

November 11 The Parish at House of Blues  Anaheim, CA+
November 12 Troubadour West Hollywood, CA +
November 16  Bowery Ballroom New York, NY ^
November 17  Space Ballroom Hamden, CT ** 
November 19  Paradise Rock Club Boston, MA **
November 20 Paradise Rock Club Boston, MA **

+ Supported by Dear Elise 
** w/ Charly Bliss
^ w/ Tracy Bonham

NASHVILLE ARTIST BETTY RELEASES MISTAKES MADE, LESSONS LEARNED EP TODAY

Photo Credit: Taylor Napier

MISTAKES MADE LESSONS LEARNED || PURCHASE/STREAM

NASHVILLE, TENN. – Nashville artist Betty Reed has released the debut EP Mistakes Made, Lessons Learned today! The EP premiered earlier this week on Americana Highways.

“[Mistakes Made Lessons Learned] is a concept album, if you consider that the concept is ‘life.’ Ranging from clarifying misjudgments (on “Misunderstood”) to releasing resentments (on “Let it Out”) the album simply tracks individual development…” – Americana Highways

Drawing on personal experiences, Betty Reed relates stories of everyday life through her music. Struggles. Triumphs. Journeys. Her expressive vocals and clever lyrics resonate throughout her debut EP Mistakes Made, Lessons Learned, produced by Bill McDermott.

It’s an eclectic collection of songs that showcase Reed’s ability to write and perform across a musical spectrum. The first single “Karma” is about that moment you are free from an abusive relationship while the other person finally gets their comeuppance. “Misunderstood” sheds light on the #MeToo movement and standing up for ALL victims of harassment or assault.

While “Let It Out” and “Happy” are about her experiences with depression — the ways in which she finds her way out of the dark and into the light.

“Even though the subject matter of most of songs is serious, I mask it with an upbeat vibe—it’s this veneer of cheeriness that you feel you have to project in order to feel normal.”

Mistakes Made, Lessons Learned is out today!

“The polished country-pop tune is meaningful in so many ways, a bold statement about an important issue that for too long has been swept under the rug.” – V13

“Reed’s liberating version of payback is transformed into a modest pop number where instead of wishing ill upon her former partner, she finds freedom in personal happiness and self-love.” – AudioFemme 

“As an artist who writes songs inspired by not only her own life experiences but also moments and events she’s been witness to around the world, ‘Misunderstood’, about the #MeToo movement and standing up for victims of harassment or assault, is already, unsurprisingly, resonating strongly with and deeply touching those who have heard it.” – Popwrapped 

“…sounds upbeat and empowering — and it is, but with a twist… optimistic outlook bubbles throughout the peppy song — even when Reed confesses in the verses that she has trouble opening her heart to people.” -The Boot

 “KARMA” (OUT NOW)  SPOTIFY || YOUTUBE

“MISUNDERSTOOD” (OUT NOW)  SPOTIFY || YOUTUBE

HAPPY (OUT NOW) SPOTIFY || YOUTUBE

MISTAKES MADE, LESSONS LEARNED OUT TODAY!

KEEP UP WITH BETTY REED
WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SPOTIFY || YOUTUBE || TIKTOK

GUITARIST JOHN SIERRA (OF THE ALT/ROCK BAND ATTALUS) MAKES SOLO DEBUT WITH FIRST SINGLE “A DREAM WORTH KEEPING” OUT NOW

Photo Credit: Flightless Bird Photography

"A DREAM WORTH KEEPING" || STREAM

RALEIGH, NC. – Raleigh singer/songwriter and guitarist John Sierra  – formerly of the Raleigh-based band Attalus on Facedown Records –makes his solo debut with the single “A Dream Worth Keeping” out today. Acoustic guitar with heavenly harmonies, the first single explores the ambivalence between fear, desire and our dreams.

As John explains, "‘Dream Worth Keeping’ is a conversation with myself about pushing through fear when it comes to desires and dreams. It’s my way of working through frustration and deep regret. I spent much of my life trying to prove myself to others, living in a ‘dream-only’ world, hiding in addiction or behind others who I deemed better, for fear of rejection.” 

The single is featured on the debut album The Wonder (out 11/5) that marks a departure from the alt/rock sound of his former band with influences that range from The Killers, Mumford and Sons, C.S. Lewis and Puccini.

On his debut album, The Wonder, John Sierra invites listeners on a thoughtful journey into the emotional landscape of the heart. Rich with soaring harmonies, driving acoustic rhythms, and haunting melodies, The Wonder wades through a folk-inspired sound with songs that are unapologetically raw. Exploring heartache, healing, relationship, and working through regret, The Wonder is meant to be an experience for any who would listen.

ABOUT JOHN SIERRA:

His early twenties were categorized by smoky clubs and raging guitar amps, performing as an integral part of the alternative rock band, Attalus, signed to Facedown Records. This foray into the music scene set an incredible foundation for John Sierra's music career. But, this season also marks a great recovery of heart for John. After shipwrecking almost everything beautiful in his life, he was careened into the realization he had lost himself along the way. Even the band had become a false identity. Through therapy, mental health, and a recovery of heart, he began to find the life he had always longed for…

And in that place, from that place, he began to write. To share the story of hope, forgiveness, healing, and restoration he experienced. Each of the songs on The Wonder stem from this season: from the recovery of a young man’s heart towards beauty, to exploring the roots of addiction and the power to overcome, to the active choice to push against regret towards a dream.

 THE WONDER ALBUM (COMING 11/5)
“A DREAM WORTH KEEPING" (OUT NOW)  SPOTIFY || YOUTUBE

KEEP UP WITH JOHN SIERRA

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SPOTIFY || YOUTUBE

DESTROY BOYS RELEASE THEIR “ALL THIS LOVE” SINGLE FROM THE FORTHCOMING ALBUM OPEN MOUTH, OPEN HEART OUT OCTOBER 8 VIA HOPELESS RECORDS

“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

“......it's safe to say Destroy Boys have successfully carved their niche in punk rock.” - Guitar World

“A forceful vocal from Roditis likens her adolescent harassment to the hysteria of a witch-hunt, as a wall of electric guitar chords and Malik’s formidable backbeat support her.” -  East Bay Express 

"Channeling the spirit of anarchic American garage rock and melodic sensibilities of classic Bay Area punk into short snarling songs, Sacramento’s Destroy Boys whip up noise that is truly timeless.” - Rock Sound

“The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

"They stay true to punk’s roots with the angry material, fast tempo and guitar riffs. It has such an wrathful sound to it that the lyrics are just begging to be screamed." - Riff Magazine 

"Originally from Sacramento and now based in San Francisco, Destroy Boys is an absolutely need-to-know punk trio.” - San Francisco Chronicle

“Led by singer Alexia Roditis’ sarcastic and wistful singing and Vi Mayugba’s shredding guitar, held down by Narsai Malik on drums, they pay homage to and represent an evolution of all things classically punk, making music that is a searing reminder of how recklessly expressive punk rock was designed to be.” - Culture Collide

LISTEN TO “ALL THIS LOVE”: HERE

Northern California’s three-piece Destroy Boys have released their new single “All This Love,” the fourth track from their forthcoming album Open Mouth, Open Heart, produced by Will Yip. Coming out October 8th, the album is available to pre-save and pre-order  HERE.

“All This Love” is as close to a ballad as the band gets on this new album. The song is a lament about  yearning for love, and ultimately,  a realization that you need to first love and connect to yourself before you can be a true partner in a relationship with someone else.  This song follows three blistering singles. “ Muzzle,”  that Alternative Press called “Ferocious,”  and about which Refinery 29 said “Destroy Boys aren't playing nice on ‘Muzzle,’  kicking ass and taking names in the high-energy new single about fighting back against the powers that be.”

The second single “Drink”  is a raw and honest look at the relationship that can exist with mind-altering substances, and how it can be both destructive and comforting. Brooklyn Vegan called it a “ripper,” and Harderbeat said the song is “Lyrically poignant and musically full of hooks, this is the sort of track that just doesn’t sound like it reflects the subject matter until you really listen to it. A track that rewards multiple listens.” The last single release,  “Locker Room Bully” that KQED called “a proverbial middle finger that offers a swift takedown to petty-minded interlopers,”  saw the band punching back at bullies and the toxicity of the internet, with its culture of supporting half-truths and warped reality.

Although Open Mouth, Open Heart is the band's third full length album, it’s an album of firsts for Destroy Boys. Recorded in Philadelphia earlier this year during lockdown, Roditis, Mayugba and Malik lived in their own little bubble,  for the first time being able to patiently build the songs layer by layer.  Entering the studio with producer Will Yip, (who produced all the songs on the album except for “Muzzle” which was produced by Martin Cooke), with songs that were more fully formed allowed Yip and the band time and freedom to focus on the production. The album also features two songs recorded in Spanish, “‘Te llevo conmigo” and  “Lo peor,”  another first for Destroy Boys. “I grew up bilingual,” Roditis told the East Bay Express. “This song is a tribute to my grandparents. I didn’t get to know them but I feel them around me, so I wanted a song to honor them. I haven’t heard many metal songs in Spanish, so I was excited to write it.” The album is a huge step forward for the band both musically and the depth and density of subject matter. “Everyone adding their own element makes the songs come alive,” says Roditis, “but the biggest difference was going from 19 to 21. I feel like a different person, esthetically.”

Destroy Boys are Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar), rounded out by drummer Narsai Malik. The punk trio have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up-and-coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. Their visceral personal tales have won over the hearts and ears of eager listeners who pack out their shows. The band will be back on stage playing shows in the Bay Area later this fall. 

KEEP UP WITH DESTROY BOYS

WEBSITE || FACEBOOK || INSTAGRAM

PHILLIP-MICHAEL SCALES ANNOUNCES SINNER-SONGWRITER LP OUT ON OCTOBER 29TH VIA DIXIE FROG RECORDS

 NEW SINGLE “ANOTHER MAN’S SIN” PREMIERES

Photo Credit: Bryan H Iglesias

VIA PANCAKES & WHISKEY

LISTEN: “ANOTHER MAN'S SIN

Today, Nashville-based artist Phillip-Michael Scales unleashes “Another Man’s Sin,” the smoldering new single from his forthcoming LP Sinner-Songwriter, set for release on October 29th via Dixie Frog Records.

“‘Dive Bar Soul’ is how Scales describes his music and this track perfectly embodies that statement; rocking music that has heart and soul, but feels very accessible for any music fan to appreciate,” said Pancakes & Whiskey in the track’s premiere. “Starting with Phillip-Michael’s soaring voice and a simple guitar chord, the song makes us listen intently and when the undeniable hook kicks in, we can imagine ourselves at a dark and dusty bar whilst sipping whiskey and stomping about. What stands out for us in this single and the album as a whole, is the honesty of the lyrics and the vivid storytelling, quite likely a trait he learned from his legendary uncle B.B. King"

“This is one of my favorite tunes off the record,” Scales told Pancakes & Whiskey. “Most people have pivotal moments that inform how we act in the relationships that follow (for better or worse). ‘Another Man’s Sin’ is about the bad cycle of passing on the hurt because we’ve been hurt.”

~

Growing up, Phillip-Michael Scales had an uncle who played guitar for a living. He knew it was a big deal but didn’t understand the significance that his uncle’s name was B.B. King. Even though Scales played guitar, he shied away from soloing and most things blues-related. Instead, he fell in love with songwriting when an English teacher told him “A great writer can make their reader identify with anyone.” The trouble was he couldn’t find his story in the blues.  

Born with a fierce independent streak and a passion for performing, Scales fronted his own indie bands, wrote and recorded his own music, and worked to make a name for himself on his own terms. All the while, his uncle just smiled a knowing smile and encouraged him to “stay with it.” As he began to discover “the blues” in his private and personal life, their relationship grew closer.

It wasn’t until his uncle passed away that Scales began incorporating more of it into his music. “These days I’m finding more of my story in the blues,” he explains. “A lot has led me here—between politics, my identity, and of course: Legacy.” 

LISTEN: “O, HALLELUJAH” 

Throughout its 14 soulful tracks, Sinner-Songwriter, Scales explores, growth, mistakes, being black in America, searching for love, and finding your place in the world. He calls his sound “Dive Bar Soul,” blending indie rock storytelling with the passion of the blues. His single “O, Hallelujah” has broken 200K plays, he has been featured in Rolling Stone France, and is in regular rotation on Nashville’s Radio Station Lightning 100. Scales’ music has taken him all the way to the Middle East, as well as festivals across Europe and North America. He has opened for Fantastic Negrito, Anderson East, Guster, David Cook, Bethany Joy Lenz, Matt Hires, Billy Raffoul, Crystal Bowersox, Tyler Hilton, Jon McLaughlin, and Cory Brannan.

KEEP UP WITH PHILLIP-MICHAEL SCALES

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SPOTIFY || YOUTUBE

DAVID FRANZ EXAMINES THE DELUSIONAL SIDE OF OPTIMISM ON THE THE DEEPLY PERSONAL SINGLE RELEASE “FOR MY OWN HEALTH”

DAVID FRANZ EXAMINES THE DELUSIONAL SIDE OF OPTIMISM ON THE 

 THE DEEPLY PERSONAL SINGLE RELEASE “FOR MY OWN HEALTH”

Photo Credit: David Heart

“FOR MY OWN HEALTH” || LISTEN

Southern California-based producer songwriter and label head  David Franz releases “For My Own Health.” The third single from his forthcoming album To The Unknown which is due out September 24th.  The song is a dark look at a toxic relationship and an examination of optimism which is usually viewed as a positive feeling but can discolor reality in a failing relationship and act more like a disease. “When I realized that my own mind was playing tricks on me, telling me to stick it out in a relationship that was unhealthy,” Franz told V13. “I wrote this song to allow myself permission to leave. This song is a resolute awakening... a self-inflicted slap to the face followed by a tight embrace of self and a resolved, confident, and decisive walk away from the past.”

The idea for the song came to Franz while on out a run, attempting to burn off some negative energy from a fight with his now ex-fiancée.  About halfway through the run, the lyric  "my optimism is a disease, my rose-colored glasses are making me bleed" came to mind and was on loop in Franzs’ mind for the duration of the run. Once he was back at home the lyrics just started to spill out of him. “ The song wrote itself,” says Franz.  “I was just the conduit to verbalize the emotion and meaning. My hope is that the song can help others that are stuck in a negative space to put some clear words to their feelings, and then empower them to be decisive about making a change. It certainly did those things for me.” 

A kinetic spirit and a questing nature have been the engine to his own professional growth and learning, making him that rare creature of left and right brain parity. Creatively, technologically, and temperamentally, his passion for music and teaching has helped numerous artists navigate the choppy waters of the rapidly changing music business. An early innovator, the young Franz wrote the first book about using Pro Tools music production software and designed the curriculum for Berklee’s first online music production course based on that book. He has since written other music production books published by Hal Leonard, online courses for Berkleemusic, lynda.com and LinkedIn Learning, and articles about music for many publications. After teaching at Berkleemusic for almost a decade, Franz was hired by lynda.com first as a course instructor and then as Content Manager for the Audio+Music subject area. After LinkedIn purchased lynda.com, Franz’s position grew into covering a wider range of topics including motion graphics, animation, illustration, and video, all the while learning new video skills and creating world-class online courses. From course author at the first online school to content manager at Linkedin Learning, he’s never had a job title that existed before it was made up for his new position. 

Having a voracious appetite for many different genres of music, Franz founded not one but two record labels. Underground Sun covers a wide-ranging catalog of genres but all have a foundation in soul music. R&B, rock, hip-hop, blues, folk, world, electronic and jazz all find a home on Underground Sun. Underground Sol, co-founded with DJ/producer/entrepreneur Justin Paul, is devoted solely to electronic music and the myriad genres within that broad label. 

Both labels embrace and cultivate diversity and inclusivity, knowing these are not only at the core of a thriving music industry but also imperative to connecting and empathizing with all of humanity. Both Underground Sun and Underground Sol have a strong legacy of launching musicians from under-represented demographics into solid music careers. As a musician David has performed with Underground Sun artist Iyeoka in over 20 countries throughout Europe,  Africa, and North America, including on the TED state.  Franz spent years honing his chops on stage as a playing shows with a variety of artists including  The Bleedin Bleedins and Midatlantic, throughout Los Angeles and all throughout the east coast. With the release of To The Unknown Franz is looking forward to playing live but this time at the front of the tage behind the mic. 

KEEP UP WITH DAVID FRANZ

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SOUNDCLOUD || YOUTUBE

MONIQUE DEBOSE RELEASES THE "YOU ARE THE SOVEREIGN ONE" ALBUM AND ACCOMPANYING PERSONAL GROWTH COURSE

MONIQUE DEBOSE RELEASES THE  

YOU ARE THE SOVEREIGN ONE ALBUM AND ACCOMPANYING PERSONAL GROWTH COURSE

Photo Credit: JQ Williams

““YOU ARE THE SOVEREIGN ONE”” || LISTEN

Los Angeles transformational entertainer Monique DeBose continues to innovate through harnessing the power of music to inspire and empower with the release of her  You Are the Sovereign One album and accompanying  7-week transformational course, to arm women with the tools to  live a sovereign life. The seven lessons in the 7-week course incorporates music, movement, and intimate conversation—to transform participants from the inside out with each of the lessons being structured around and named after songs from the album. Monique will be hosting a transformational celebration of the release which will include a  performance and workshop preview for the program co-hosting by Monique’s husband and master coach Rich Livtin. The event has just under 400 RSVP’s thus far.  “I couldn’t be more excited for this celebration of great music and transformational experiences,” says DeBose. “‘You Are Sovereign One’ is the embodiment of everything I want to give back to the world. A celebration of the release through celebrating  you, the listener.” 

The album contains 16 tracks and is the second chapter of You Are the Sovereign. The first chapter, The Sovereign One,  a 7 track collection that was released in 2018 debuted at #2 on the iTunes Jazz charts just ahead of Tony Bennett and Diana Krall’s Love is Here to Stay album and just behind her idol Ella Fitzgerald’s  Ella and Louis album. Her relationship with Fitzgerald has reached full circle moment this year,  DeBose will be playing the role of Ella Fitzgerald in the upcoming podcast Behind the Icon which looks at the life and legacy of Marilyn Monroe. “Ella Fitzgerald was the first artist who somehow through her voice inspired me to be a singer, “ says DeBose There is something that she ignited in me when I would hear the amazing dance in her voice all throughout her range and to what her skat and seem to have so much fun while she was performing,  She was a doorway and portal into my own voice.” 

Leading into the release  You Are the Sovereign One had already begun the journey of touching and transforming lives through the release of two singles. The first single,  “Brown Beauty”  was written as a love letter to all women of color, and received an incredible response from women from across the globe (see the movement HERE). As a mixed-race woman, DeBose has spent most of her life living in double consciousness and oscillating between two worlds (black and white).  The video  for the song features women who have contributed to the ‘Brown Beauty” movement on social media (See more HERE), through posting content that reflects their interpretation of Brown Beauty.  Bust Magazine ran a feature on the song and movement calling Monique a "creative looking to transcend the boundaries of what it means to create art and inspire others,”  along with the legendary feminist magazine Ms. Magazine who featured the "Brown Beauty" story as part of their Black Feminist In Public Series

The second single was the Gospel-inspired single “Human Condition,” which features speaker, author, and transformational leader Preston Smiles and was written to activate self-love and acceptance. The “Human Condition” is a free three-day course focused on self-acceptance and self-love.  “What Monique allowed herself to channel in this song is nothing short of genius and is exactly what the world needs right now,” says Smiles.  “We are being asked as artists, as teachers, as mothers, as fathers as students to step forward and raise the flag of love and remind  people of who and what we are and this song represents that to the nth degree and  I am blessed and grateful to be a part of it in any way that I could.”

 In addition to the new music,  DeBose is the Recording Academy's 2021 class and where she will be contributing to the decisions made for the 2022 Grammy Awards. Her podcast MORE with Monique has been inspiring conversation on tough subjects and has cultivated an incredible community of women who are all choosing “MORE” for themselves. Each episode features conversations with two women from completely different backgrounds covering a topic of “choosing more…..” faith, courage, purpose, sex, etc. Bonus content from each episode is then shared in the  Women Choosing MORE Facebook Group HERE where the conversation is continued with guests and community members.

RSVP to the You The Sovereign One Transformational Experience: HERE

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BRITISH SINGER/SONGWRITER NEWTON FAULKNER RETURNS WITH INTERFERENCE (OF LIGHT) ON OCTOBER 8th

BRITISH SINGER/SONGWRITER NEWTON FAULKNER RETURNS WITH

INTERFERENCE (OF LIGHT) ON OCTOBER 8th

Photo Credit: Stevie Kyle

“FOUR LEAF CLOVER” || LISTEN

British singer-songwriter Newton Faulkner will release his new album Interference (Of Light) on October 8, 2021 with distribution through BFD/The Orchard in North America. The album will be released via Battenberg Records on various vinyl, CD and digital formats.

Four years on from his last studio album, Newton Faulkner has been working throughout lockdown from his recording studio in East London, exploring a number of new and unexplored styles and musical ideas, using them as the building blocks for this album. Twisting these inside out, he has pushed himself further and further. “I’m not very precious any more,” he remarks. “The music is a bit chunkier, it’s definitely way heavier and much less acoustic than previously. I feel like the stuff I’ve written recently is simpler, but it’s tasteful… it works as songs. I can feel it.”

Interference (Of Light) is an album that has seen Newton push himself musically and vocally: “I want to boil things down to their strongest form,” Newton says. “It’s about the songs. However good you are at playing, if the voice isn’t up to scratch and the songs aren’t good enough, no one is going to listen to them. It’s grizzly, soulful, and a step further,” he says of his new material. “Vocally, I’ve learned a huge amount over the years. I was a guitarist and a writer who sang. That’s kind of where I came from. And now I feel like my voice has caught up with the stuff I was doing on guitar.”

Set to be released on October 8, and available to pre-order now, the new album Interference (Of Light) is Newton Faulkner at his most daring, and also his most familiar. Keeping to his trademark songwriting and storytelling, this album reflects his feelings on current times. “I don’t think things get better or worse. They just change,” he remarks. “I’ve kind of purposefully steered away from any of the cliques that have appeared around me. I’ve just remained this weird, solitary figure. I love it!”

The album will be released on vinyl, CD and digital formats, all featuring different track lists as Newton explains: “The way people listen to music has changed dramatically in the time I’ve been making and releasing music and, for me, each medium has a different purpose and requires a different approach. Interludes, a huge part of ‘Hand Built By Robots’, make no sense being streamed on an online playlist, but work amazingly on a CD and vinyl is different experience again. So, I’ve decided to package this album differently for each format; streaming sites will get a 17-track album, with no interludes clogging up your shuffles, the CD will be 17 tracks plus interludes for a smoother flow, and the vinyl will be 11 tracks specially curated, by me, to work on one disk with the best possible flow from one side to the other and the best possible sound.”

Since the release of his debut album Hand Built By Robots in 2007 (featuring the smash hit ‘Dream Catch Me’), Newton Faulkner has become one of the UK’s most successful singer-songwriters of this millennium. Later this year, he will be heading out on tour to play to live music-starved fans across the UK, starting with a few socially distanced gigs, many of which are already sold out. Plans for a North American tour are in the works.

INTERFERENCE (OF LIGHT) || OUT 10/8/21

PRE-ORDER

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ALISA AMADOR RELEASES NEW SINGLE “TOGETHER” VIA UNDER THE RADAR DEBUT MINI-ALBUM NARRATIVES OUT ON SEPTEMBER 17TH

ALISA AMADOR RELEASES NEW SINGLE “TOGETHER”  

VIA UNDER THE RADAR  

DEBUT MINI-ALBUM NARRATIVES OUT ON SEPTEMBER 17TH 

“Alisa Amador is a pitch-perfect rendition of my wildest dreams” - NPR 

“Alisa Amador sings with the ease of someone who has been performing for the entirety of her life” - American Songwriter   

"Not only can you sense her own musical drive and talent, you can almost feel how she puts her soul into her multi-genre art…Alisa Amador is a prime example of the amazing music Boston churns out” - WERS 

“…knocks together the worlds of Lake Street Dive and Fiona Apple into a tell-it like it is a morning anthem. With skatty jazz bravado and an engaging vocal presentation, Amador is a chill addition to the ’70s influenced singer-songwriter sect”- Glide Magazine  

“…a breath of fresh air” - Sound Of Boston 

Photo credit: Jacquelyn Marie

LISTEN: “TOGETHER”   

Today, Boston-based artist Alisa Amador unveils “Together,” the latest single from her forthcoming mini-album Narratives, set for release on September 17th. Under The Radar, who said her latest effort is “a document of the breadth of human experience, examining the narratives that encompass us amidst powerful indie folk arrangements,” premiered the track. “Amador begins stark and solitary, accompanied only by the steady chime of her guitar as she acknowledges the pain that all too often defines life’s experiences,” they commented. “Yet, as throughout the rest of the EP, connection is the healer and savior for Amador. That salve of quiet comfort takes on new power as the song reaches its climax, and Amador is joined by a triumphant chorus of voices and strings. In one voice, Amador and company declare their collective power and unity, bringing the track to an end with the steady chant of ‘together.’  

“Together” calls out systemic violence—in it, Amador acknowledges all the pain and celebrates the revolutionary power of friendship in the face of all those odds. “Perhaps the world will always be breaking,” she told Under The Radar. “And, it is our purpose on Earth to be putting it back together again, together.” The single follows the release of self-care anthem “Slow Down,” and breakout hit “Timing,” a lively, optimistic, and wry song which addresses the frustrating yet exciting realization that you’ve found love, but the timing is off. “Timing” was featured on Spotify’s "Fresh Finds,” "Fresh Finds: Indie,” and "Stay in Bed" playlists, as well as Apple Music’s "Now That's What I Call Today's Top Hits.” 

LISTEN: “SLOW DOWN”  

LISTEN // WATCH: “TIMING”  

Alisa Amador is a connector. Her upcoming mini-album, Narratives, is a six-song snapshot in time. It’s a deep look at a person stumbling through life in two languages—English and Spanish—and in many states of mind about it all. Her crystal-clear vocals are so effortless throughout Narratives that it’s almost easy to forget how technically talented she is, until she moves from almost-spoken-word territory to a powerful chorus without hesitation or illustrates a repetitive refrain that’s so affecting it feels like you might want to live inside it for a little while.   

“The word ‘narratives’ encompasses not only the existing cultural messages that hurt people individually and collectively,” she says, “but also the revolutionary power of writing ourselves new narratives; rejecting a culture of fear; and catalyzing a culture of honesty, bravery and self-love in the process.”  

When listening to Amador’s music, her time spent immersed in Latin folk and jazz is undoubtedly present in her own songs, written in both English and Spanish. But there is also pop, funk, soul, and something uniquely her own. Her specialty is sparking connection, across both listeners and musical styles. Working with producer Daniel Radin (The Novel Ideas, Future Teens), Narratives concentrates on the journey of Amador’s live set, taking listeners through songs that may elicit a laugh, bring introspection, offer a cathartic cry or encourage a sing-along.   

The genre-bending effort is as empowering as it is heart-wrenching. These songs  explore themes of romance and heartbreak, of chaos and healing, exposing systems of oppression and shining a light on the intricacies of the human condition. They might break your heart open, but by the end, it will be mended, uplifted and stronger—a ‘Life and Love Survival Kit' in the form of a bilingual EP. Click HERE to pre-order Narratives. 

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ELEANOR BUCKLAND’S SECOND SINGLE “STATIC” PREMIERES ON UNDER THE RADAR TODAY! THE LULA WILES SINGER/GUITARIST MAKES SOLO DEBUT WITH YOU DON’T HAVE TO KNOW DUE OCTOBER 29th ON SOUNDLY MUSIC

ELEANOR BUCKLAND’S SECOND SINGLE “STATIC” PREMIERES ON

UNDER THE RADAR TODAY! 

THE LULA WILES SINGER/GUITARIST MAKES SOLO DEBUT WITH

YOU DON’T HAVE TO KNOW DUE OCTOBER 29th ON SOUNDLY MUSIC

Photo Credit: Laura Partain

“STATIC” LISTEN || PRE-SAVE

 Eleanor Buckland continues to push outside musical boundaries on her second single “Static” available on 8/20.

Fighting against her own anxiety and inspired by the fearlessness she witnessed in others, Eleanor went to the studio with a unique goal in mind. “In the studio, we wanted this song to have reckless momentum as is often the case with anxiety,” Eleanor explains. “So, we let the electric guitar and Wurlitzer drive that intensity of sound.”

Under The Radar  enthused in their premiere, “Restless driving rhythms and smoky guitar licks make their way to the forefront on, “Static,” introducing an anxious and insistent side to Buckland’s music…celestial harmonies add a stark beauty to the track, all while Buckland finds herself searching for hope and meaning, but drowned out by the noise of anxiety.” 

Eleanor Buckland first made her mark in the Boston-based folk-rock trio Lula Wiles that has become an acoustic music scene favorite with their three critically hailed albums. During this time, however, Buckland was also working on another musical project – her own album. You Don’t Have To Know (due October 29 on Soundly Music) spotlights a different side of Buckland’s musical interests as it sets her deeply personal songs against inventive indie rock arrangements.  

Last month, she debuted with the single “Don’t Look Down” that premiered on BTR Today: “…a catchy indie number that somehow perfectly juxtaposes feelings of desperation and gloom with optimism and hopefulness. With energetic indie beats paired with Buckland’s soothing delicate vocals, ‘Don’t Look Down’ creates a balance between dark and light energies that makes you feel cleansed within.”

On You Don’t Have To Know, Buckland takes listeners on an emotional journey as her songs address love complicated and love lost, explore struggles with depression and insecurity, and grapple with feelings of uncertainty and helplessness. Or as Buckland succinctly describes the album: “It’s about me trying to figure out who I am and who I was at that time.”

ABOUT ELEANOR BUCKLAND

Born and raised in Maine, Buckland comes from a family full of musicians. Her grandmother, Betty Buckland, was prominent in the New England bluegrass scene, while her father, Andy Buckland, played electric guitar in Boston area bands. It’s not surprising then that someone who grew up playing bluegrass fiddle music as well as a healthy dose of Michelle Branch and Sheryl Crow would wind up with varied musical tastes – something Buckland clearly demonstrates on her solo debut.  

“DON’T LOOK DOWN” (OUT NOW) YOUTUBE || STREAM

“STATIC” LISTEN || PRE-SAVE

Photo Credit: Laura Partain

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OUT TODAY: AJ LEE AND BLUE SUMMIT’S NEW LP I’LL COME BACK

OUT TODAY: 

AJ LEE AND BLUE SUMMIT’S NEW LP I’LL COME BACK

“Indeed they deliver a well-rounded and texturally diverse set of contemporary bluegrass that honors the tradition while sounding fresh and vital, where the tones of the instruments; deft, tasteful playing; and tight, intricate arrangements are employed to great effect in support of Lee’s emotionally resounding, powerhouse vocal delivery.” - The San Francisco Chronicle 

“Between the interplay among the instrumental lines, the passion conveyed in Lee’s voice and the grooving feel of the rhythmic engine, everything comes together to seamlessly produce Americana perfection.” - American Songwriter   

“…it is hard to argue with their success…Like many young performers, when Lee started her group in 2015 they began to experiment and push against the boundaries of what they had grown up playing, but in the end the grass calls them home.” - Bluegrass Today  

"This band is good in the bluegrass way: they use their skill not to show off, but  

to build songs that are sturdy as houses, with plenty of room for guests, and ready for any  

weather.” - Country Queer   

LISTEN: I’LL COME BACK   

Today, award-winning Bay Area-based roots powerhouse AJ Lee and Blue Summit (“AJLBS”) have released their brilliant new LP I’ll Come Back. Unlike their first record, which featured experimentation with session musicians and electric instruments, the new album is a pure reflection of the live sound of the group, hearkening back to their acoustic roots. Each band member performs at their peak, and the variety of songs on the record caters to their broad fanbase. Certain tracks fall more in the classic bluegrass realm of songwriting, while others fall into that hard-to-define realm of acoustic Americana that blends mesmerizing lyricism and acoustic mastery. 

Although falling loosely under the bluegrass label, AJLBS generally plays sans banjo, a configuration effectively used to create unique space and texture in the arrangements not as commonly found in the music of their peers.  Drawing from influences such as country, soul, swing, rock, and jam music, the band uses the lens of bluegrass as a vessel through which to express and explore the thread that binds and unifies all great music. 

“The origins of the band go back 16 years, when a 7-year-old Lee joined the Palo Alto group the Tuttles, a family band assembled by renowned bluegrass multi-instrumentalist and educator Jack Tuttle featuring his children, Molly, Sullivan and Michael, all virtuosic prodigies themselves,” said The San Francisco Chronicle. “Although only 23, Lee is a seasoned and celebrated veteran of the greater Bay Area bluegrass scene and nine-time winner of the Northern California Bluegrass Awards for best female vocalist, exhibiting a musical depth and maturity beyond her years.”  

“Lee is part of the same class of [Youth In Bluegrass] artists that produced Molly Tuttle. In fact, AJ was a member of Molly’s family band for many years, performing as The Tuttles with AJ Lee when they were teens,” said Bluegrass Today. “Now heading up her own group, Lee is out front on lead vocals and mandolin, supported by Molly’s younger brother, Sullivan Tuttle, and Jesse Fichman on guitar, Jan Purat on fiddle, and Chad Bowen on bass.”  

Although falling loosely under the bluegrass label, AJLBS generally plays sans banjo, using their configuration effectively to create unique space and texture in the arrangements not as commonly found in the music of their peers. Drawing from influences such as country, soul, swing, rock, and jam music, the band uses the lens of bluegrass as a vessel through which to express and explore the thread that binds and unifies all great music. I’ll Come Back is available for purchase HERE.  

TOUR DATES  

AUG 20 - Mauch Chunk Opera House @ 8:00pm - Jim Thorpe, PA  

AUG 21 - Della Mae's Fam Fest @ 2:00pm - Round Hill, VA 

AUG 22 - Stages Music Arts @ 7:00pm - Cockeysville, MD 

AUG 26 - Casa Flamenca, Inc. @ 7:30pm - Albuquerque, NM 

AUG 27 - Wildwood Sounds @ 7:00pm - Del Norte, CO 

AUG 28 - Taos Center for the Arts @ 7:30pm - Taos, NM 

AUG 29 - Number Thirty Eight @ 8:00pm - Denver, CO 

AUG 30 - MainStage Brewing Company @ 6:00pm - Lyons, CO 

AUG 31 - Sherbino Theater @ 7:00pm - Ridgway, CO 

SEP 1 - Dolores River Brewery @ 7:00pm - Dolores, CO 

SEP 3 -  Four Corners Folk Festival 2021 @ 7:00pm - Pagosa Springs, CO 

SEP 10 - Sierra Meadows @ 7:30pm - Ahwahnee, CA 

SEP 11 - Black Oak Concert Series @ 7:00pm - Tuolumne, CA 

SEP 18 - Whale Rock Music Festival @ 7:00pm - Templeton, CA  

SEP 19  - Lodi Grape Festival Grounds @ 6:00pm - Lodi, CA 

SEP 24 - FreshGrass Festival 2021 @ 11:00am - North Adams, MA 

SEP 22-25 - AMERICANAFEST -  Nashville, TN [Official Showcase] 

OCT 1 - Sisters Folk Festival 2021 @ 12:00pm - Sisters, OR 

OCT 8 - McCabe’s Guitar Shop @ 8:00pm - Santa Monica, CA 

OCT 9 - Paramount Ranch @ 3:00pm - Agoura Hills, CA 

OCT 30 - Felton Music Hall @ 8:30pm - Felton, CA 

NOV 20 - Hopmonk Tavern @ 8:00pm - Novato, CA^ 

^w/ The Coffis Brothers 

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