California

DESTROY BOYS RELEASE THEIR “LOCKER ROOM BULLY” SINGLE + ANNOUNCE OPEN MOUTH, OPEN HEART ALBUM COMING OCTOBER 8 VIA HOPELESS RECORDS

DESTROY BOYS  RELEASE THEIR 

“LOCKER ROOM BULLY” SINGLE + ANNOUNCE

 OPEN MOUTH, OPEN HEART ALBUM COMING OCTOBER 8 VIA HOPELESS RECORDS

“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

"Originally from Sacramento and now based in San Francisco, Destroy Boys is an absolutely need-to-know punk trio.” - San Francisco Chronicle

"Channeling the spirit of anarchic American garage rock and melodic sensibilities of classic Bay Area punk into short snarling songs, Sacramento’s Destroy Boys whip up noise that is truly timeless.” - Rock Sound

“From the distinctive opening riff to the ridiculously catchy chorus, it seems as if Destroy Boys is finding their stride. “ - That Punkzine

“......it's safe to say Destroy Boys have successfully carved their niche in punk rock.” - Guitar World

The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

“If Destroy Boys are showing us the current direction punk is going in, maybe we should let them lead us there.”  - If it’s Too Loud

Locker Room Bully Single Art.jpg

LISTEN TO “LOCKER ROOM BULLY”:  HERE

Northern California’s three-piece Destroy Boys announce the release of their blistering new single “Locker Room Bully,” the third single from their forthcoming album Open Mouth, Open Heart produced by Will Yip, coming out October 8th. The album is available to pre-save and pre-order  HERE.

“Locker Room Bully” was written from the perspective of someone wrongly vilified and speaks to the power of social media to spread hurtful misinformation, which can be a powerful catalyst for misplaced anger.  With its fast and short format, social media and the internet, in general, can easily become a game of telephone, with people sharing half-truths about stories they have no real connection to - leading to a whole culture dedicated to canceling people online. But the song is far from a lament -  it’s a powerful and rage-fueled statement that calls out online bullying and the way it tears people apart.  “‘Locker Room Bully’ is a product of the anger, desperation, and sadness I’ve felt in the last year,” says front person Alexia Roditis. “Throughout my life, I’ve been confronted with people who don’t like me or don’t get what I’m doing or people who think they’re right about something they know nothing about. I am frustrated to no end. But ‘Locker Room Bully’  is also my line in the sand, I suppose -  a sign of letting go of people and situations I don’t control and don’t care about me.”

Open Mouth, Open Heart as a whole shows immense growth in the band both as musicians and people. Outspoken advocates for a myriad of social justice issues, especially when it comes to racial equality, LGBTQA+ rights, and inclusion for all, these themes are prevalent in their music, their actions, and how they use their platform. The 13 track album tackles themes of abuse, bullying, insecurity, as well as deeper familial forces and sees the band stepping into, and owning their power - and truly finding their voices. The record includes two songs written and performed in Spanish by Roditis who is half Argentinian. “‘Lo peor’ was a secret and I didn’t want most people to understand what it was,” she says about recording and releasing their very first songs in Spanish. “‘Te llevo conmigo’ is about my family and my grandparents and the people who came before me, and I wanted to sing in Spanish as a tribute to my dad’s side. Speaking Spanish is important to me and I wanted to incorporate it in some songs so as to further celebrate my culture.  I know a lot of our fans speak Spanish and I wanted to make something for them! So much rock is dominated by the English language, but there are so many good rock bands who speak Spanish and I wanted to contribute to that.” 

Twelve of the thirteen songs on the album were produced and recorded by Will Yip at his studio near Philadelphia during an intense, productive, and isolated February 2021.  The shredding 1 minute track “Muzzle” was produced and recorded by Martin Cooke in Los Angeles shortly beforehand. “Working with Will was like nothing we had ever experienced before,” says Violet Mayugba “as a band and as people. Being in the studio with him was a completely immersive experience. He helped us transform our record from something good into something jaw-dropping.”

Destroy Boys are Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar), rounded out by drummer Narsai Malik. The punk trio have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up-and-coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. Their visceral personal tales have won over the hearts and ears of eager listeners who pack out their shows. After more than a year of no live music the band is thrilled to be getting back on the road on road including the Sad Summer Tour, which kicks off tomorrow where they will be sharing the stage with All Time Low, The Story So Far, The Maine, Movements, and Grayscale. 

OUT OCTOBER 8TH ON HOPELESS RECORDS

Pre-Save // Pre-Order

  1. Locker Room Bully

  2. Muzzle 

  3. Sweet Tooth

  4. Lo peor

  5. Cherry Garcia

  6. Te llevo conmigo (Here Lie All Those Who Have Come Before Me)

  7. Bob

  8. Drink

  9. Ruins

  10. Escape

  11. All This Love

  12. For What

  13. Secrets

TOUR DATES

AUG 6  Papa Murphy’s Park Sacramento, CA *

AUG 7  City National Grove Outdoors Anaheim, CA *

AUG 17 Mohawk Austin, TX +

AUG 20 The Orlando Amphitheater at the Central Florida Fairgrounds Orlando, FL *

AUG 21  The Masquerade Outdoors Atlanta, GA *

AUG 23 The Cannery Nashville, TN  +

AUG 24 The Fillmore  Charlotte, NC +

Aug 25 The Norva Norfolk, VA +  

AUG 27 The Rooftop at Pier 17 New York, NY *

AUG 28 MECU Pavilion Baltimore, MD *

AUG  29 Anthology Rochester, NY + 

AUG 31 EXPRESS LIVE! Outdoor Columbus, OH *

SEP 3 Stone Pony Summer Stage Asbury Park, NJ *

SEP 4  The Palladium (Outdoors) Worcester, MA*

SEP 5  Skyline Stage @ The Mann Philadelphia, PA *

SEP 7  Stage AE Outdoors Pittsburgh, PA *

SEP 9  Deluxe Milwaukee, WI +

SEP 10  The Rave / Eagles Ballroom Milwaukee, WI *

SEP 11 Crofoot Festival Grounds Pontiac, MI *

SEP 12 Top Cat’s Cincinnati, OH

SEP 14 Old Rock House St. Louis, MO

SEP 15 The Rino Kansas City, MO

SEP 17 Marquis Theater Denver, CO

SEP 18 Kilby Court Salt Lake City, UT

SEP 20 The Vera Project Seattle, WA

SEP 21 Lola’s Room Portland,  OR

Sep 23 The Holland Project Reno, NV

* w/ the Sad Summer Tour

  • w/ The Story So Far


KEEP UP WITH DESTROY BOYS :

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DEBUT ALBUM FROM LOS ANGELES SINGER/SONGWRITER JOE BOURDET MEADOW ROCK OUT NOW

DEBUT ALBUM FROM LOS ANGELES

SINGER/SONGWRITER JOE BOURDET

MEADOW ROCK OUT NOW 

“Beyond the stirring melodies and lyrics of Bourdet’s songs, what imbues Meadow Rock with its resonant, layered vibe is that every note on the album (in true 1970s classic rock style) was played on a genuine instrument… Meadow Rock embodies that untamed and creative spirit.” – Golden State

Photo Credit: Sara Ross Samko

Photo Credit: Sara Ross Samko

MEADOW ROCK ALBUM || LISTEN

“EL CAPITAN” VIDEO || WATCH

Los Angeles singer/songwriter Joe Bourdet “writes in dreamscape throwback 70s folk styles, and splendid high-end electric guitar solos abound…of nostalgia.” (- Americana Highways ) on his debut album Meadow Rock (out now).

The nine-song set inspired by our natural surroundings of California – including the mountain ranges throughout.  

 “El Capitan” is about the Yosemite Valley and the Sierras, where “the protagonist senses deeper metaphysical vibrations amid memories of past visits with loved ones.” “Amongst The Pines” was written on an evening drive up Mount Baldy in the San Gabriel Mountains. “The arrangement is somewhat in tribute to a Gordon Lightfoot or Ozark Mountain Daredevils style production,” explains Joe. The accompanying video is comprised of footage shot by Joe and Dave Baine (who plays mandolin on the track) on a 9-day backpacking trip in the High Sierra trails. 

And  “Lost Along The Way” co-written with Alana Amram is a semi-autobiographical song is “loosely based on breaking down in my Datsun 240z on the Pacific Coast Highway very late night near El Capitan State Beach,” explains Joe.

BUZZ FOR MEADOW ROCK

 “Amongst The Pines” leans heavily into its serene nature setting, placing the listener in the untarnished natural beauty of its titular pines. Fittingly, the instrumentation is similarly pastoral, carrying rich acoustic tones as Bourdet’s vocals recall vintage Americana and singer/songwriter heroes. Though the record is a studio creation it instead feels refreshingly authentic, as if you’ve joined Bourdet and company around the campfire as they tribute peaceful alpine passages.” – Under The Radar

 “Over spacious drums and a 60s folk-inspired sound… backing harmonies add an ethereal touch reminiscent of Peter, Paul and Mary or the Mamas & the Papas. It’s a dreamy soundscape of a song that embraces the beauty of life’s surprising turns. Sometimes you get lost and it’s best to lean into it.” – Holler Country

 “Giving a nod to 70s folk-rock and singer-songwriters of that era, Bourdet puts his own signature spin on the music explaining that the sound is more “Topanga Canyon” than the widely known sound of LA’s Laurel Canyon.” – Turnstyled Junkpiled

“…an homage to the soft, singer-songwriter pop-rock of the mid-to-late ‘70s close your eyes and dream of the simpler life before technology invaded every corner of our lives on the nine well-crafted tracks” – The Big Takeover

“Joe Bourdet provides some high-end lead guitar tone that is endearing alongside his mellow vocal style on this debut [Meadow Rock]…. For young ears, this music may be too sublime. To older nostalgive ears its singer-songwriter heaven with poignancy, good takes, tight musicianship & melodies – more homegrown & organic in nature.” – Americana Highways

“…an album dripping with soft acoustic guitars, divine slide and pedal steel, and vocal harmonies to die for.” – At The Barrier

ABOUT JOE BOURDET

Highway 49 is called the golden chain highway and connects numerous tiny hamlets as it weaves through the river canyons of the California gold country. This is the area where Joe Bourdet spent his youth, and it provided the formative images which inspired the music of his debut album Meadow Rock.

Having had the good fortune to be born into a musical family, his uncle, Mike Bonnington, and San Francisco jazz musician Jack Minger set the example that music life, though it “ain’t no good life”, in fact was possible. Since picking up guitar in high school, Bourdet’s musical world has grown into a host of technical and artistic areas. He repairs, restores, modifies, and occasionally even builds his instruments and recording equipment. He operates his own home studio which he describes as a “project studio PLUS”. Having also accrued a handful of sometimes white-knuckle experiences as an audio engineer in music and film productions, Bourdet was able to engineer, mix, and produce his own debut album. Even if, as he is quick to point out, he did so with more than a little help from his friends, and indeed also from some of the top professional technicians in music.

Musically, Bourdet plays various guitar styles, including slide, and occasionally bass. He sings with a neutral singer-songwriter flare, and considers himself merely an “enthusiast” as a keyboardist. In addition to writing or co-writing most of the compositions on his debut, he also built the song arrangements up via careful overdubbing. It’s a process he likens to an obsessive Steely Dan style discipline, with the exception that tempo drifts and imperfect/ naturalistic sounds were generally embraced.  

MEADOW ROCK || OUT NOW

KEEP UP WITH JOE BOURDET

WEBSITE || INSTAGRAM || FACEBOOK || BANDCAMP || YOUTUBE