THE FIRST 5O GIGS LAUNCHES GUNS N’ ROSES AND THE MAKING OF APPETITE FOR DESTRUCTION VISUAL PODCAST SEASON ONE, EPISODE ONE OUT NOW

THE FIRST 5O GIGS LAUNCHES 

GUNS N’ ROSES AND THE MAKING OF

 APPETITE FOR DESTRUCTION  VISUAL PODCAST 

SEASON ONE, EPISODE ONE OUT NOW

Cr. Jack Lue

VIEW THE TRAILER:  HERE

“There isn’t a better person to release any material to do with the coming together and the history of Guns N’ Roses and where it went and what was going on behind the scenes than Marc.” — Slash

Marc Canter and Jason Porath, the authors of the critically acclaimed book Reckless Road are excited to announce the launch of the video podcast The First 50 Gigs: Guns N’ Roses and the Making of Appetite for Destruction. The Introductory Episode along with Episode One of the first season is available now exclusively on Patreon. 

The Reckless Road: Guns N' Roses and the Making of Appetite for Destruction book which was published in 2008 and won an IPPY for Pop Culture Book of the Year was just the tip of the iceberg of an archive created by Marc Canter; photographer, music historian, and owner of the world-famous Canter’s Deli. Canter captured the band’s formative years and the heyday of the Sunset Strip music scene.  Canter, who has a photographic memory, came to realize that his memories, the history of this era in Los Angeles, and the formation of this iconic band, will die with him if he doesn’t tell them. The First 50 Gigs project has been years in the making, “Marc’s one-of-a-kind archive on the early days of Guns N’ Roses and the first fifty gigs of the Appetite lineup of Guns N’ Roses is unprecedented,” says Porath. “ Marc truly captured lightning in a bottle and the power of those images he and Jack Lue created will now be amplified by first-hand accounts by the people who were there, giving audiences a true play-by-play unfolding of events.” 

The project was designed as a gift to fans to unlock the stories behind the most famous songs from the ever-elusive band, in particular the younger fans,  many of whom were not even born when Appetite came out. It's an opportunity for them to learn about the stories behind the making of Appetite For Destruction.  “This video podcast is a multilayer documentary told by the people and band members that were there,” says Canter. “Those that  were involved in the incestuous revolving doors of the bands that eventually led to the Appetite for Destruction lineup.”

Putting fans first, this first season of the show will be available in several tiers on Patreon with the intention of growing the show’s community to a level that will enable the production of the next few seasons. All episodes from season one were recorded in English with transcripts available in Spanish and Portuguese. The three subscriptions tiers enable different levels of access from audio-only, to visual and audio, exclusive content which includes additional interviews, bonus video and audio, and merchandise items. All tier levels come standard with private RSS feeds that will allow you to listen to the show on your favorite podcast player (e.g. Apple Podcast, Stitcher, etc.)

"I can't really tell how thankful I am being able to see this podcast finally, It's just great to get all this info about GN'R's early days.”  - Patreon Subscriber

The introductory episode dives into the credentials of the show's core historian, Los Angeles cultural icon Marc Canter. Canter’s family restaurant, Canter’s Deli, which he currently owns and operates, is a Los Angeles landmark that has been a featured player in the history of the city for decades. Canter grew up with Slash, and Canter’s Deli, along with the adjoining Kibitz Room, and became a second home for the band, as well as a staple post-show, late-night hang for the Sunset Strip crowd. Canter knew from early on that Slash was special and began to document his shows, saving memorabilia, photos and video from all of his performances. Episode one tells the story of Slash’s first band Titus Sloan through photos, videos and an interview with Titus Sloan drummer and founding member Adam Greenberg.

“By retelling this story in podcast form, The First 50 Gigs can take listeners deeper into stories, personalities and events and explore every aspect of this origin story that often is left on the cutting room floor of a book or documentary, '' says Porath. “ Anyone around the world can click on a button and transport themselves back in time to the 1980’s Sunset Strip and follow the action that led to one of the greatest Rock N’ Roll breakthrough stories of the decade.”

Season One Episode lineup:

Introduction: Marc and Jason - Intro to the series, Marc’s history,

Episode 1: Adam Greenberg - Tidus Sloan/Roadcrew

Episode 2: Laurie Jacobson - History of The Strip from 1900-1965

Episode 3: Domenic Priore - History of The Strip from 1965-1990

Episode 4: Chris Weber - AXL, Rose + Hollywood Rose

Episode 5: Steve Darrow - New Hollywood Rose

Episode 6: Nadir D’Priest - London

Episode 7: Mid-Season Recap: Hollywood Rose to LA Guns 

Episode 8: LA GUNS to Original GNR

Episode 9: Rob Gardner - L.A. Guns / Original GNR

Episode 10: Marc Canter - First Appetite Lineup at Troubadour on 6.6.85

Episode 11: Hell Tour 

Episode 12: Steven Adler

Episode 13: Season 1 Recap/Finale, Season 2 Preview

Plus 2 - 14 Bonus Episodes (for specific subscriber tiers)

KEEP UP WITH FIRST 50 GIGS

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER

KAREN JONAS PREMIERES REIMAGINED DON HENLEY CLASSIC “THE BOYS OF SUMMER” VIA THE BOOT

KAREN JONAS PREMIERES REIMAGINED DON HENLEY CLASSIC “THE BOYS OF SUMMER” 

 VIA THE BOOT 

  NEW EP SUMMER SONGS   

AND  

ACCOMPANYING BOOK OF ORIGINAL POETRY GUMBALLS 

SET FOR RELEASE ON AUGUST 20TH 

Any listener of Karen Jonas’ music will recognize the trademarks of her fearless talent in this beautiful, gutting collection of poetry. Karen Jonas is already acknowledged as a master songwriter and storyteller, but in these unflinching, often wryly funny poems, the narratives of love, heartbreak, and the daily grind of being alive are unmisted by noise, audience, and stage. — Erika Carter, author of Lucky You,  NPR Best Book of 2017 and official Book of the Month Club selection 

This is what you get when a kickass woman writes poetry--you get dirty, wet, delicious, dark, relatable worlds full of wonder, light, rage, and revelation. - Susie Moloney, award-winning screenwriter and author of A Dry Spell 

LISTEN // WATCH: “THE BOYS OF SUMMER” 

Today, award-winning artist Karen Jonas has released her take on Don Henley’s classic song “The Boys Of Summer.” The single appears on Summer Songs, a new four-track EP set for release on August 20th, along with Gumballs, a book of original poetry. “On her forthcoming EP, singer-songwriter Karen Jonas leans into the song's ability to take listeners back in time with her own version,” said The Boot in the premiere. “There's a bit more pedal steel in Jonas' cover than in the original, and particularly in the chorus, the artist uses her voice to tweak the familiar melody here and there to add something new to it.”  

“The Boys Of Summer” follows the release of “Summer’s Hard For Love,” which Glide Magazine said was, “A rainy day whirl of jazzy melodies and crafty songwriting,” adding, “Jonas sings with a warm vibrato that makes like a mix between Lana Del Rey and Cowboy Junkies, evolving into an unforeseen summer go-to song.” 

LISTEN: “SUMMER’S HARD FOR LOVE”  

"Somewhere along the way, I got tough because I had to," Jonas told The Boot. "Balancing my complexity as a human with my roles as a touring singer-songwriter and a mother of four has been amazing, but challenging and consuming. Things are easier when you’re tough: You can weather more storms and move farther faster. But, to find that place and still be vulnerable, raw and genuine — that’s the artist’s dream. So, I took it on,” she added. “I assessed the state of who I am and where I’ve been, and why, with as much clarity as I could. Over the course of a raw week in January, I wrote frantically. I didn’t worry about what my kids or my mother or you would think, I just wrote.” 

Jonas amassed over 60 poems, vignettes of hard scenes from her life, and realized she had written a book, covering everything from divorce to religion to dating to spiders; this vastly personal autobiographical collection of poems allowed her to find a more vulnerable place to embrace these gems from her old songwriting notebooks.  

“I began to hear flashes of these songs as I was writing my poetry collection, songs I started writing years ago. I reconnected with them and spent a lot of time reprocessing and editing,” she adds. “I was able to update them to my current songwriting sensibilities while maintaining the sweet vulnerability of the inspiration for these summer-themed tunes.” The result is Summer Songs, three heartfelt originals and a show-stopping cover of “The Boys of Summer.” 

Through swooping pedal steel and bluesy guitar, lush harmonies and beautifully-crafted lyricism, Jonas paints a vibrant sonic portrait with stories to which we can all relate—tales of love and loss, and of hope and reclamation. Jonas’ writing harkens back to her songcrafting heroes Joni Mitchell and Bob Dylan, with a sonic nod to modern greats like Gillian Welch and Jason Isbell. Her investment in artistic excellence continues to pay off with her upcoming release Summer Songs. 

TOUR DATES: 

Aug 20 - WTJU In-Studio - Charlottesville, VA 

Aug 21 - Strangeways Brewing - Fredericksburg, VA 

Aug 28 - Brambly Park - Richmond, VA 

Aug 29 - Pie Shop - Washington, DC 

THE SLANG UNVEILS NEW SINGLE “DISGUISE” OUT TODAY

THE SLANG  UNVEILS NEW SINGLE  

“DISGUISE” OUT TODAY 

 

DEBUT FULL-LENGTH LP DIVIDE  

SET FOR RELEASE SEPTEMBER 24TH 

Photo credit: Morris Photography

LISTEN: “DISGUISE”   

Today, Washington, DC-based duo The Slang has unveiled “Disguise,” the latest single from their forthcoming LP Divide, set for release on September 24th. “Disguise,” a hook-laden dreamscape that brims with shimmering guitars, explores our tendency to hide our true selves from others, and follows "Nothing Lasts Forever," about addictions, and unhealthy vices and attachments.  

LISTEN // WATCH: “NOTHING LASTS FOREVER” 

The album features 10 sparkling alt-rock gems written by co-founders John Bobo and Felix Nieto, and produced by Nieto. “It’s our first full-length album, so we used that to our advantage to take risks that we may not have on our prior EP’s,” explains Bobo. “As the expression goes, ‘Stories Don’t End,’ so what happens after the movie ends and the credits have rolled? Divide is an album about trying to overcome the inevitable, but continues asking that question of ‘what happens next?’”  

Offering a distinct blend of power-pop, alternative, and contemporary rock, The Slang is comfortable testing genre lines and taking their time to capture the minutiae of modern life. With a laid-back intensity that infuses their music, lead vocalist/multi-instrumentalist John Bobo serves as the main songwriter while bassist/multi-instrumentalist Felix Nieto focuses on production. Both artists share a kind of low-key perfectionism: hands-on, hyper-attuned to textural detail, and aware of what elevates a song from good to great. “We want to do it right,” says Bobo. “And we’re willing to do whatever it takes to make the best possible track each time.”   

With smooth vocals and striking guitar melodies, The Slang is often compared to bands like Snow Patrol and The Killers, but with a modern twist and more experimental production value. “We care about the experience, whether on headphones or at a live show,” says Nieto, whose production adds a sleekness and edge. Bobo’s introspective lyrics explore singular moments that define human relationships. This beautiful blend of respective talent is evident on Divide, which features the band’s characteristic melodic precision, bright, electric guitar-driven anthems, and top-quality production, but with a more pop-leaning sound.  

 Be sure to follow The Slang via the links below for the latest news, updates, and tour information, and check out their hilarious Facebook group The Slang Gang. 

SEAN ROWE RELEASES NEW SINGLE “LITTLE DEATH”

SEAN ROWE RELEASES NEW SINGLE 

“LITTLE DEATH”  

NEW LP  THE DARKNESS DRESSED IN COLORED LIGHTS 

OUT ON OCTOBER 8TH VIA FLUFF & GRAVY RECORDS 

Photo credit: Joe Navas

LISTEN // WATCH: “LITTLE DEATH”   

Today, internationally acclaimed singer/songwriter Sean Rowe has released “Little Death,” the latest from his forthcoming LP The Darkness Dressed In Colored Lights, due out on October 8th via Fluff & Gravy Records. “The dissolving of a relationship can be an internal kind of Mad Max, apocalyptic struggle with your brain who seems to be at odds with you. I do think it’s a universally interesting and scary time and worth writing about,” says Rowe, and adds that “Little Death” is about “that strange elation that comes at the end of a long journey with another soul. I originally wrote the song on guitar but while working out the parts in the studio, Ben Lester came up with that signature piano line which stood out to me like the piano in werewolves of London,” he adds. “Not that it sounds like that part but just in the way that you can’t imagine that song without Zevon’s piano line in it!”  

“Little Death” follows lead single “To Make It Real,” which, as Holler said, “looks at the aftermath of heartbreak, when the reality of a relationship's end sets in.” “Lyrically — this is for me — a kind of recurring theme that I find in many of my songs,” Rowe explained. “Which is to say that I’m alluding to the duality that I feel is in all of us. All the hidden parts and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.”  

LISTEN: “TO MAKE IT REAL” 

The Darkness Dressed In Colored Lights was forged in the fires of self-discovery and acceptance and is the result of work Rowe’s been doing to build a fitter, happier version of himself. He credits therapy and a guided ayahuasca retreat with helping him to reach this understanding. Over the course of an intense weekend, he had experiences that stripped away his anger and defenses and brought him to a place of intense beauty and peace--he realized we create the heaven and the hell that swirls in our heads, and we have to choose in which of those dimensions we want to reside. This album is ripe with both. 

Through its 11 gut-punching tracks, Rowe tackles everything from losing oneself in the despair of heartache to rising from the ashes—the paradox between what once was and what now is, and sometimes being lost in the in-between. His powerful baritone spans the gamut of emotions - and on this record, he makes it clear that at some point it’s hard not to feel them all at once. Every song cuts right to the quick. 

Rowe has also spent years in the woods exploring, foraging, and obsessively learning all that he could about the natural world around him. Through his web series, Can I Eat This?, he’s found a means of indulging two of his great passions: music and nature. In each of the episodes of Can I Eat This?, Sean goes on a foraging mission for all manner of wild foods and uses the harvest to prepare some tasty creation. To check out Can I Eat This? visit Sean's YouTube Channel   

The Darkness Dressed in Colored Lights will be released on CD and double-vinyl, as well as available on all streaming services on October 8th.  Click HERE to pre-order. 

TOUR DATES: 

8/12: Syracuse, NY | The 443 Social Club 

9/22 - 9/25: Nashville, TN | AMERICANAFEST (Official Showcase) 

9/30: Portsmouth, NH | The Press Room 

10/1: Portland, ME | Sun Tiki Studios 

10/2: Cambridge, MA | Club Passim 

10.20: Vienna, VA | Jammin Java 

10/24: Norfolk, VA | North Shore Point House Concerts 

11/3 & 11/4: Brooklyn, NY | Union Pool 

11/5: Kennett Square, PA | Kennett Flash 

11/6: Rochester, NY | Abilene 

11/19: Northampton, MA | The Parlor Room 

11/20: Egremont, MA | Egremont Barn 

WHO? WHAT? WHEN? WHY? & WEREWOLVES? "BALANCE AN REVERENCE FOR MUSICAL TRADITION WITH AN IRREVERENT SENSE OF HUMOR" (-XPN) ON SOPHOMORE ALBUM HARD FEELINGS OUT TODAY

WHO? WHAT? WHEN? WHY? & WEREWOLVES? "BALANCE AN REVERENCE FOR MUSICAL TRADITION WITH AN IRREVERENT SENSE OF HUMOR" (-XPN) ON SOPHOMORE ALBUM HARD FEELINGS OUT TODAY  

"Deep subjects, brought into manageable perspective by merciless satire." - At The Barrier

Photo Credit: Jesse Gennett

“HARD FEELINGS” VIDEO || WATCH

HARD FEELINGS ALBUM ||  SPOTIFY OR PURCHASE

 Philadelphia-based duo Andrew Fullerton (vocals, guitar) and Matt Orlando (vocals, banjo) - behind the quirky, punchy nügrass band Who? What? When? Why? & Werewolves? – find their full voice on the sophomore album Hard Feelings out today!

The album continues their subversive and often humorous approach to heavy subjects. “This record is about the difficult conversations we have with ourselves, our partners, and our friends and family,” says Fullerton. “And also how do we have these conversations with empathy.”

“It’s just the two of us when we tour, so Andrew and I have these very deep, existential conversations about our lives, love, nihilism, music, and all these different things,” adds Orlando. “The songs were born from those conversations”

Recently, the duo released the video for the title track “Hard Feelings” about a weary, time-tested relationship with accompanying video directed by Big Howl (Nicole Atkins “Brokedown Luck” & “Mind Eraser”, Netflix’s Worn Stories). For the video, the Big Howl art department built the Andrew and Matt dummies from a YouTube tutorial and most of the dolls were sourced from co-director Paul Triggiani’s mom’s personal doll collection.  

“The Big Howl guys really understand the bizarre tenderness I try to convey in my songwriting,” says Andrew Fullerton. “Usually I send them the song and they say ‘how weird do you want to get’ and I just say ‘I trust you.’ You can tell from the story that the woman and her dummies go back away and their relationship has it’s up and downs as well.”

The sophomore album Hard Feelings is out now.

BUZZ

“Indie-folk duo Who? What? When? Why? & Werewolves balance a reverence for musical tradition with an irreverent sense of humor, and both of those worlds collide in their new music video for ‘Hard Feelings.’” – TheKey.xpn.org 

“There’s a definite energy to the band Who? What? When? Why? & Werewolves, and the touch of banjo slowly building its way in to anchor [“Little In Love”] is a sweet touch. Enjoy the Americana sentiments of what’s sometimes known as the “6w” band. And really — who isn’t a little in love with everyone?” - Americana Highways 

“…indicative of that easy folk approach, with a light, country tone that’s easy on the ears… a beautiful and wistful fiddle. You may be pursuing what you love, but there are residual effects of that, some of which are not always so positive on others.” – V13 

“Listening to Hard Feelings is a little like experiencing a whirlwind.  The songs are all great fun, there’s a lot of energy and (deliberately) little subtlety…this is an album that you can hear over and over and find new quirks in the lyrics each time.” – At The Barrier

HARD FEELINGS ALBUM ||  SPOTIFY OR PURCHASE

“QUITTIN'” SINGLE  || SPOTIFY OR YOUTUBE

“LITTLE IN LOVE'” SINGLE || SPOTIFY OR YOUTUBE 

KEEP UP WITH WHO? WHAT? WHEN? WHY? & WEREWOVES

WEBSITE || FACEBOOK || INSTAGRAM || YOUTUBE || BANDCAMP || SPOTIFY

AJ LEE AND BLUE SUMMIT UNVEIL LATEST SINGLE “WHEN YOU CHANGE YOUR MIND” VIA BLUEGRASS TODAY

AJ LEE AND BLUE SUMMIT UNVEIL 

LATEST SINGLE “WHEN YOU CHANGE YOUR MIND”  

VIA BLUEGRASS TODAY 

NEW LP I’LL COME BACK OUT ON AUGUST 20TH 

Photo: Hannah Ballinger

LISTEN: “WHEN YOU CHANGE YOUR MIND”   

Today, award-winning Bay Area-based roots powerhouse AJ Lee and Blue Summit (“AJLBS”) released “When You Change Your Mind,” the new single from their forthcoming LP I’ll Come Back, due out August 20th. Of the band, Bluegrass Today said that “it is hard to argue with their success. Lee is part of the same class of [Youth In Bluegrass] artists that produced Molly Tuttle. In fact, AJ was a member of Molly’s family band for many years, performing as The Tuttles with AJ Lee when they were teens. Now heading up her own group, Lee is out front on lead vocals and mandolin, supported by Molly’s younger brother, Sullivan Tuttle, and Jesse Fichman on guitar, Jan Purat on fiddle, and Chad Bowen on bass,” they added. “Like many young performers, when Lee started her group in 2015 they began to experiment and push against the boundaries of what they had grown up playing, but in the end the grass calls them home.” 

Lee said the song is about drinking and thinking about “how you’ll never be deserving of someone who loves you because you’ll only hurt them in the end. You’ve also got your own issues and it’s too much trouble to explain yourself to someone else.” While AJLBS enjoys stretching their creative muscles, Lee reveals that they always come back to their favorite genre—bluegrass.  

“When You Change Your Mind” follows the release of “Lemons and Tangerines,” and “Magdalene,” of which Country Queer noted, “This band is good in the bluegrass way…they use their skill not to show off, but to build songs that are sturdy as houses, with plenty of room for guests, and ready for any weather.”  

LISTEN: “LEMONS AND TANGERINES”  

LISTEN: “MAGDALENE” 

Unlike their first record, which featured experimentation with session musicians and electric instruments, I’ll Come Back is a pure reflection of the live sound of the group, hearkening back to their acoustic roots. Each band member performs at their peak, and the variety of songs on the record caters to their broad fanbase. Certain tracks (“Put Your Head Down” and “Faithful”) fall more in the classic bluegrass realm of songwriting, while others (“Lemons and Tangerines” and “I’ll Come Back”) fall into that hard-to-define realm of acoustic Americana that blends mesmerizing lyricism and acoustic mastery.  

Although falling loosely under the bluegrass label, AJLBS generally plays sans banjo, using their configuration effectively to create unique space and texture in the arrangements not as commonly found in the music of their peers. Drawing from influences such as country, soul, swing, rock, and jam music, the band uses the lens of bluegrass as a vessel through which to express and explore the thread that binds and unifies all great music.  

TOUR DATES  

AUG 7 - The Independent @ 8:00pm - San Francisco, CA [ALBUM RELEASE SHOW]* 

AUG 13 - Caffe Lena @ 8:00pm - Saratoga Springs, NY 

AUG 14 - Podunk Bluegrass Festival 2021 @ 12:20pm - Goshen, CT 

AUG 15 - Hardeman Orchards @ 7:30pm - Red Hook, NY 

AUG 16 - Truro Vineyards @ 8:00pm - North Truro, MA 

AUG 18 - Watermelon Wednesdays @ 3:00pm - Williamsburg, MA 

AUG 18 Watermelon Wednesdays @ 7:30pm - Williamsburg, MA *SOLD OUT* 

AUG 19 - Music Hall @ 6:00pm - Portsmouth, NH 

AUG 19 - Music Hall @ 8:00pm - Portsmouth, NH 

AUG 20 - Mauch Chunk Opera House @ 8:00pm - Jim Thorpe, PA  

AUG 21 - Della Mae's Fam Fest @ 2:00pm - Round Hill, VA 

AUG 22 - Stages Music Arts @ 7:00pm - Cockeysville, MD 

AUG 26 - Casa Flamenca, Inc. @ 7:30pm - Albuquerque, NM 

AUG 27 - Wildwood Sounds @ 7:00pm - Del Norte, CO 

AUG 28 - Taos Center for the Arts @ 7:30pm - Taos, NM 

AUG 29 - Number Thirty Eight @ 8:00pm - Denver, CO 

AUG 30 - MainStage Brewing Company @ 6:00pm - Lyons, CO 

AUG 31 - Sherbino Theater @ 7:00pm - Ridgway, CO 

SEP 1 - Dolores River Brewery @ 7:00pm - Dolores, CO 

SEP 3 -  Four Corners Folk Festival 2021 @ 7:00pm - Pagosa Springs, CO 

SEP 10 - Sierra Meadows @ 7:30pm - Ahwahnee, CA 

SEP 11 - Black Oak Concert Series @ 7:00pm - Tuolumne, CA 

SEP 18 - Whale Rock Music Festival @ 7:00pm - Templeton, CA 

SEP 19  - Lodi Grape Festival Grounds @ 6:00pm - Lodi, CA 

SEP 24 - FreshGrass Festival 2021 @ 11:00am - North Adams, MA 

SEP 22-25 - AMERICANAFEST -  Nashville, TN 

OCT 1 - Sisters Folk Festival 2021 @ 12:00pm - Sisters, OR 

OCT 8 - McCabe’s Guitar Shop @ 8:00pm - Santa Monica, CA 

OCT 9 - Paramount Ranch @ 3:00pm - Agoura Hills, CA 

OCT 30 - Felton Music Hall @ 8:30pm - Felton, CA 

NOV 20 - Hopmonk Tavern @ 8:00pm - Novato, CA^ 

* w/ The Sam Chase Trio & The Coffis Brothers 

^w/ The Coffis Brothers 

CONNECT WITH AJ LEE AND BLUE SUMMIT:   

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || YOUTUBE || SPOTIFY    

BOSTON INDIE ROCKER THE COLLECT POND RELEASES "GRUNGE-Y... SHIMMERING"(-BTR TODAY) NEW SINGLE “GO ALONG” ON 8/6

 BOSTON INDIE ROCKER THE COLLECT POND RELEASES

"GRUNGE-Y... SHIMMERING"(-BTR TODAY) NEW SINGLE “GO ALONG” ON 8/6

“The Collect Pond reveals chapters of Danny Moffat’s life via ominous reflecting pools… right when the water seems eerily stagnant, a wave of relief arrives to wash away the sticky feeling of malaise…” - Vanyaland

Photo Credit: Mike Mororissey

“GO ALONG” LISTEN || PRE-SAVE

The Collect Pond is the moniker for Boston-based singer-songwriter and audio engineer Danny Moffat. Today, The Collect Pond premieres the second single "Go Along" from their forthcoming third album Long Range on BTR Today.

“Combing his emotional singer-songwriter style with more grunge-y inspirations is quickly becoming Moffat’s M.O.…vocals express intense emotion with each note, all while surrounded by shimmering strums and picks of the guitar.” - BTR Today 

"Go Along" continues the acoustic fuzz-pop fare from last year’s release In the Garden, but ups the ante with electronic production and bigger drums. “I came up with the guitar riff one night and the whole song just kind of revealed itself to me very quickly,” explains Moffat. “It has a distinct 90s feel that turned out to be a poppier version of My Bloody Valentine, or maybe my own version of the Smashing Pumpkins and Oasis.”

It follows “Burrow,” the first album single, with its cascade of guitar textures, twinkling keys, and arena-ready drums with a ghostly voice building throughout, exorcising the fear felt in 2020 into dark atmospheric dream-pop. The cover art for "Burrow" is by fellow musician/artist Kevin Alvir (aka Kevin Hairs).

“Despite its downtrodden cadence, the new track turns the tide on melancholy… the steady shoegaze of ‘Burrow’ comes emboldened by a sense of authority—both over your own headspace, and your country’s future.” - Vanyaland

The Collect Pond is a geographical location in New York, NY, chosen by Moffat for his own music since the imagery of an oasis in the city seemed fitting, as recording and self-expression offered a similar kind of respite, a way to cope with the tenseness that permeates New York life. It also creates of coexisting mix of species in one ecosystem, or musically speaking, a myriad of influences and styles under one name. 

On the new album, Long Range (out 9/24), Moffat mixes folk elements from past The Collect Pond output, while adding harder tinged rock elements that raise the stakes sonically. Long Range offers more guitars, more electronic instruments, and more live drums. The result is an amped up sound that takes the listener on a weird and wonderful journey into Moffat’s pandemic escapist headspace.

ABOUT DANNY MOFFAT

Danny Moffat is a recording engineer who began recording under the moniker The Collect Pond while in New York City. There, he assisted on albums for The Happy Fits and Cold Fronts with producer Ayad Aladhamy (Passion Pit), was a session guitarist for BMJ Studios where he laid tracks on “Diamonds” by Que Believe, and worked as a receptionist at Electric Lady Studios.

The first release, The Collect Pond, was a sparse affair, solely acoustic guitars and voice. The first record featured the single “I Never Knew,” which is on the soundtrack to the award-winning short film “Hey Mama” starring Lindsey Broad (The Office, Silicon Valley).

 On the follow up, Moffat upped the production value for a rockier sound on In the Garden, which includes the indie-folk single “Traveling,” that found an audience through playlists and received glowing reviews from the music blogosphere. 

“BURROW” OUT NOW  YOUTUBE || SPOTIFY

“GO ALONG” OUT 8/6  

LISTEN || PRE-SAVE

LONG RANGE COMING 9/24/21

KEEP UP WITH THE COLLECT POND

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IAMEVE RELEASES THE HAUNTING VIDEO FOR “UNNERVING” + ANNOUNCES HER EP ARCHETYPE RELEASE DUE OUT THIS FALL VIA FROM MAMAS IN MUSIC

IAMEVE RELEASES THE HAUNTING VIDEO FOR “UNNERVING” +

ANNOUNCES HER EP ARCHETYPE RELEASE

DUE OUT THIS FALL VIA FROM MAMAS IN MUSIC

WATCH “UNNERVING”:  HERE

 “... if Alice took Ziggy Stardust’s hand and followed him down the rabbit hole to a world guided by the twists and turns of ethereal and colorful vocals.”  -  The Huffington Post

Los Angeles-based artist IAMEVE has released the haunting video for her single “Unnerving,” the second single from forthcoming EP  Archetype, due out this fall.  Produced by Jeremy Dawson (Shiny Toy Guns, MXMS) and IAMEVE,  the haunting track is as intimate and tender as it is dark, with a  cinematic combination of electronics, vocal layering, guitars, and strings. “Unnerving” was written three and a half years ago when Tiff Randol the mastermind behind  IAMEVE found out that she was going to be a mother. This news came as climate change became a glaring reality and as Trumpism began to surface with alarming levels of hatred and divisiveness.  

“I felt lit up with anxiety about bringing this precious soul into a world that seemed to be on fire, says Randol. “It’s a  really strange feeling to be filled with so much love and happiness while being so angry and afraid, That’s when the lyric ‘I’m gonna make you right’ started repeating in my head - which was confusing, considering I couldn’t find a way to ‘make right’ a lot of the hate I was seeing. Ultimately, we have to be willing to validate another’s perspective if we want them to see ours - even when it’s ‘unnerving.’ It’s something I struggle with daily and this song and video are a direct reflection of that conflict that’s as much inside me, as it is outside in the world. Having a human that I would do anything for has changed everything for me and I feel hopeful  that as a society we will make things right.”  

In a black-and-white video directed by Patrick McPheron, nuclear explosions are intercut with a raw,  powerful performance by IAMEVE ending with an incredibly intimate moment with her child, as a  gesture of hope for the future.  

With that hope in mind, the new mum co-founded the organization Mamas in Music with London-based songwriter Mary Leay (MK & Becky Hill’s “Piece of Me”). The organization’s primary goal is to provide resources to make it easier, and possible for mamas to thrive in the music industry,  in addition, to shining a light on mama artists. As one of the early initiatives, Mamas in Music, has partnered with Burnside  Distribution and The Orchard to create distribution opportunities exclusive to mama artists,  with IAMEVE’s Archetype as the first release this fall.

KEEP UP WITH IAMEVE

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DESTROY BOYS RELEASE THEIR “LOCKER ROOM BULLY” SINGLE + ANNOUNCE OPEN MOUTH, OPEN HEART ALBUM COMING OCTOBER 8 VIA HOPELESS RECORDS

DESTROY BOYS  RELEASE THEIR 

“LOCKER ROOM BULLY” SINGLE + ANNOUNCE

 OPEN MOUTH, OPEN HEART ALBUM COMING OCTOBER 8 VIA HOPELESS RECORDS

“ Using their platform on gender and racial equality as well as LGBTQIA+ rights, Destroy Boys channel that same unbridled passion into their lyrics. The group give a voice to the underrepresented with a fresh perspective on love, loss and everything in between.” - Alternative Press

"Originally from Sacramento and now based in San Francisco, Destroy Boys is an absolutely need-to-know punk trio.” - San Francisco Chronicle

"Channeling the spirit of anarchic American garage rock and melodic sensibilities of classic Bay Area punk into short snarling songs, Sacramento’s Destroy Boys whip up noise that is truly timeless.” - Rock Sound

“From the distinctive opening riff to the ridiculously catchy chorus, it seems as if Destroy Boys is finding their stride. “ - That Punkzine

“......it's safe to say Destroy Boys have successfully carved their niche in punk rock.” - Guitar World

The fresh-faced, young female fronted band are pumping fresh blood back into the life of power punk.” - Ladygunn

“If Destroy Boys are showing us the current direction punk is going in, maybe we should let them lead us there.”  - If it’s Too Loud

LISTEN TO “LOCKER ROOM BULLY”:  HERE

Northern California’s three-piece Destroy Boys announce the release of their blistering new single “Locker Room Bully,” the third single from their forthcoming album Open Mouth, Open Heart produced by Will Yip, coming out October 8th. The album is available to pre-save and pre-order  HERE.

“Locker Room Bully” was written from the perspective of someone wrongly vilified and speaks to the power of social media to spread hurtful misinformation, which can be a powerful catalyst for misplaced anger.  With its fast and short format, social media and the internet, in general, can easily become a game of telephone, with people sharing half-truths about stories they have no real connection to - leading to a whole culture dedicated to canceling people online. But the song is far from a lament -  it’s a powerful and rage-fueled statement that calls out online bullying and the way it tears people apart.  “‘Locker Room Bully’ is a product of the anger, desperation, and sadness I’ve felt in the last year,” says front person Alexia Roditis. “Throughout my life, I’ve been confronted with people who don’t like me or don’t get what I’m doing or people who think they’re right about something they know nothing about. I am frustrated to no end. But ‘Locker Room Bully’  is also my line in the sand, I suppose -  a sign of letting go of people and situations I don’t control and don’t care about me.”

Open Mouth, Open Heart as a whole shows immense growth in the band both as musicians and people. Outspoken advocates for a myriad of social justice issues, especially when it comes to racial equality, LGBTQA+ rights, and inclusion for all, these themes are prevalent in their music, their actions, and how they use their platform. The 13 track album tackles themes of abuse, bullying, insecurity, as well as deeper familial forces and sees the band stepping into, and owning their power - and truly finding their voices. The record includes two songs written and performed in Spanish by Roditis who is half Argentinian. “‘Lo peor’ was a secret and I didn’t want most people to understand what it was,” she says about recording and releasing their very first songs in Spanish. “‘Te llevo conmigo’ is about my family and my grandparents and the people who came before me, and I wanted to sing in Spanish as a tribute to my dad’s side. Speaking Spanish is important to me and I wanted to incorporate it in some songs so as to further celebrate my culture.  I know a lot of our fans speak Spanish and I wanted to make something for them! So much rock is dominated by the English language, but there are so many good rock bands who speak Spanish and I wanted to contribute to that.” 

Twelve of the thirteen songs on the album were produced and recorded by Will Yip at his studio near Philadelphia during an intense, productive, and isolated February 2021.  The shredding 1 minute track “Muzzle” was produced and recorded by Martin Cooke in Los Angeles shortly beforehand. “Working with Will was like nothing we had ever experienced before,” says Violet Mayugba “as a band and as people. Being in the studio with him was a completely immersive experience. He helped us transform our record from something good into something jaw-dropping.”

Destroy Boys are Violet Mayugba (guitar/vocals) and Alexia Roditis (vocals/guitar), rounded out by drummer Narsai Malik. The punk trio have been redefining West Coast punk, making waves from the California shoreline to the UK, sharing stages with up-and-coming bands like Mannequin Pussy as well as punk stalwarts such as Face To Face and Lagwagon. In addition to having racked up over 60 million streams, their music can be heard in Tony Hawk’s Pro Skater 1+2 game, and Tik Tok has embraced them to the tune of 20 thousand user-made videos and over 3.5M views. Their visceral personal tales have won over the hearts and ears of eager listeners who pack out their shows. After more than a year of no live music the band is thrilled to be getting back on the road on road including the Sad Summer Tour, which kicks off tomorrow where they will be sharing the stage with All Time Low, The Story So Far, The Maine, Movements, and Grayscale. 

OUT OCTOBER 8TH ON HOPELESS RECORDS

Pre-Save // Pre-Order

1. Locker Room Bully

2. Muzzle 

3. Sweet Tooth

4. Lo peor

5. Cherry Garcia

6. Te llevo conmigo (Here Lie All Those Who Have Come Before Me)

7. Bob

8. Drink

9. Ruins

10. Escape

11. All This Love

12. For What

13. Secrets

TOUR DATES

AUG 6  Papa Murphy’s Park Sacramento, CA *

AUG 7  City National Grove Outdoors Anaheim, CA *

AUG 17 Mohawk Austin, TX +

AUG 20 The Orlando Amphitheater at the Central Florida Fairgrounds Orlando, FL *

AUG 21  The Masquerade Outdoors Atlanta, GA *

AUG 23 The Cannery Nashville, TN  +

AUG 24 The Fillmore  Charlotte, NC +

Aug 25 The Norva Norfolk, VA +  

AUG 27 The Rooftop at Pier 17 New York, NY *

AUG 28 MECU Pavilion Baltimore, MD *

AUG  29 Anthology Rochester, NY + 

AUG 31 EXPRESS LIVE! Outdoor Columbus, OH *

SEP 3 Stone Pony Summer Stage Asbury Park, NJ *

SEP 4  The Palladium (Outdoors) Worcester, MA*

SEP 5  Skyline Stage @ The Mann Philadelphia, PA *

SEP 7  Stage AE Outdoors Pittsburgh, PA *

SEP 9  Deluxe Milwaukee, WI +

SEP 10  The Rave / Eagles Ballroom Milwaukee, WI *

SEP 11 Crofoot Festival Grounds Pontiac, MI *

SEP 12 Top Cat’s Cincinnati, OH

SEP 14 Old Rock House St. Louis, MO

SEP 15 The Rino Kansas City, MO

SEP 17 Marquis Theater Denver, CO

SEP 18 Kilby Court Salt Lake City, UT

SEP 20 The Vera Project Seattle, WA

SEP 21 Lola’s Room Portland,  OR

Sep 23 The Holland Project Reno, NV

* w/ the Sad Summer Tour

• w/ The Story So Far

KEEP UP WITH DESTROY BOYS :

WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | SOUNDCLOUD | YOUTUBE | SPOTIFY

THE FIRST 5O GIGS ANNOUNCES THEIR DEBUT PRODUCTION GUNS N’ ROSES AND THE MAKING OF APPETITE FOR DESTRUCTION

THE FIRST 5O GIGS ANNOUNCES THEIR DEBUT PRODUCTION 

GUNS N’ ROSES AND THE MAKING OF

 APPETITE FOR DESTRUCTION

 VISUAL PODCAST  + LOS ANGELES EXHIBIT  WITH 

LETHAL AMOUNTS AT THE ROOSEVELT HOTEL

VIEW THE TRAILER:  HERE

“There isn’t a better person to release any material to do with the coming together and the history of Guns N’ Roses and where it went and what was going on behind the scenes than Marc.” — Slash

Marc Canter and Jason Porath, the authors of the critically acclaimed book Reckless Road are excited to announce the launch of the video podcast The First 50 Gigs: Guns N’ Roses and the Making of Appetite for Destruction. Season One of the show will launch on August 19th at 12am EST exclusively through Patreon. 

The Reckless Road: Guns N' Roses and the Making of Appetite for Destruction book which was published in 2008 and won an IPPY for Pop Culture Book of the Year was just the tip of the iceberg of an archive created by Marc Canter; photographer, music historian, and owner of the world-famous Canter’s Deli. Canter captured the band’s formative years and the heyday of the Sunset Strip music scene.  Canter, who has a photographic memory, came to realize that his memories, the history of this era in Los Angeles, and the formation of this iconic band, will die with him if he doesn’t tell them. The First 50 Gigs project has been years in the making, “Marc’s one-of-a-kind archive on the early days of Guns N’ Roses and the first fifty gigs of the Appetite lineup of Guns N’ Roses is unprecedented,” says Porath. “ Marc truly captured lightning in a bottle and the power of those images he and Jack Lue created will now be amplified by first-hand accounts by the people who were there, giving audiences a true play-by-play unfolding of events.” 

The project was designed as a gift to fans to unlock the stories behind the most famous songs from the ever-elusive band, in particular the younger fans,  many of whom were not even born when Appetite came out. It's an opportunity for them to learn about the stories behind, and ultimately the making of Appetite For Destruction.  “This video podcast is a multilayer documentary told by the people and band members that were there,” says Canter. “Those that  were involved in the incestuous revolving doors of the bands that eventually led to the Appetite for Destruction lineup.”

Putting fans first, this first season of the show will be available in several tiers on Patreon with the intention of growing the show’s community to a level that will enable the production of the next few seasons. All episodes from season one were recorded in English with transcripts available in Spanish and Portuguese. The three subscriptions tiers enable different levels of access from audio-only, to visual and audio, exclusive content which includes additional interviews, bonus video and audio, and merchandise items. All tier levels come standard with private RSS feeds that will allow you to listen to the show on your favorite podcast player (e.g. Apple Podcast, Stitcher, etc.)

“By retelling this story in podcast form, The First 50 Gigs can take listeners deeper into stories, personalities and events and explore every aspect of this origin story that often is left on the cutting room floor of a book or documentary, '' says Porath. “ Anyone around the world can click on a button and transport themselves back in time to the 1980’s Sunset Strip and follow the action that led to one of the greatest Rock N’ Roll breakthrough stories of the decade.”

To celebrate the show’s debut, Los Angeles art gallery Lethal Amounts will be producing The First 50 Gigs launch event and exhibit at the Roosevelt Hotel on August 18th. On display will be select pieces from Canter’s archive featured in the podcast. Without independent music venues taking a chance on unknown artists, bands like Guns n’ Roses would not exist. To ensure that bands like this continue to have a platform to develop and play a portion of the proceeds from the ticket sales for the exhibit will be donated to the National Independent Venue Association’s #SaveOurStages initiative.

TICKET + EVENT INFORMATION: HERE

KAREN JONAS PREMIERES NEW SINGLE “SUMMER’S HARD FOR LOVE” VIA GLIDE MAGAZINE

KAREN JONAS PREMIERES NEW SINGLE  

“SUMMER’S HARD FOR LOVE” VIA GLIDE MAGAZINE 

  NEW EP SUMMER SONGS   

AND  

ACCOMPANYING BOOK OF ORIGINAL POETRY GUMBALLS 

SET FOR RELEASE ON AUGUST 20TH  

LISTEN: “SUMMER’S HARD FOR LOVE”  

Today, award-winning artist Karen Jonas unveils her beautiful new single “Summer’s Hard For Love.” The song appears on Summer Songs, a new four-song EP set for release on August 20th, along with Gumballs, a book of original poetry. “I wrote ‘Summer’s Hard for Love’ years ago, just after I got divorced and entered the dating scene for the first time,” Jonas explained to Glide Magazine, who called the track, “A rainy day whirl of jazzy melodies and crafty songwriting,” adding, “Jonas sings with a warm vibrato that makes like a mix between Lana Del Rey and Cowboy Junkies, evolving into an unforeseen summer go-to song.” 

A two-time Wammie Award winner for Best Country Artist, Mid-Atlantic Songwriting Contest Winner, and Ameripolitan award nominee, Jonas is known for her stellar songwriting, sultry vocals, and compelling stage presence. Her writing harkens back to her songcrafting heroes Joni Mitchell and Bob Dylan, with a sonic nod to modern greats like Gillian Welch and Jason Isbell. Jonas’ investment in artistic excellence continues to pay off with her upcoming release Summer Songs. 

“Over the course of a raw week in January, I wrote frantically. I didn’t worry about what my kids or my mother or you would think, I just wrote. When I amassed over 60 poems, vignettes of hard scenes from my life, I realized I had written a book, covering everything from divorce to religion to dating to spiders,” Jonas recalls. Writing this vastly personal autobiographical collection of poems allowed her to find a more vulnerable place to embrace these gems from her old songwriting notebooks.  

“I began to hear flashes of these songs as I was writing my poetry collection, songs I started writing years ago. I reconnected with them and spent a lot of time reprocessing and editing,” she adds. “I was able to update them to my current songwriting sensibilities while maintaining the sweet vulnerability of the inspiration for these summer-themed tunes.” The result is Summer Songs, three heartfelt originals and a show-stopping  cover of Don Henley classic “The Boys of Summer.” 

Through swooping pedal steel and bluesy guitar, lush harmonies and beautifully-crafted lyricism, Jonas paints a vibrant sonic portrait with stories to which we can all relate—tales of love and loss, and of hope and reclamation. 

TOUR DATES: 

Aug 20 - WTJU In-Studio - Charlottesville, VA 

Aug 21 - Strangeways Brewing - Fredericksburg, VA 

Aug 28 - Brambly Park - Richmond, VA 

Aug 29 - Pie Shop - Washington, DC 

KEEP UP WITH KAREN JONAS

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || YOUTUBE || SPOTIFY

ROSS COOPER RELEASES CHASING OLD HIGHS DELUXE EDITION ON OCTOBER 1, 2021 FEATURING TWO NEW SONGS

ROSS COOPER RELEASES CHASING OLD HIGHS DELUXE EDITION

ON OCTOBER 1, 2021 FEATURING TWO NEW SONGS

 U.S. TOUR DATES CONFIRMED FOR SUMMER/FALL

“CHASING OLD HIGHS” ACOUSTIC VIDEO  WATCH || STREAM

Nashville-based, Texas-raised Americana artist Ross Cooper will release a deluxe edition of his album Chasing Old Highs on October 1, 2021. The album includes two new songs “Cowboy Things” and the single “Indian Summer,” due August 27, 2021. He will celebrate both releases on the road this summer/fall with tour dates throughout the U.S.

“Cowboy Things” was written by Phillip Lammonds and marks the first time Cooper has cut a song he’s not penned. “This song blew me away the first time I heard it,” he recalls. “It’s been a really long time since a song has stopped me in my tracks like this one did.”

 The song tells the story of a cowboy pulling on his boots for the last time. “The language and vocabulary in the song are perfect. The finger picking. The melody. Everything. It’s a song that I wish I would’ve written and can’t believe hasn’t been cut. I’m so proud to get to play this one, and I’m thankful Phillip wrote it.”

 The new single “Indian Summer,” a co-write with Gable Bradley, is about losing a love that you knew you couldn’t keep in the first place.  Although new to the album, it was written a couple years ago. “It’s one of those songs that’s always stayed in the back of my head. I’ve caught myself singing it at random and knew it was time to bring it to life,” says Cooper.

Chasing Old Highs was originally released in February 2021. Upon release, the title track was featured on the Spotify Emerging Americana playlist and Ross was a featured DJ on Gimme Country. He has received praise for his songwriting including many of the album singles:

“Cooper’s voice is defiant and haunting as he praises the resilience of his neighbors, who never met a devil they couldn’t tame. ‘It feels like home in a hell,’ the former bronc rider sings of his gritty stomping grounds, ‘but we’re still here, south of the angels.’”

– Rolling Stone Country Music Pick for “South of the Angels”

 “Ross Cooper is putting his faith in the universe and trying to put his worries out of his mind on his new song ‘Freewheelin’ Feelin’”. – The Boot

 “…with a dose of promise and positivity…[“Hello Sunshine”] inspired by the feeling of waking up on a good day…” – American Songwriter

 “…from the perspective of a rodeo champion, one who can’t keep up with the physical demands of the sport. He recorded a special acoustic version with his dog Jack sitting by his side – well, at least through the first verse. Pups buck to their own time, too.”

 – Holler Country “Artist of the Week” 

ABOUT ROSS COOPER: Ross Cooper grew up surrounded by the melancholy of Lubbock, Texas, floating between his love of horses and song. Watching and listening, he developed an alternative western songwriting style rooted in the craft of the great Lone Star writers Robert Earl Keen and Townes Van Zandt, tempered by a Springsteen-style spirit of the lost road – and anchored by a musical soundtrack sparkling like the big, bright stars at night. Never has that sound been more apparent than on his album Chasing Old Highs.

U.S. TOUR DATES

AUG 13 / FORT WORTH, TX @ Live at Billy Bob’s

AUG 14 / POST, TX @ Post Stampede Rodeo
AUG 27 / NEW BRAUNFELS, TX @ Gruene Hall

AUG 28 / LUBBOCK, TX @ Blue Light Lubbock
NOV 5 / FORT COLLINS, CO @ Sundance Steakhouse & Saloon

NOV 6 / KEARNEY, NE @ Joe’s Honky Tonk

NOV 11 / GREAT FALLS, MT @ The Newberry

NOV 12 / MILLS, WY @ Beacon Club

CHASING OLD HIGHS DELXUE EDITION

RELEASE DATE:  OCTOBER 1, 2021

SINGLE “INDIAN SUMMER”

RELEASE DATE: AUGUST 27, 2021

 KEEP UP WITH ROSS COOPER

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SPOTIFY

NEW ZEALAND INDIE POP CHANTEUSE LISA CRAWLEY RELEASES EP LOOKING FOR LOVE (IN A MAJOR)

NEW ZEALAND INDIE POP CHANTEUSE LISA CRAWLEY RELEASES EP

LOOKING FOR LOVE (IN A MAJOR) ON 7/23

“... a collection of nostalgic, catchy pop songs.” – Muzik.net.nz

Photo Credit: Karen Anne Patti

LOOKING FOR LOVE (IN A MAJOR) || SPOTIFY

New Zealand-born, indie-pop chanteuse Lisa Crawley will release her EP Looking For Love (In A Major) on Friday 7/23.

Under The Radar premiered the EP featuring “...Crawley’s free-flowing style, pulling from classic pop and soul influences from yesteryear and repackaging them today. Therein lies the strength of Looking For Love: Crawley’s ability to take well-worn topics and styles and renew them with fresh energy. It’s a strength that carries Crawley well over the EP’s five tracks of sweeping romanticism.”

Lisa moved to Los Angeles in early 2020, after career forays in London and Melbourne. Over the past year, Lisa harnessed her insatiable creative drive to write “Show You What Love Is”, “Tragedy Boy”, “Clear History” and “See Me Soon”’ all produced with Grammy-nominated Rob Kleiner, who also produced the five song EP Looking For Love (In A Major).

BUZZ FOR LISA CRAWLEY

“...from the opening seconds of reverberating bassline, Crawley hooks you. The tropical vibe is all sunshine, cocktails and romance novels by the hotel pool...There’s something of the playful, poppy, ultra-feminine Nina Elsabet Persson [Cardigan’s] in Crawley’s delivery.” - Audiofemme

“That moment when you think of everything you should’ve said after it’s all said & done perfectly captured in a catchy melody...[“The Right Way”] an anthem for all of humanity.” -BTR Today

“...an impressive peek into Crawley’s style. With a free-flowing melody dancing above a laid-back, soulful groove, the single hits a sweet spot, production-wise. And between the sheer vibes of the tune and Crawley’s transportive lyricism, the finished product is a truly communicative expression, employing rhythm, harmony and verse to depict a complex feeling.” – American Songwriter

Lisa is a four-time APRA Silver Scroll Award nominee, and was twice selected for the prestigious Banff Centre songwriter residency (Canada), where many of her notable songs were written.

A natural collaborator, Lisa has worked with luminary antipodean songwriters Tim Finn, Greg Johnson and Hugo Race, and created her show “Elizabeth” with Bullet Heart Club (Daffodils). Lisa has performed her own song arrangements with the Auckland Symphony Orchestra and opened for Suzanne Vega, John Mayer, Jools Holland, Paul Weller and Simply Red. More recently, Lisa donned her acting hat to star as ‘GIRL’ in the Tony Award-winning musical ‘Once’.

Lisa’s songs also graced the airwaves of US TV shows “Nancy Drew”, “Good Trouble”, “Stumptown”, and “Proven Innocent”.

‘Looking For Love (In A Major)’ will be released July 23, 2021.

LOOKING FOR LOVE (IN A MAJOR) EP || STREAM

“LOOKING FOR LOVE” || VIDEO

“THE RIGHT WAY” || STREAM

THE RIGHT WAY” || VIDEO

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || SPOTIFY

NASHVILLE DUO HAUNTED LIKE HUMAN RELEASE FIRST SINGLE “STAY” ON 7/23 ALBUM TALL TALES & FABLES COMING OCTOBER 15, 2021

NASHVILLE DUO HAUNTED LIKE HUMAN RELEASE FIRST SINGLE “STAY” ON 7/23 

ALBUM TALL TALES & FABLES COMING OCTOBER 15, 2021

Photo Credit: Caroline Voisine

“STAY” LISTEN

NASHVILLE, TENN. - On their new record Tall Tales & Fables (out October 15), Nashville duo Haunted Like Human - Cody Clark (multi-instrumentalist and singer-songwriter) and Dale Chapman (lead singer, lyricist) - delve deeper into inspired songwriting, sparse arrangements, and, naturally, the frisson-inducing harmonies that marked their previous two releases. Despite the album’s title, these songs are honest, above all else. Real, tender, messy honesty.

Today, they premiere the first single “Stay,” that deploys vocal counterpoint to heighten the friction at the heart of the song.

“The stirring acoustic number puts mental health at the forefront, as they ride ravaged waters with grace and ease, alongside a peaceful melody of guitar and strings complementing their haunting, yet serene harmonies.” -AudioFemme

“These are some of my favorite harmonies that we’ve written,” says Chapman. The song deals with a relationship fractured by mental illness, and the harmonies tell both sides of the story. “It’s about looking your demons in the eye, laying all your cards on the table, and reckoning with the damage that’s been done. In the bridge, it’s all stripped down to two people pleading for the other to not give up on them, which I think is so uncomfortably honest and powerful,” Chapman says. Clark and Chapman sing against each other, an iteration of the tension created by the rushed murmur of Chapman’s delivery and refined strings.

“We put a ton of emphasis on storytelling in each of our songs. We tell our own stories, we tell other people’s stories, we tell stories that we’ve seen from touring,” says Cody Clark.  

Limned with nostalgia, soaked in Southern gothic lore, the duo meticulously assembles songs to preserve the spirit of the stories they tell.

With a background in poetry and prose, Dale Chapman’s granular focus on language is simpatico with Clark’s background in classical guitar.

ABOUT HAUNTED LIKE HUMAN:

Hoping to find collaborators who were serious about music, Clark drove from Oregon to Nashville in 2017. Within a couple days, he met Chapman at a coffee shop. She deduced that he was a lost tourist and struck up a conversation, leading to a cowriting session. Next thing they knew, Clark had relocated to Nashville and they were making their first album, Ghost Stories.  On the heels of that, they offered up their Folklore EP, featuring standout single “Feels Like Fire.” While that EP sought to channel the minimalist, intimate spirit of their live shows, Tall Tales & Fables is the next step in their maturation. Polished but not shiny, the album benefits from Mitch Dane’s production. Together with skilled string players, the album developed its own life while staying true to Clark and Chapman’s partnership, one built on literal and metaphorical voices.

 Tall Tales & Fables will be self-released on October 15, 2021.

“STAY” AVAILABLE 7/23

LISTEN

KEEP UP WITH HAUNTED LIKE HUMAN

WEBSITE || FACEBOOK || TWITTER || INSTAGRAM || YOUTUBE || SPOTIFY

ELEANOR BUCKLAND OF LULA WILES MAKES SOLO DEBUT SINGLE “DON’T LOOK DOWN” OUT 7/23

ELEANOR BUCKLAND OF LULA WILES MAKES SOLO DEBUT SINGLE “DON’T LOOK DOWN” OUT 7/23 

DEBUT ALBUM YOU DON’T HAVE TO KNOW DUE OCTOBER 29th ON SOUNDLY MUSIC

Photo Credit: Laura Partain

“DON’T LOOK DOWN” LISTEN || PRE-SAVE

BOSTON, MA. - Eleanor Buckland has been one-third of Lula Wiles, the Boston-based folk-rock trio that has become an acoustic music scene favorite with their three critically hailed albums. For much of this time, however, Buckland was also working on another musical project – her own album. You Don’t Have To Know (due October 29 on Soundly Music) spotlights a different side of Buckland’s musical interests as it sets her deeply personal songs against inventive indie rock arrangements.

Today, she premieres the first single “Don’t Look Down” on BTR Today.

“…a catchy indie number that somehow perfectly juxtaposes feelings of desperation and gloom with optimism and hopefulness. With energetic indie beats paired with Buckland’s soothing delicate vocals, ‘Don’t Look Down’ creates a balance between dark and light energies that makes you feel cleansed within.” – BTR Today

“Don’t Look Down” was written on Mayne Island in British Columbia while on a New Year’s trip. “On the morning of January 1st, I ran into the cold waters of Campbell Bay, plunging down to submerge myself, metaphorically cleansing myself of the previous year. It felt like an awakening, and a hopeful moment of freedom,” explains Eleanor. “This is the song that followed that plunge. It was the first track we recorded in the studio and we built the rest of the album upon this musical foundation. I think of “Don’t Look Down” as both a question and the thesis statement for the record.”

A step away from the traditional folk of her aforementioned group, Eleanor takes a deep dive into the indie rock/pop world. “As I wrote the songs that make up You Don’t Have To Know, I didn’t know what they would become and I didn’t realize I was creating my debut record,” recalls Eleanor. “The process was total freedom; I allowed myself to be creative and exploratory. Having been in bands for my entire musical life, I was discovering my singular voice as an artist in a way I never had before and it was thrilling.” 

Although she thought about recording the tunes, the idea arose from a suggestion by Adam Iredale-Gray, a friend of Buckland’s (and her Lula Wiles bandmates Mali Obomsawin and Isa Burke) at Berklee College of Music and producer of the trio’s self-titled first album. While recording that album, Buckland and Iredale-Gray noticed, as she explains it, “a magical spark of synchronicity in our creative processes.”

Iredale-Gray also assembled a stellar group of players to back Buckland at the three separate Toronto recording sessions that took place in 2017-18. Featuring keyboardist Màiri Chaimbeul, guitarist Sam Gleason and a Toronto-based rhythm section (drummer Justin Ruppel and bassist Charles James), this supporting quartet brought a cohesiveness to the album’s sound. In particular, Chaimbeul delivered major contributions, with her interplay with Iredale-Gray’s guitar work on “Static” and “How Fast, How Far” being notable examples. 

On You Don’t Have To Know, Buckland takes listeners on an emotional journey as her songs address love complicated and love lost, explore struggles with depression and insecurity, and grapple with feelings of uncertainty and helplessness. Or as Buckland succinctly describes the album: “It’s about me trying to figure out who I am and who I was at that time.”

ABOUT ELEANOR BUCKLAND

Born and raised in Maine, Buckland comes from a family full of musicians. Her grandmother, Betty Buckland, was prominent in the New England bluegrass scene, while her father, Andy Buckland, played electric guitar in Boston area bands. It’s not surprising then that someone who grew up playing bluegrass fiddle music as well as a healthy dose of Michelle Branch and Sheryl Crow would wind up with varied musical tastes – something Buckland clearly demonstrates on her solo debut.

“DON’T LOOK DOWN” OUT 7/23

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SEAN ROWE UNVEILS NEW SINGLE “TO MAKE IT REAL” VIA HOLLER.

 SEAN ROWE UNVEILS NEW SINGLE “TO MAKE IT REAL” 

VIA HOLLER. 

NEW LP  THE DARKNESS DRESSED IN COLORED LIGHTS 

OUT ON OCTOBER 8TH VIA FLUFF & GRAVY RECORDS 

Photo credit: Joe Navas

LISTEN: “TO MAKE IT REAL”   

Today, with the release of lead single “To Make It Real,” internationally acclaimed singer/songwriter Sean Rowe announces his forthcoming LP The Darkness Dressed In Colored Lights, set for release on October 8th via Fluff & Gravy Records. “'To Make It Real' looks at the aftermath of heartbreak, when the reality of a relationship's end sets in,” said Holler. in the premiere. 

“The song begins with a more traditional folk-rock sound. ‘All this sky/ All this music floating by/ One day it will be the last time/ You won't get it again,’ Rowe sings on the second verse before 'To Make It Real' shifts its soundscape and sets off into more vibrant alt-rock.” 

“Sonically, I was very much influenced by Radiohead’s In Rainbows with the feel of this track and the direction of the instrumentation,” Rowe explains. “Lyrically — this is for me — a kind of recurring theme that I find in many of my songs. Which is to say that I’m alluding to the duality that I feel is in all of us. All the hidden parts and all the guts that spill out when we’re faced with tragedy, adversity, or a broken heart.” 

~ 

Rowe, an artist and nomad at heart, has made himself into the perfect repository for spun yarns of every variety — hysterical, terrifying, heartbreaking, mystifying, and ridiculous — and on this record, he makes it clear that at some point it’s hard not to feel them all at once.  

While “To Make It Real” was forged from the despair that comes from losing yourself to heartache, album track “Little Death” recognizes that both in spite of and because of such events, it’s possible to find yourself again. Here, Rowe brushes off the dirt and looks ahead to the freedom of only being accountable to oneself.  

“The heaven and hell that swirls around in our head — to a large extent, we make both,” Rowe says. “So, in realizing that, you begin to realize that you have the ability to decide which one you’re gonna make.” He credits therapy and a guided ayahuasca retreat with helping him to reach this understanding.      

The Darkness Dressed in Colored Lights was produced by Rowe’s friend and longtime collaborator Troy Pohl, whom he has known since he was in his early twenties while Pohl was still a teen. The two grew into their professionalism together and here, they make the most of their combined ambition and experience.   

The studio Hive in Eau Claire, Wisconsin was chosen so that they could work with the Grammy-winning engineer, Brian Joseph (Bon Iver) and for its proximity to a group of musicians that Sean came to admire while listening to Anna Tivel’s remarkable album, The Question, in his manager’s basement studio. That group includes drummer/percussionist, and producer Shane Leonard, along with Jeremy Boetcher on bass, and Ben Lester on keys and pedal steel. Courtney Hartman was flown from Colorado to provide background vocals and guitar. Chris Carey provided additional bass, while John DeHaven, Jeff Nania, and Joel Yannuzzi made up the album’s brass section.   

The Darkness Dressed in Colored Lights will be released on CD and double-vinyl, as well as available on all streaming services on October 8th.  Click HERE to pre-order. 

TRACKLIST  

WHAT ARE WE NOW 

TO MAKE IT REAL 

LITTLE DEATH 

I WON’T RUN 

HONEY IN THE MORNING 

MARRIED TO THE LORD 

GABRIEL 

SQUID TATTOO 

TORNADO HEAD 

RABBIT HOLE 

TOAST 

CONNECT WITH SEAN ROWE:   

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AJ LEE AND BLUE SUMMIT ANNOUNCE NEW LP I’LL COME BACK OUT ON AUGUST 20TH NEW SINGLE “LEMONS AND TANGERINES” OUT TODAY

 AJ LEE AND BLUE SUMMIT ANNOUNCE NEW LP 

 I’LL COME BACK OUT ON AUGUST 20TH 

NEW SINGLE “LEMONS AND TANGERINES” OUT TODAY 

LISTEN: “LEMONS AND TANGERINES”   

Today, award-winning Bay Area-based roots powerhouse AJ Lee and Blue Summit announce the upcoming release of their new LP I’ll Come Back, due out on August 20th. Today, the band unveils the latest track from the album, “Lemons and Tangerines,” inspired by a grafted lemon tree in Lee’s backyard. This single follows the release of “Magdalene,” which debuted in June. “This band is good in the bluegrass way,” said Country Queer in the premiere of “Magdalene,” adding, “they use their skill not to show off, but to build songs that are sturdy as houses, with plenty of room for guests, and ready for any weather.” 

LISTEN: “MAGDALENE”  

AJ Lee and Blue Summit made their first appearance in Santa Cruz in 2015. Led by singer, songwriter, and mandolinist, AJ Lee, the bluegrass band has performed all over the world, but found home in California’s Bay Area. In 2019, they released their debut album, Like I Used To.  

Unlike their first record, which featured experimentation with session musicians and electric instruments, I’ll Come Back is a pure reflection of the live sound of the group, hearkening back to their acoustic roots. Each band member performs at their peak, and the variety of songs on the record caters to their broad fanbase. Certain tracks (“Put Your Head Down” and “Faithful”) fall more in the classic bluegrass realm of songwriting, while others (“Lemons and Tangerines” and “I’ll Come Back”) fall into that hard-to-define realm of acoustic Americana that blends mesmerizing lyricism and acoustic mastery.  

Although falling loosely under the bluegrass label, AJLBS generally plays sans banjo, with Sullivan Tuttle and Jesse Fichman on steel stringed acoustic guitars, AJ on mandolin, Jan Purat on fiddle, and Chad Bowen on upright bass - a configuration effectively used to create unique space and texture in the arrangements not as commonly found in the music of their peers.  Drawing from influences such as country, soul, swing, rock, and jam music, the band uses the lens of bluegrass as a vessel through which to express and explore the thread that binds and unifies all great music. 

TOUR DATES  

AUG 7 - The Independent @ 8:00pm - San Francisco, CA [ALBUM RELEASE SHOW]* 

AUG 13 - Caffe Lena @ 8:00pm - Saratoga Springs, NY 

AUG 14 - Podunk Bluegrass Festival 2021 @ 12:20pm - Goshen, CT 

AUG 15 - Hardeman Orchards @ 7:30pm - Red Hook, NY 

AUG 16 - Truro Vineyards @ 8:00pm - North Truro, MA 

AUG 18 - Watermelon Wednesdays @ 3:00pm - Williamsburg, MA 

AUG 18 Watermelon Wednesdays @ 7:30pm - Williamsburg, MA *SOLD OUT* 

AUG 19 - Music Hall @ 6:00pm - Portsmouth, NH 

AUG 19 - Music Hall @ 8:00pm - Portsmouth, NH 

AUG 20 - Mauch Chunk Opera House @ 8:00pm - Jim Thorpe, PA  

AUG 21 - Della Mae's Fam Fest @ 2:00pm - Round Hill, VA 

AUG 22 - Stages Music Arts @ 7:00pm - Cockeysville, MD 

AUG 26 - Casa Flamenca, Inc. @ 7:30pm - Albuquerque, NM 

AUG 27 - Wildwood Sounds @ 7:00pm - Del Norte, CO 

AUG 28 - Taos Center for the Arts @ 7:30pm - Taos, NM 

AUG 29 - Number Thirty Eight @ 8:00pm - Denver, CO 

AUG 30 - MainStage Brewing Company @ 6:00pm - Lyons, CO 

AUG 31 - Sherbino Theater @ 7:00pm - Ridgway, CO 

SEP 1 - Dolores River Brewery @ 7:00pm - Dolores, CO 

SEP 3 -  Four Corners Folk Festival 2021 @ 7:00pm - Pagosa Springs, CO 

SEP 10 - Sierra Meadows @ 7:30pm - Ahwahnee, CA 

SEP 11 - Black Oak Concert Series @ 7:00pm - Tuolumne, CA 

SEP 18 - Whale Rock Music Festival @ 7:00pm - Templeton, CA, United States 

SEP 19  - Lodi Grape Festival Grounds @ 6:00pm - Lodi, CA 

SEP 24 - FreshGrass Festival 2021 @ 11:00am - North Adams, MA 

SEP 22-25 - AMERICANAFEST -  Nashville, TN 

OCT 1 - Sisters Folk Festival 2021 @ 12:00pm - Sisters, OR 

OCT 8 - McCabe’s Guitar Shop @ 8:00pm - Santa Monica, CA 

OCT 9 - Paramount Ranch @ 3:00pm - Agoura Hills, CA 

OCT 30 - Felton Music Hall @ 8:30pm - Felton, CA 

NOV 20 - Hopmonk Tavern @ 8:00pm - Novato, CA^  

* w/ The Sam Chase Trio & The Coffis Brothers 

^w/ The Coffis Brothers 

CONNECT WITH AJ LEE AND BLUE SUMMIT:   

WEBSITE || FACEBOOK || INSTAGRAM || TWITTER || YOUTUBE || SPOTIFY    

BOSTON INDIE ROCK BAND THE COLLECT POND RELEASE NEW SINGLE “BURROW” ON 7/23

BOSTON INDIE ROCK BAND THE COLLECT POND RELEASE NEW SINGLE “BURROW” ON 7/23

 “The Collect Pond reveals chapters of Danny Moffat’s life via ominous reflecting pools… right when the water seems eerily stagnant, a wave of relief arrives to wash away the sticky feeling of malaise…” - Vanyaland

Photo Credit: Mike Morrissey

“BURROW” LISTEN || PRE-SAVE  

BOSTON, MA - The Collect Pond, the moniker for Boston-based singer-songwriter and audio engineer Danny Moffat, will release their third album Long Range on 9/24. The first single, “Burrow,” available on 7/23 has a cascade of guitar textures, twinkling keys, and arena-ready drums with a ghostly voice building throughout, exorcising the fear felt in 2020 into dark atmospheric dream-pop. The cover art for the single is by fellow musician/artist Kevin Alvir (aka Kevin Hairs). 

“Despite its downtrodden cadence, the new track turns the tide on melancholy… the steady shoegaze of ‘Burrow’ comes emboldened by a sense of authority—both over your own headspace, and your country’s future.” - Vanyaland

The Collect Pond is a geographical location in New York, NY, chosen by Moffat for his own music since the imagery of an oasis in the city seemed fitting, as recording and self-expression offered a similar kind of respite, a way to cope with the tenseness that permeates New York life. It also creates of coexisting mix of species in one ecosystem, or musically speaking, a myriad of influences and styles under one name.

On the new album, Long Range (out 9/24), Moffat mixes folk elements from past The Collect Pond output, while adding harder tinged rock elements that raise the stakes sonically. Long Range offers more guitars, more electronic instruments, and more live drums. The result is an amped up sound that takes the listener on a weird and wonderful journey into Moffat’s pandemic escapist headspace.

ABOUT DANNY MOFFAT

Danny Moffat is a recording engineer who began recording under the moniker The Collect Pond while in New York City. There, he assisted on albums for The Happy Fits and Cold Fronts with producer Ayad Aladhamy (Passion Pit), was a session guitarist for BMJ Studios where he laid tracks on “Diamonds” by Que Believe, and worked as a receptionist at Electric Lady Studios.

The first release, The Collect Pond, was a sparse affair, solely acoustic guitars and voice. The first record featured the single “I Never Knew,” which is on the soundtrack to the award-winning short film “Hey Mama” starring Lindsey Broad (The Office, Silicon Valley).

On the follow up, Moffat upped the production value for a rockier sound on In the Garden, which includes the indie-folk single “Traveling,” that found an audience through playlists and received glowing reviews from the music blogosphere.

“BURROW” OUT 7/23

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WHO? WHAT? WHEN? WHY? & WEREWOLVES? PREMIERE VIDEO FOR “HARD FEELINGS” ON WXPN’S THE KEY

WHO? WHAT? WHEN? WHY? & WEREWOLVES? PREMIERE VIDEO FOR

“HARD FEELINGS” ON WXPN’S THE KEY 

“Indie-folk duo Who? What? When? Why? & Werewolves balance a reverence for musical tradition with an irreverent sense of humor, and both of those worlds collide in their new music video for ‘Hard Feelings.’” – TheKey.xpn.org

Photo Credit: Jesse Gennett

“HARD FEELINGS” VIDEO || WATCH 

PHILADELPHIA, PA –  Philadelphia-based duo Andrew Fullerton (vocals, guitar) and Matt Orlando (vocals, banjo) - behind the quirky, punchy nügrass band Who? What? When? Why? & Werewolves? – find their full voice on the sophomore album Hard Feelings available 8/13/21.

Today, they release the video for the title track “Hard Feelings” about a weary, time-tested relationship with accompanying video directed by Big Howl (Nicole Atkins “Brokedown Luck” & “Mind Eraser”, Netflix’s Worn Stories). For the video, the Big Howl art department built the Andrew and Matt dummies from a YouTube tutorial and most of the dolls were sourced from co-director Paul Triggiani’s mom’s personal doll collection. 

“The Big Howl guys really understand the bizarre tenderness I try to convey in my songwriting,” says Andrew Fullerton. “Usually I send them the song and they say ‘how weird do you want to get’ and I just say ‘I trust you.’ You can tell from the story that the woman and her dummies go back away and their relationship has it’s up and downs as well.” 

The video comes on the heels of “Little In Love,” the second single released on 7/9.

“There’s a definite energy to the band Who? What? When? Why? & Werewolves, and the touch of banjo slowly building its way in to anchor [“Little In Love”] is a sweet touch. Enjoy the Americana sentiments of what’s sometimes known as the “6w” band. And really — who isn’t a little in love with everyone?” - Americana Highways

“…indicative of that easy folk approach, with a light, country tone that’s easy on the ears… a beautiful and wistful fiddle. You may be pursuing what you love, but there are residual effects of that, some of which are not always so positive on others.” – V13

The forthcoming album continues their subversive and often humorous approach to heavy subjects. “This record is about the difficult conversations we have with ourselves, our partners, and our friends and family” says Fullerton, “And also how do we have these conversations with empathy.”

“It’s just the two of us when we tour, so Andrew and I have these very deep, existential conversations about our lives, love, nihilism, music, and all these different things,” adds Orlando. “The songs were born from those conversations”

HARD FEELINGS || PRE-SAVE LINK

RELEASE DATE:  AUGUST 13, 2021

SINGLE  “QUITTIN'” || SPOTIFY || YOUTUBE

SINGLE “LITTLE IN LOVE'” || SPOTIFY || YOUTUBE

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NASHVILLE ARTIST BETTY REED’S LATEST SINGLE “MISUNDERSTOOD” OUT NOW

NASHVILLE ARTIST BETTY REED’S LATEST SINGLE

“MISUNDERSTOOD” OUT NOW  

 MISTAKES MADE, LESSONS LEARNED EP OUT SEPTEMBER 3, 2021

Photo Credit: Taylor Napier

Nashville artist Betty Reed’s message is loud and clear on her new single “Misunderstood” out Friday, July 16th. It’s the second single from her forthcoming EP Mistakes Made, Lessons Learned out on 9/3.

“The polished country-pop tune is meaningful in so many ways, a bold statement about an important issue that for too long has been swept under the rug.” – V13

“The idea of this song came to me after reading an article about the origins of the MeToo Movement,” explains Reed. “In many of cases, there was a lot of victim shaming and blaming. Many times the aggressor would say they simply misunderstood or misread the situation.” 

She continues, “I deliberately chose not to use gender pronouns in this song. EVERYONE (he, she, them) has experienced harassment in some form or another. This song is for all those people who need to hear that ‘no’ means ‘no.’” 

Drawing on personal experiences, Betty Reed relates stories of everyday life through her music. Struggles. Triumphs. Journeys. Her expressive vocals and clever lyrics resonate throughout her debut EP Mistakes Made, Lessons Learned, produced by Bill McDermott.

It’s an eclectic collection of songs that showcase Reed’s ability to write and perform across a musical spectrum. The first single “Karma” is about that moment you are free from an abusive relationship while the other person finally gets their comeuppance.

“Reed’s liberating version of payback is transformed into a modest pop number where instead of wishing ill upon her former partner, she finds freedom in personal happiness and self-love.”

– AudioFemme

 While other songs are about her experiences with depression — the ways in which she finds her way out of the dark and into the light. You can hear this theme in “Let It Out” and “Happy.”  

“Even though the subject matter of most of songs is serious, I mask it with an upbeat vibe—it’s this veneer of cheeriness that you feel you have to project in order to feel normal.”

Mistakes Made, Lessons Learned will be released on September 3, 2021.

 “KARMA” (OUT NOW)  SPOTIFY || YOUTUBE

“MISUNDERSTOOD” (COMING 7/16) || PRE-SAVE

KEEP UP WITH BETTY REED

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